Secreted Desires

Explores how Walter Pater and his contemporary aesthetes were influenced by modern philosophies. Repositioning Walter Pater at the philosophical nexus of Aestheticism, this study presents the first discussion of how Pater redefines Romantic Individualism through his engagements with modern philosophical discourses and in the context of emerging modernity in Britain. It also considers the dynamics between form and thought at the fin de siecle, contextualizing its comments in terms of Matthew Arnold, Oscar Wilde and Vernon Lee and others, to offer a fully integrated account of the intellectual cultures and currents in this period.

The first monograph on a Surrealist cult classic, Reading Claude Cahun's Disavowals offers a comprehensive account of Cahun's most important published work, Aveux non avenus (Disavowals), 1930. Jennifer L. Shaw provides an encompassing interpretation of this groundbreaking work, paying careful attention to the complex interrelationship between the photomontages and writings of Aveux non avenus. This study argues that the texts and images of Aveux non avenus not only explore Cahun's own subjectivity, they formulate a trenchant social and cultural critique. Shaw explores how Cahun's work both calls into question the dominant culture of interwar France - with its traditional gender roles, religious conservatism, and pronatalism - and takes to task the era's artistic avant-garde and in particular its models of desire. This volume cuts across the disciplinary boundaries of interwar art studies, demonstrating how one artist's personal exploration intervened in wider contemporary debates about the purpose of art, the role of women in French culture, and the status of homosexuality, in the aftermath of World War I.

Civilized Rebels compares in depth four very well-known literary and political figures, who all opposed arrogant regimes and became prisoners. Through comparative biographies of Oscar Wilde, Jean Améry, Nelson Mandela and Aung San Suu Kyi, it explores the long-term process of the retreat of the West from global power since the late nineteenth century, relating this to the decline and fall of the British Empire and the trauma surrounding Brexit. Drawing on rich empirical materials to examine themes of forced displacement, war, poverty, imprisonment and the threat of humiliation, the book reveals how these highly civilized rebels penetrated their opponents’ mind-sets, while also providing a sophisticated analysis of how their struggles fitted into the larger world picture. Methodologically and theoretically innovative, and written in a lively and accessible style, Civilized Rebels will appeal to scholars across a range of disciplines, with interests in globalization, historical international relations, postcolonial and subaltern studies, comparative biographical studies, European studies, the sociology of emotions and historical sociology.

In the past decade philosophers and political theorists have increasingly pondered the role of religion in a modern secular society, and of the possible value of religion as a resource for contemporary thinking. The global resurgence of a new religious politics – graphically symbolised by 9/11 - has added a new urgency to this project; how is religion to be integrated, and if necessary contested, in such a time? As this study shows, the desire to integrate religion into a ‘progressive’ politics is not new. Providing a comprehensive analysis of the Common Wealth movement, this work seeks to bring together for the first time the religious and political commitments of four of the leading thinkers in the movement, bringing to light the significance of the relationships between them. This study examines at four interwar British radicals – the philosopher John Macmurray, the novelist and sexual theorist Kenneth Ingram, the Science Fiction writer Olaf Stapledon, and the Liberal M.P. Richard Acland – and examines their attempts to develop a socialism that whilst defending the achievements of the secular age was also sensitive to the virtues of religious traditions. Thus it considers Macmurray’s attempt to draw on the seemingly antagonistic traditions of Marxism and Christianity, Ingram’s long struggle to develop a Christian response to ‘deviant’ sexual behaviour, Stapledon’s exploration of a non-Christian religious spirit, and Acland’s journey from liberal atheist to Christian socialist. It then follows the activities of all four in the radical political movement founded by Acland in the midst of the Second World War, Common Wealth, particularly focusing on the positions they took in the serious battles over the function of religion that convulsed the leadership of this body. This work will be of great interest to scholars of political theory, religious studies, social and political thought.

The dramatic story of the legal and emotional battle that raged between two of Oscar Wilde's closest friends – both former lovers – following the playwright's death

Nuclear Notes is a biannual publication of the CSIS Project on Nuclear Issues (PONI) featuring innovative thinking by rising experts in the nuclear field. Its goal is to advance the public debate about nuclear weapons strategy, arms control, nonproliferation, disarmament, and other nuclear issues by providing a forum for sharing new analysis and insight. In particular, this publication seeks to provide an opportunity for graduate students and early career professionals to publish ideas emanating from their independent research or that are connected to their unique vantage point as analysts and implementers of nuclear policy.

In her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of biographical information. She argues that for Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, the exposure or publication of their diaries was a real possibility that they either coveted or feared. Millim locates the diary at the intersection of the public and private spheres to show that well-known writers and public figures of both sexes exploited the diary's self-reflexive, diurnal structure in order to enhance their creativity and establish themselves as authors. Their object was to manage, rather than to indulge or repress, their emotions for the purposes of perfecting their observational and critical skills. Reading these diaries as literary works in their own right, Millim analyses their crucial role in the construction of authorship. By relating these Victorian writers' diaries to their publications and to contemporary works of cultural criticism, Millim shows the multifarious ways in which diaristic practices, emotional management and professional output corresponded to experiences of the literary marketplace and to nineteenth-century codes of propriety.