Selected Prose And Poetry Of Jules Supervielle

Bilingual French-English collections of The Uruguayan-born twentieth-century French poet, Jules Supervielle (1884-1960). This anthology contains ten tales and two chapters from the memoir "Uruguay", along with seventeen poems (some seemingly longer than his shortest tales). All poems appear bilingually, in French and English; prose appears only in English. His tales and poems are exhilarating, spun out as they are in his distinctive voice: transparent, forthright, tender, funny, poignant, sometimes bitingly satiric, by turns lyrical and abrupt

The Woman on the Bridge over the Chicago River is Allen Grossman's first collection with New Directions. His voice is astonishingly contemporary, his often dissociated imagery bordering on the surreal--yet one hears in his verse classical and Biblical echoes and, on occasion, darker medieval undertones. The brilliance of his imagination works against a measured eloquence, setting up a fine-edged tension not unlike the prophetic verse of William Blake, the wild dithyrambs of David, or the more controlled metrics of Catullus and Villon.

With Exile, Robert Nichols concludes his innovative utopian tetralogy, Daily lives in Nghsi-Altai. Thus far, we have peered at this imaginary central Asian land through the eyes of exploring Westerners and the inhabitants themselves, learning the ways of both city dwellers and country folk.

Josephine, a mouse, takes a vow of celibacy in order to devote all her time to her art, singing.

The third volume of Robert Nichols’s utopian tetralogy, Daily Lives in Nghsi-Altai. In the previous books (Arrival and Garh City), we were treated to tantalizing glimpses of the imaginary central Asian country of Nghsi-Altai seen through the eyes of three travelers from the West, followed by an investigation of the city in a technologically advanced society which yet maintains an elaborate, "primitive" kinship system. We now turn to six narratives of village life, focusing on members of the Harditt family. Maddi, a twelve-year-old schoolgirl; Dhillon, a farm apprentice; his married older brother, Srikant -- these are the Harditt children of earlier volumes. "Women in Middle Age" tells of Sathan, their mother, and Nanda, their aunt, and the workings of the matriarchy in Sawna. An account is then given of the death of the grandfather, Old Harditt, and his translation into the family’s Ancestor Society. And finally, we see Venu, Sathan’s husband, as an elected official of the Wind Brotherhood of solar engineers. These are not, however, tales of individuals in the usual sense but probes in the web of relationships that constitutes a communal society, the widening circle of clan, tribe, and phratry. Each story, moreover, reveals an aspect of a delicate political-industrial balance -- for the world of Nghsi-Altai is modern, indeed a paradigm of an alternate society.