Setting Up A Human Rights Film Festival

Human rights film festivals have been steadily growing in number in recent years. They are all bound by a common thread, human rights, and yet show distinctly different films. What leads them to be so different, and how is the universalism of human rights made sense by each?

Pedagogy of Global Events explores a relatively new phenomenon of cultural events—concerts, media experiences, and film series—designed to bring attention to global problems and spark action. This case-based analysis addresses a range of events to consider questions about what it means to educate the wider public about significant global challenges, the meaning and limits of these efforts, and how media refracts these experiences. The analyses are informed by data collected from organizers of special events, participants in attendance, those viewing online or after-the-fact through media representations, as well as through a careful analysis of web artifacts created by and in response to the events. By offering rare empirical analyses of global events, this book is valuable reading for organizers and attendees alike.

The last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature on this topic, offering an authoritative and comprehensive introduction to the area. With a combination of chapters specifically examining history, theory, method and practice, it offers a clear structure and systematic approach for the study of film festivals. Offering a collection of essays written by an international range of established scholars, it discusses well-known film festivals in Europe, North America and Asia, but equally devotes attention to the diverse range of smaller and/or specialized events that take place around the globe. It provides essential knowledge on the origin and development of film festivals, discusses the use of theory to study festivals, explores the methods of ethnographic and archival research, and looks closely at the professional practice of programming and film funding. Each section, moreover, is introduced by the editors, and all chapters include useful suggestions for further reading. This will be an essential textbook for students studying film festivals as part of their film, media and cultural studies courses, as well as a strong research tool for scholars that wish to familiarize themselves with this burgeoning field.

M. Cherif Bassiouni / Human rights and international criminal justice in the twenty first century : the end of the post-WWII phase and the beginning of an uncertain new era -- Thomas A. Cromwell and Bruno Gélinas-Faucher, William Schabas / The Canadian Charter of rights and freedoms, and international human rights law -- Emmanuel Decaux / The International Convention on the Protection of All Persons from Enforced Disappearance, as a victim-oriented treaty --Kathleen Cavanaugh and Joshua Castellino / The politics of sectarianism and its reflection in questions of international law & state formation in The Middle East -- Sandra L. Babcock / International law and the death penalty : a toothless tiger, or a meaningful force for change? -- Marc Bossuyt / The UN optional protocol on the abolition of the death penalty --Christof Heyns and Thomas Probert and Tess Borden / The right to life and the progressive abolition of the death penalty -- Zhao Bingzhi / Progress and trend of the reform of the death penalty in China -- Margaret M. DeGuzman / Criminal law philosophy in international criminal law scholarship -- Frédéric Mégret / Is the ICC focusing too much on non-state actors? -- Shane Darcy / The principle of legality at the crossroads of human rights and international criminal law -- Alain Pellet / Revisiting the sources of applicable law before the ICC -- Mireille Delmas-Marty / The ICC as a work in progress, for a world in process -- Carsten Stahn / Legacy in international criminal justice -- Andrew Clapham and Paola Gaeta / Torture by private actors and 'gold plating' the offence in national law : an exchange of emails in honour of William Schabas -- Hirad Abtahi and Philippa Webb / Secrets and surprises in the Travaux préparatoires of the genocide convention -- Jérémie Gilbert / Perspectives on cultural genocide : from criminal law to cultural diversity -- Beth Van Schaack / Crimes against humanity : repairing Title 18's blind spots -- Leila Nadya Sadat / A new global treaty on crimes against humanity : future prospects -- Mark A. Drumbl / Justice outside of criminal courtrooms and jailhouses -- Charles Chernor Jalloh / Toward greater synergy between courts and truth commissions in post-conflict contexts : lessons from Sierra Leone -- Geoffrey Nice and Nevenka Tromp / Criminal trial as a tool to control historical narrative -- Mary Ellen O'Connell / The arc toward justice and peace -- Adama Dieng / The maintenance of international peace and security through prevention of atrocity crimes : the question of co-operation between the UN and regional arrangements -- Emma Sandon / Law and film : curating rights cinema -- Wayne Jordash / The role of advocates in developing international law -- Diane Marie Amann / Bill the blogger

Film festivals not only build markets and audiences, they also provide platforms for those advocating change. Featuring essays by and interviews with festival programmers, filmmakers, activists and film scholars, Film Festivals and Activism explores the role of film festivals in social justice movements and campaigns. 'Film Festivals and Activism provides an excellent overview of the field of human rights and other activist film festivals. It combines field-level synthesis by academics with expertise in both film festivals and human rights activism and employs a range of perspectives from key protagonists working in both established and new festival settings.' (Sam Gregory, Programme Director, Witness, New York, USA) 'Film Festivals and Activism constitutes a profound acknowledgement of the work carried out by film festivals and contains a wealth of useful information about the ideas behind them. It manages to convey the great diversity of the international film circuit, featuring contributions that range from the traditionally academic to the engagingly essayistic. Film Festivals and Activism clearly demonstrates the need for this kind of publication in academic film studies and, most importantly, provides a valuable resource for anyone planning or working with international film festivals.' (Bjorn Sorenssen, Professor of Film and Media, Trondheim, Norway) 'The Film Festival Yearbook project represents a unique opportunity to study the multi-faceted phenomenon of film festivals. It focuses on both global networks and local practices and sheds new light on the artistic, economic and political issues that are currently reshaping the global cultural field. Bringing together academics and practitioners from an impressively wide range of professional and national origins, it embraces both empirical and theoretical analysis. In so doing it provides striking new insights into a hugely significant cultural phenomenon.' (Jean-Michel Frodon, film critic, Paris, France)

Documentary film festivals do more than provide a venue for watching films: they have the potential to foster critical thinking, especially toward mainstream media. The film festivals discussed in this book also help build a sense of community locally, as well as promote solidarity with people involved in struggles for social justice and ecological integrity around the world. Documentaries by independent filmmakers reveal stories ignored by mass media, stories at times tragic but more often than not inspiring. It can be said that documentary film festivals create a public space for citizens to listen together and to become informed on current issues in greater depth than newscast bulletins offer. This book shows how documentary films create a liminal space with transformative potential, a space that challenges assumptions, supports the development of empathy, and often stimulates engagement and action. In viewing documentaries together and engaging in critical reflection and dialogue, citizens can imagine alternative possibilities and consider solutions. Documentary Film Festivals: Transformative Learning, Community Building & Solidarity offers the voices of attendees, sponsors, and organizers who shared their thoughts and experiences of documentary film festivals and the impact on their views and engagement. Activists and organizers of various social movements who are seeking ways to inform and inspire will see evidence in this text that documentary film festivals are a means of drawing diverse audiences, engaging differences and respectfully promoting hope and preferred visions of the future. Documentary Film Festivals: Transformative Learning, Community Building & Solidarity includes concrete examples of creative and courageous struggles that have led to victories often ignored by the media. This book is bound to inspire.

This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.