Serial Images

This book argues that in the works of Degas, Mondrian, Bacon, Schiele and Warhol, serial iteration articulates a process of free, constructive becoming which they interpret in different ways. Not only does the serially iterative structure of the images show that activity and novelty are primary concerns, but it involves the viewer in the activity presented in the images. For these reasons, serial iteration is fundamentally connected both to modernist aspects of the work and to other concerns such as the structure of subjectivity and the movement of history. Serially iterative structure opens up the meaning of these five artists images by relating them to concerns in contemporary art and thought.

The 4th International Workshop on Medical Imaging and Augmented Reality, MIAR 2008, was held at the University of Tokyo, Tokyo, Japan during August 1–2, 2008. The goal of MIAR 2008 was to bring together researchersin medical imaging and intervention to present state-of-the-art developments in this ever-growing research area. Rapid technical advances in medical imaging, including its gr- ing application in drug/gene therapy and invasive/interventional procedures, have attracted signi?cant interest in the close integration of research in the life sciences, medicine, physical sciences, and engineering. Current research is also motivated by the fact that medical imaging is moving increasingly from a p- marily diagnostic modality towards a therapeutic and interventional aid, driven by the streamlining of diagnostic and therapeutic processes for human diseases by means of imaging modalities and robotic-assisted surgery. The impact of MIAR on these ?elds increases each year, and the quality of submitted papers this yearwas veryimpressive. We received90 full submissions, which were subsequently reviewed by up to ?ve reviewers. Reviewer a?liations were carefully checked against author a?liations to avoid con?icts of interest, and the review process was run as a double-blind process. A special procedure was also devised for papers from the universities of the organizers, upholding a double-blind review process for these papers. The MIAR 2008 Program C- mittee ?nally accepted 44 full papers. For this workshop, we also included three papers from the invited speakers coveringregistration and segmentation, virtual reality, and perceptual docking for robotic control.

In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«.

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Serial Forms: The Unfinished Project of Modernity, 1815-1848 proposes an entirely new way of reading the transition into the modern. It is the first book in a series of three which will take the reader up to the end of the First World War, moving from a focus on London to a global perspective. Serial Forms sets out the theoretical and historical basis for all three volumes. It suggests that, as a serial news culture and a stadial historicism developed together between 1815 and 1848, seriality became the dominant form of the nineteenth century. Through serial newsprint, illustrations, performances, and shows, the past and the contemporary moment enter into public visibility together. Serial Forms argues that it is through seriality that the social is represented as increasingly politically urgent. The insistent rhythm of the serial reorganizes time, recalibrates and rescales the social, and will prepare the way for the 1848 revolutions which are the subject of the next book. By placing their work back into the messy print and performance culture from which it originally appeared, Serial Forms is able to produce new and exciting readings of familiar authors such as Scott, Byron, Dickens, and Gaskell. Rather than offering a rarefied intellectual history or chopping up the period into 'Romantic' and 'Victorian', Clare Pettitt tracks the development of communications technologies and their impact on the ways in which time, history and virtuality are imagined.

Document-analysis systems and techniques. Agraphics-recognition system for interpretation of line drawings. Automation recognition of engineering drawings and maps. Image-analysis techniques for geographic information systems. Digital image processing and tree-dimensional reconstruction in the basic neurociences. Applying digital processing methods in the analysis of retinal structure. Visual percepition using a Blackbord architeture. Analysis of high-resolution aerial images. Image formation and characterization for tree-dimensional vision. Enhancement of fingerprints using digital and optical techniques. The digital morphological sampling theorem.