Screen World 1962

This is the first book on enduring Hollywood star Eleanor Parker, long underrated despite three best actress Academy Award nominations (Caged, 1950; Detective Story, 1951; Interrupted Melody, 1955). Parker was a beauty as well as a versatile actress, and her achievements approach those of more publicized colleagues Bette Davis and Katharine Hepburn. With Parker's blessing and her son Paul Clemens' cooperation, Doug McClelland has written one of the most thorough examinations of a film star's career. The book is valuable to librarians, academies, and film enthusiasts for its extensive documentation and analyses of all of Parker's work, for the bibliographies of her coverage in books and periodicals, for the portrait of a glamorous, creative era in filmmaking, and for the insights into the careers of Eleanor Parker's associates, many among the most heavily researched motion picture artists of cinema's "Golden Age." The book contains a forward by noted screenwriter William Ludwig, who won an Academy Award for Parker's Interrupted Melody, and afterword by Marjorie Lawrence, the opera singer whom Parker portrayed in Interrupted Melody, and photos of Eleanor Parker that show her in many of her "thousand faces."

This Handbook provides critical, interdisciplinary contributions from leading international academics on the theory and methodology, practical applications, and broader context of Management Information Systems, as well as offering potential avenues for future research

Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)

Since culture, the media and the arts deal with the perception and the processing of catastrophe, what kind of social knowledge does this process produce and how does it contribute to the sustainable development of societies? The book seeks to understand how societies and cultures deal with disaster and the rhetorical means they resort to in order to represent it. It is situated on the cusp between the response to natural catastrophe, the renewed awareness of human vulnerability in the face of environmental hazard and irresponsible policies and the social role of traditional knowledge and humanistic ideas for the preservation of human communities. It aims to be diverse, in disciplinary allegiance and cultural situation, and relevant, by bringing together articles by well-known scholars and policy makers to jointly discuss the possibilities of reframing hazard for the future, so that one may learn from restored behavior instead of repeating the mistakes of the past.

The Korean Conflict (as it is sometimes known) dramatically changed the way that Americans viewed war. The lack of a clear-cut victory inspired filmmakers to try to make sense of fighting another country's civil war and risking American lives for a largely unpopular cause. More than 50 movies about the Korean War appeared in the 15 years after it ended, and dozens more have appeared since then.This filmography details more than 90 English-language films that chronicle or depict the Korean War and its consequences. Each film entry includes complete cast and credit listings, a plot synopsis, evaluation, review snippets, and notice of video availability. This book places each Korean War film in its historical context, assesses the essential truthfulness and relevance of each film, evaluates each film's entertainment value, and discusses how--and why--Korean War films differ from other Hollywood war genres. The book also provides information on themes and subjects that appear in the films and an outline of the war and those films which portray historical events. The first four appendices list the films by chronology, production company and studio, level of historical accuracy and subject and theme. The following appendices provide a listing of films with superficial or incidental references to the Korean War, a film listing of documentaries on the Korean War and a film listing of South Korean films about the Korean War. Also included are photographs from each film and its marketing campaign, a bibliography, and an index.

Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems. The book examines the two Iraq wars, 9/11 and the War on Terror through the lens of performance studies, and, drawing on the writings of Giorgio Agamben, Alain Badiou and Martin Heidegger, alongside the dramas of Beckett, Genet and Shakespeare, and the theatre of the Kantor, Foreman, Socíetas Raffaello Sanzio and the Wooster Group, the book positions theatre and performance in technoculture and articulates the processes of aesthetics, metaphysics and politics. This wide-ranging study reflects on how the theatre and performance have been challenged and extended within these new cultural phenomena.