Seeking The Dead

When Carmel Hennessy begins a new job in North Yorkshire, she finds the historic city of Eborby gripped by fear. A killer is on the prowl - a killer who binds and asphyxiates his victims before leaving their bodies in isolated churchyards. The press are calling him the Resurrection Man. Tragic events from the past link Carmel with Detective Inspector Joe Plantagenet, who faces the task of finding the killer before more lives are lost. Joe's investigations lead him to a pub with a sinister history and he is forced to consider that the case may have occult connections. Then Carmel becomes aware of a malevolent presence in her new flat and starts receiving mysterious threats . . . Can Joe get into the mind of a ruthless killer, before Carmel becomes the next victim? Praise for Kate Ellis . . . 'A beguiling author' The Times 'Clever plotting hides a powerful story of loss, malice and deception' Ann Cleeves 'Haunting' Independent 'The chilling plot will keep you spooked and thrilled to the end' Closer 'Unputdownable' Bookseller 'A fine storyteller' Peterborough Evening Telegraph

When Carmel Hennessy begins a new job in North Yorkshire, she finds the historic city of Eborby gripped by fear. A killer is on the prowl - a killer who binds and asphyxiates his victims before leaving their bodies in isolated churchyards. The press are calling him the Resurrection Man. Tragic events from the past link Carmel with Detective Inspector Joe Plantagenet, who faces the task of finding the killer before more lives are lost. Joe's investigations lead him to a pub with a sinister history and he is forced to consider that the case may have occult connections. Then Carmel becomes aware of a malevolent presence in her new flat and starts receiving mysterious threats . . . Can Joe get into the mind of a ruthless killer, before Carmel becomes the next victim? Praise for Kate Ellis . . . 'A beguiling author' The Times 'Clever plotting hides a powerful story of loss, malice and deception' Ann Cleeves 'Haunting' Independent 'The chilling plot will keep you spooked and thrilled to the end' Closer 'Unputdownable' Bookseller 'A fine storyteller' Peterborough Evening Telegraph

The bloody story of the rise of paramilitaries in Colombia, told through three characters--a fearless activist, a dogged journalist, and a relentless investigator--whose lives intersected in the midst of unspeakable terror. Colombia's drug-fueled cycle of terror, corruption, and tragedy did not end with Pablo Escobar's death in 1993. Just when Colombians were ready to move past the murderous legacy of the country's cartels, a new, bloody chapter unfolded. In the late 1990s, right-wing paramilitary groups with close ties to the cocaine business carried out a violent expansion campaign, massacring, raping, and torturing thousands. There Are No Dead Here is the harrowing story of three ordinary Colombians who risked everything to reveal the collusion between the new mafia and much of the country's military and political establishment: Jesús María Valle, a human rights activist who was murdered for exposing a dark secret; Iván Velásquez, a quiet prosecutor who took up Valle's cause and became an unlikely hero; and Ricardo Calderón, a dogged journalist who is still being targeted for his revelations. Their groundbreaking investigations landed a third of the country's Congress in prison and fed new demands for justice and peace that Colombia's leaders could not ignore. Taking readers from the sweltering Medellín streets where criminal investigators were hunted by assassins, through the countryside where paramilitaries wiped out entire towns, and into the corridors of the presidential palace in Bogotá, There Are No Dead Here is an unforgettable portrait of the valiant men and women who dared to stand up to the tide of greed, rage, and bloodlust that threatened to engulf their country.

THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

Michael Horton’s highly anticipated The Christian Faith represents his magnum opus and will be viewed as one of—if not the—most important systematic theologies since Louis Berkhof wrote his in 1932. A prolific, award-winning author and theologian, Professor Horton views this volume as “doctrine that can be preached, experienced, and lived, as well as understood, clarified, and articulated.” It is written for a growing cast of pilgrims making their way together and will be especially welcomed by professors, pastors, students, and armchair theologians. Features of this volume include: (1) a brief synopsis of biblical passages that inform a particular doctrine; (2) surveys of past and current theologies with contemporary emphasis on exegetical, philosophical, practical, and theological questions; (3) substantial interaction with various Christian movements within the Protestant, Catholic and Orthodoxy traditions, as well as the hermeneutical issues raised by postmodernity; and (4) charts, sidebars, questions for discussion, and an extensive bibliography, divided into different entry levels and topics.

This volume of essays provides a comprehensive treatment of a very significant component of the societies of late medieval and early modern Europe: the dead. It argues that to contemporaries the 'placing' of the dead, in physical, spiritual and social terms, was a vitally important exercise, and one which often involved conflict and complex negotiation. The contributions range widely geographically, from Scotland to Transylvania, and address a spectrum of themes: attitudes towards the corpse, patterns of burial, forms of commemoration, the treatment of dead infants, the nature of the afterlife and ghosts. Individually the essays help to illuminate several current historiographical concerns: the significance of the Black Death, the impact of the protestant and catholic Reformations, and interactions between 'elite' and 'popular' culture. Collectively, by exploring the social and cultural meanings of attitudes towards the dead, they provide insight into the way these past societies understood themselves.

A collection of one-hundred articles which appeared in rural newspapers in Ohio, Indiana and Illinois over a period of three years. The ongoing, syndicated column,"Ask Pastor Adrienne(TM)," provides a forum for readers to query a member of clergy without being judged, interrogated or embarrassed by their standing (or non-standing) on the Christian landscape. Readers asked questions and were answered by Pastor Adrienne in general, biblical terms. The book is an archive of diverse topics regarding the American culture of Christianity as experienced by the public.