Scoring For Britain

This work studies the links between international football and politics in Britain between 1900 and 1939. It shows how the British government saw sport as an instrument of policy and cultural propaganda.

This work studies the links between international football and politics in Britain between 1900 and 1939. It shows how the British government saw sport as an instrument of policy and cultural propaganda.

The 1936 Olympic Games played a key role in the development of both Hitler’s Third Reich and international sporting competition. The Nazi Olympics gathers essays by modern scholars from prominent participating countries and lays out the issues--sporting as well as political--surrounding the involvement of individual nations. The volume opens with an analysis of Germany’s preparations for the Games and the attempts by the Nazi regime to allay the international concerns about Hitler’s racist ideals and expansionist ambitions. Essays follow on the United States, Great Britain, and France--top-tier Olympian nations with misgivings about participation--as well as Germany's future Axis partners Italy and Japan. Other contributions examine the issues involved for Finland, Sweden, Norway, Denmark, and the Netherlands. Throughout, the authors reveal the high political stakes surrounding the Games and how the Nazi Olympics distilled critical geopolitical issues of the time into a spectacle of sport.

This volume investigates the fields in British history that have been illustrated by the works of Ross McKibbin. Written by a distinguished team of scholars, it examines McKibbin's life and thought, and explores the implications of his arguments.

Sport plays a highly significant role in the lives of millions the world over, and yet the impact of this global phenomenon on the subject of international relations hes been neglected. The contributors to this collection argue that sport remains both an underestimated and understudied aspect of international relations, and that the growth of its importance should be seen in the complex interdependencies and global systems of governance. The text examines: * how the expansion of professional sport, and the revenues generated by mass media's links with sport have transformed the international political economy; * how sport contributes to nation building and notions of identity; * how sport is a significant facet of international diplomacy. International sport is far from being peripheral to international relations. This challenging and comprehensive introduction will be of interest to students and all those working in international relations and sport studies.

This comprehensive book explains to library staff and students how interlending and document supply (IDS) operates in the United Kingdom. It also helps librarians overseas understand how to interact with UK libraries. Interlending and Document Supply in Britain Today a comprehensive treatment of the subjects which IDS librarians in all types of library need to know, in order to work more effectively. Senior library managers will benefit from an overview of the current organisation of IDS, enabling them to improve their support to frontline staff and to identify issues which will be important in the future. Written by a team of practising IDS librarians Covers all aspects of IDS operations Includes the issues which may be important in the future

Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.