Scientific Romances Of H G Wells

In this critically acclaimed and bestselling novel, Ronald Wright has fashioned a story for our times, an unforgettable chronicle of love, plague and time travel in the tradition of Nineteen Eighty-Four and The Handmaid's Tale.

This is a sensitive study of Wells’ imaginative development during his formative years. It comes at a time when interest in H.G. Wells’ early writing is beginning to revive, owing, no doubt, to the current translation into reality of some aspects of science fiction. Mr. Bergonzi examines Wells’ early fiction, from surviving student writings of the late eighties to 1901 when he published The First Men in the Moon, his last significant scientific romance, and Anticipations, his first systematic non-fictional treatise. The main emphasis of his study falls on the scientific romances of the nineties, which are examined in detail. In addition to literary analysis, relevant source material and reviews, which show how contemporaries received Wells’ work, are noted. Wells’ early attitude to science is shown to have been deeply ambivalent, as is apparent in his successive uses of the Frankenstein archetype. His intellectual attitudes tended towards scepticism and pessimism rather than to the ‘utopian’ optimism associated with his later career. These romances reflect in imaginative and non-discursive form some of the major preoccupations of late-Victorian England: the impact of Darwinism, of Socialism, and an increasing lack of national self-confidence. Mr. Bergonzi sees Wells as essentially a fin de siècle myth-maker, and he argues that it is this aspect of Wells’ work which most requires attention if he is to be remembered in the future. Two early pieces by Wells, now unobtainable elsewhere, are given in an Appendix. One, The Chronic Argonauts, a fragment of a fantastic novel written at the age of 21, is the earliest draft of The Time Machine.

What is t first believed to be falling stars or harmless meteorites turns out to be cylindrical Martian ships filled with nightmarish, tentacled invaders and their robotic war machines. When curious Englanders come to inspect the massive containers imbedded in the still-smoking countryside, metallic appendages emerge from the pits to kill every living thing in their path with strange heat rays. Then as the surrounding townships slowly devolve into chaos, the Martians begin constructing giant tripod war machines to track down and kill--or capture-- as many of the human "inferior animals" as possible. The nameless narrator, trapped in a house almost completely crushed by the impact of a starship, watches in horror as the seemingly unstoppable Martians build their mechanical armies, kill hundreds with poisonous gas-- and begin snacking on capture humans!

The First Men in the Moon is a scientific romance published in 1901 by the English author H. G. Wells, who called it one of his "fantastic stories."The novel tells the story of a journey to the moon undertaken by the two protagonists, a businessman narrator, Mr. Bedford, and an eccentric scientist, Mr. Cavor. Bedford and Cavor discover that the moon is inhabited by a sophisticated extraterrestrial civilization of insect-like creatures they call "Selenites." The narrator is a London businessman who withdraws to the countryside to write a play, by which he hopes to alleviate his financial problems. Bedford rents a small countryside house in Lympne, in Kent, where he wants to work in peace. He is bothered every afternoon, however, at precisely the same time, by a passer-by making odd noises. After two weeks Bedford accosts the man, who proves to be a reclusive physicist named Mr. Cavor. Bedford befriends Cavor when he learns he is developing a new material, cavorite, which can negate the force of gravity. When a sheet of cavorite is prematurely processed, it makes the air above it weightless and shoots off into space. Bedford sees in the commercial production of cavorite a possible source of "wealth enough to work any sort of social revolution we fancied; we might own and order the whole world." Cavour hits upon the idea of a spherical spaceship made of "steel, lined with glass," and with sliding "windows or blinds" made of cavorite by which it can be steered, and persuades a reluctant Bedford to undertake a voyage to the moon; Cavor is certain there is no life there. On the way to the moon, they experience weightlessness, which Bedford finds "exceedingly restful."On the surface of the moon the two men discover a desolate landscape, but as the sun rises, the thin, frozen atmosphere vaporizes and strange plants begin to grow with extraordinary rapidity. Bedford and Cavor leave the capsule, but in romping about get lost in the rapidly growing jungle. They hear for the first time a mysterious booming coming from beneath their feet. They encounter "great beasts," "monsters of mere fatness," that they dub "mooncalves," and five-foot-high "Selenites" tending them. At first they hide and crawl about, but growing hungry partake of some "monstrous coralline growths" of fungus that inebriate them. They wander drunkenly until they encounter a party of six extraterrestrials, who capture them.The insectoid lunar natives (referred to as "Selenites," after Selene, the moon goddess) are part of a complex and technologically sophisticated society that lives underground, but this is revealed only in radio communications received from Cavor after Bedford's return to earth. Bedford and Cavor break out of captivity beneath the surface of the moon and flee, killing several Selenites. In their flight they discover that gold is common on the moon. In their attempt to find their way back to the surface and to their sphere, they come upon some Selenites carving up mooncalves but fight their way past. Back on the surface, they split up to search for their spaceship. Bedford finds it but returns to Earth without Cavor, who injured himself in a fall and was recaptured by the Selenites, as Bedford learns from a hastily scribbled note he left behind... Herbert George Wells (21 September 1866 - 13 August 1946)-known as H. G. Wells-was a prolific English writer in many genres, including the novel, history, politics, social commentary, and textbooks and rules for war games. Wells is now best remembered for his science fiction novels and is called a "father of science fiction," along with Jules Verne and Hugo Gernsback.