Sebasti O Salgado From My Land To The Planet

Sebastião Salgado's photographs have been shown around the world. In From My Land to the Planet the photographer tells us the story of his most famous reportages: from the black and white portraits of unknown men and women, workers or refugees, to the more recent Genesis project, a portrait of the most incontaminated places of our planet. With a kindness and a disarming simplicity, Salgado rebuilds his path, exposes his beliefs, makes us witnesses of his emotions. In this volume his talent as a storyteller and the authenticity of a man who knows how to combine activism and professionalism, talent and generosity, clearly emerge. The reader will discover fascinating stories of every corner of the world, both near and remote, from Africa to the Americas, and then again the birth of the Instituto Terra, of the Genesis project, of Magnum Photos and Amazonas Images.

The Salt of the Earth is an award-winning documentary by Wim Wenders, inspirated by From my Land to the Planet.

Sebastião Salgado documents traditional methods of sustainable coffee farming across the globe, revealing rituals steeped in history and pride. The book spans a decade of research into the world of coffee, highlighting relationships characterized by respect, fair exchange, and a shared understanding that ever-improving quality has the power to improve lives.

"Sebastião adored exploring the paradise of his parents' farm in the Mata Atlântica forest of Brazil. From atop a hill, he would look at the world from a new perspective and dream of what might lie beyond his view. Then, when he went away to school, Sebastião met Lélia, who showed him how to use a camera for the very first time. When Sebastião looked through the camera, he realized he could use photography to organize how the world fit together. Because of his talent for seeing what others could not, Sebastião traveled the world and took pictures for all kinds of news stories. But after witnessing too many painful images of environmental destruction and violence, he put away his camera and returned with Lélia to his childhood home. But, when they arrived at the farm, the land was in ruins. So Lélia suggested they rebuild the rain forest and make their efforts an example to others. Through art and activism, Sebastião and Lélia would show that everyone was connected to a large ecosystem and responsible for its care, and that all may not be lost if we take action"--

This is the first full critical study of the work of the popular documentary photographer Sebastião Salgado. Nair explores all the stages of Salgado's work, including the recent more ecological subjects, showing its planetary commitments.

A collection of photographs of manual workers. The author's photographs bestow dignity on the most isolated and neglected, from refugees in the famine-stricken Sahel, to the men who swarm the gold mines of Brazil.

Denouncing racism and celebrating diversity have become central mainstays of progressive politics: for many on the left, social justice consists of equitable distribution of wealth, power, and esteem among racial groups. But as Adolph Reed, Jr. and Walter Benn Michaels argue in this groundbreaking collection of essays, the emphasis seems to be tragically misplaced. Not only does a fixation with racial disparities distract from the pervasive influence of class—it actually legitimises economic inequality. “Adolph Reed, Jr. is the towering radical theorist of American democracy of his generation.” —Cornel West “Walter Benn Michaels is cunning, brilliant, acutely suggestive, exhilarating to read.” —Eric Lott “Wokelords and anti-racist liberals will be frustrated, enraged, and defeated. This book pushes us closer towards the uncompromising, bare-knuckled anti-capitalist movement we so desperately need.” —Cedric Johnson “An exhilarating journey that swaps the orthodoxies of contemporary progressive culture for a class politics rooted in universalism.” —James Bloodworth “Adolph Reed, Jr. and Walter Benn Michaels have been among the clearest voices critiquing the dominant race reductionism in American intellectual life and proposing a real egalitarian alternative.” —Bhaskar Sunkara “Anyone interested in the politics of race and class must push aside the dogma of identity and grapple with what Reed, Jr. and Michaels have been arguing for decades.–Jodi Dean “These essays tell the story of the last seven decades, charting the decline of the left and American politics. The result is as rich as it is rare: a long view that is pressing and immediate.” —Corey Robin “Reed, Jr. and Michaels take a hammer to common ways of thinking about race, class, inequality and identity, revealing ugly truths, and challenging us out of our comfort zones.” —Kenan Malik

A gorgeously illustrated picture book biography about Brazilian photojournalist, humanitarian, and environmental advocate Sebastião Salgado. As a young boy, Sebastião Salgado loved exploring his parents’ farm in the forests of Brazil, always dreaming of what might lie beyond his view. When he went away to school, he met Lélia, who showed him how to use a camera. As he looked through the lens, Sebastião realized he could use photography to capture how the world fits together. Sebastião used his pictures to tell the stories of people who might not otherwise be seen. But after witnessing too much destruction, he put away his camera and returned to his childhood home. The land was in ruins. So Sebastião and Lélia decided to rebuild the rainforest and photograph the beauty of the world to save it. Through art and activism, they would show that everyone was responsible for caring for the planet and that hope endures if we take action.