Sensualities Textualities And Technologies
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Sensualities Textualities and Technologies
Author | : Susan Broadhurst,Josephine Machon |
Publsiher | : Springer |
Total Pages | : 220 |
Release | : 2016-01-18 |
Genre | : Performing Arts |
ISBN | : 9780230248533 |
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This innovative collection features essays by a range of internationally renowned scholars and reconsiders textual practices in contemporary performance, specifically focusing on the exciting exchange between text, body and technology.
Identity Performance and Technology
Author | : S. Broadhurst,J. Machon |
Publsiher | : Palgrave Macmillan |
Total Pages | : 234 |
Release | : 2012-10-23 |
Genre | : Performing Arts |
ISBN | : 0230298885 |
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This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice.
Digital Practices
Author | : S. Broadhurst |
Publsiher | : Springer |
Total Pages | : 220 |
Release | : 2007-07-07 |
Genre | : History |
ISBN | : 9780230589841 |
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This title offers insight into a range of art and performance practices that have emerged as a result a more technological world. These practices are integral to alternative and mainstream performance culture and the author explores their aesthetic theorisation and analyses other approaches, including those offered by research into neuroesthetics.
Corporeality Medical Technologies and Contemporary Culture
Author | : Francisco Ortega |
Publsiher | : CRC Press |
Total Pages | : 213 |
Release | : 2013-12-17 |
Genre | : History |
ISBN | : 9781135143190 |
Download Corporeality Medical Technologies and Contemporary Culture Book in PDF, Epub and Kindle
Corporeality, Medical Technologies and Contemporary Culture engages the confusions and contradictions in current attitudes to, and practices of, the body.
Identity Performance and Technology
Author | : S. Broadhurst,J. Machon |
Publsiher | : Springer |
Total Pages | : 224 |
Release | : 2012-10-23 |
Genre | : Performing Arts |
ISBN | : 9781137284440 |
Download Identity Performance and Technology Book in PDF, Epub and Kindle
This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice.
Theatre Performance and Analogue Technology
Author | : Kara Reilly |
Publsiher | : Springer |
Total Pages | : 269 |
Release | : 2013-10-22 |
Genre | : Performing Arts |
ISBN | : 9781137319678 |
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This trans-historical collection explores analogue performance technologies from Ancient Greece to pre-Second World War. From ancient mechanical elephants to early modern automata, Enlightenment electrical experiments to Victorian spectral illusions, this volume offers an original examination of the precursors of contemporary digital performance.
The Performing Subject in the Space of Technology
Author | : M. Causey,E. Meehan,N. O'Dwyer |
Publsiher | : Springer |
Total Pages | : 242 |
Release | : 2015-07-19 |
Genre | : Performing Arts |
ISBN | : 9781137438164 |
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This book reflects on the aftermath of shifts encountered in the maturing of digital culture in areas of critical theory and artistic practices, focusing on the awareness that contemporary subjectivity is one that dwells within both the virtual and the real.
Immersive Theatres
Author | : J. Machon |
Publsiher | : Red Globe Press |
Total Pages | : 0 |
Release | : 2013-05-31 |
Genre | : Performing Arts |
ISBN | : 1137019832 |
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This comprehensive text is the first survey to explore the theory, history and practice of immersive theatre. Charting the rise of the immersive theatre phenomenon, Josephine Machon shares her wealth of expertise in the field of contemporary performance, inviting the reader to immerse themselves within this abundantly illustrated text. The first section of the book introduces concepts of immersion, situating them within a historical context and establishing a clear critical vocabulary for discussion. The second section then presents contributions from a wealth of immersive artists. Assuming no prior knowledge with its critical commentary, this is a rich resource for lecturers and students at all levels and internationally, including undergraduates and post-graduates, as well as practitioners and researchers of contemporary performance. This would also be an ideal text for general enthusiasts and readers with an interest in immersive theatre.