Science Fiction The Wonder Of Human Imagination

Science Fiction explores the probable consequences of some improbable or impossible transformation of the basic conditions of human (or intelligent non-human) existence. This transformation need not be a technological invention, but may be some mutation of known biological or physical reality: artificial or extraterrestrial life-forms and travel through time are favourite subjects. Science Fiction stories may involve Utopian political speculation, or satire, but most rely on the marvellous appeal of fantasy. The term Science Fiction was first given general currency by Hugo Gernsback, editor of the popular Amazing Stories magazine from 1926. Once uniformly dismissed as pulp trash, SF gained greater respect from the 1950s, as writers like Isaac Asimov, Ray Bradbury, Arthur C. Clarke, and John Wyndham expanded its range; themes of alien invasion and brain-washing became especially popular at the height of the Cold War.

At a time when speculative fiction seems less and less far-fetched, Margaret Atwood lends her distinctive voice and singular point of view to the genre in a series of essays that brilliantly illuminates the essential truths about the modern world. This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer. This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias. In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.

An authoritative and lively account of the development of the genre, by leading experts in the field.

The writer Ray Bradbury, science fiction expert Forry Ackerman, and special effects genius Ray Harryhausen are world-famous for their careers involving tales of the imagination. Before anyone had heard of them, they were friends as teens and college-aged boys enjoying all that 1930s L.A. had to offer: getting celebrity autographs, watching blockbuster movies, and haunting dozens of bookstores. As members of the Los Angeles chapter of the Science Fiction League, the three belonged to a tight-knit group that was involved in the earliest science fiction conventions and the birth of cosplay. This book follows the lives and careers of these three literary and film legends and tracks the origins of science fiction fandom. Each chapter builds a chronology of how their paths intertwined, and ultimately connected to, the beginnings of renowned fan conventions like Comic-Con. Devoted science fiction fans and new readers alike will learn how a young friendship launched three illustrious careers and changed the face of science fiction forever.

The art of writing great science fiction is that it challenges the imagination, pushing it to extreme limits and in this anthology, selecting some of the best modern science fiction from the last fifty years, twenty leading authors of the genre ask the question 'What if...?' and then give their own very personal views of the changes and surprises which may befall humanity in the centuries to come. In Ulla, Ulla Eric Brown recounts the first manned Martian expedition and discovers that H. G. Wells may have been right after all. In The Infinite Assassin Greg Egan polices the dimensions, seeking those who are taking over their alternate selves. Geoffrey A. Landis takes us into the depths of a black hole in Approaching Perimelasma. Is the ultimate Utopia heaven or hell? Robert Sheckley finds out in the classic A Ticket to Tranai. These and other stories by James White, Eric Frank Russell, Robert Reed, H. Beam Piper and H. Chandler Elliot make this one of the most entertaining and thought-provoking science fiction anthologies in lightyears.

At the close of the eighteenth century, Erasmus Darwin declared that he would 'enlist the imagination under the banner of science,' beginning, Michael Page argues, a literary narrative on questions of evolution, ecology, and technological progress that would extend from the Romantic through the Victorian periods. Examining the interchange between emerging scientific ideas-specifically evolution and ecology-new technologies, and literature in nineteenth-century Britain, Page shows how British writers from Darwin to H.G. Wells confronted the burgeoning expansion of scientific knowledge that was radically redefining human understanding and experience of the natural world, of human species, and of the self. The wide range of authors covered in Page's ambitious study permits him to explore an impressive array of topics that include the role of the Romantic era in the molding of scientific and cultural perspectives; the engagement of William Wordsworth and Percy Shelley with questions raised by contemporary science; Mary Shelley's conflicted views on the unfolding prospects of modernity; and how Victorian writers like Charles Kingsley, Samuel Butler, and W.H. Hudson responded to the implications of evolutionary theory. Page concludes with the scientific romances of H.G. Wells, to demonstrate how evolutionary fantasies reached the pinnacle of synthesis between evolutionary science and the imagination at the close of the century.

As technology advances, society retains its mythical roots--a tendency evident in rock music and its enduring relationship with myth and science fiction. This study explores the mythical and fantastic themes of artists from the late 1960s to the mid-1980s, including David Bowie, Pink Floyd, Jefferson Airplane, Blue Oyster Cult, Iron Maiden, Led Zeppelin and Black Sabbath. Drawing on insights from Joseph Campbell, J.G. Frazer, Carl Jung and Mircea Eliade, the author examines how performers have incorporated mythic archetypes and science fiction imagery into songs that illustrate societal concerns and futuristic fantasies.

As a child, I was always drawn to the captivating allure of science fiction stories. The idea of exploring new worlds, encountering strange creatures, and delving into the mysteries of the universe fascinated me to no end. I would spend hours immersed in the pages of books, imagining myself as an intrepid explorer venturing into the unknown. As I grew older, my love for science fiction only deepened. I realized that it was not just the thrill of adventure that drew me to these stories, but also the profound sense of wonder and curiosity they inspired in me. Science fiction, with its imaginative and often mind-bending concepts, allowed me to escape the confines of reality and explore the boundless possibilities of the human imagination. I soon discovered that I was not alone in my fascination with science fiction. People of all ages, from young children to seasoned adults, were equally enthralled by the genre. It seemed that there was something universal about the appeal of science fiction - something that transcended age, gender, and background. But what was it that made science fiction so irresistible to so many people? Was it the allure of fantastical worlds and futuristic technology, or the thrill of encountering the unknown? Perhaps it was a combination of both - a powerful blend of imagination and exploration that captivated the hearts and minds of readers everywhere. For me, reading science fiction was a journey of discovery - a chance to step outside the boundaries of reality and into a realm of limitless possibilities. It was a way to question the status quo, challenge the limits of what we know, and imagine a future that was both awe-inspiring and terrifying... So whether you are a child dreaming of distant planets, a teenager pondering the mysteries of the universe, or an adult grappling with the complexities of our world, science fiction has something to offer everyone. It is a genre that transcends age and time, inviting us all to embark on a journey of discovery and exploration that is as thrilling as it is enlightening...)