Seven Deadly Sins

For the first time, Slipknot and Stone Sour frontman Corey Taylor speaks directly to his fans and shares his worldview about life as a sinner. And Taylor knows how to sin. As a small-town hero in the early '90s, he threw himself into a fierce-drinking, drug-abusing, hard-loving, live-for-the moment life. Soon Taylor's music exploded, and he found himself rich, wanted, and on the road. His new and ever-more extreme lifestyle had an unexpected effect, however; for the first time, he began to actively think about what it meant to sin and whether sinning could--or should--be recast in a different light. Seven Deadly Sins is Taylor's personal story, but it's also a larger discussion of what it means to be seen as either a "good" person or a "bad" one. Yes, Corey Taylor has broken the law and hurt people, but, if sin is what makes us human, how wrong can it be?

Sin, like death, is an unassailable fact of life. It is also one of the last great taboos for public debate. In this compelling book, the Henry Fairlie shows that it is possible and necessary to talk about sin in ways that enrich our societies and our personal lives. Fairlie relates these ancient sins to the central issues of contemporary life: liberal vs. conservative politics, discrimination, pornography, abortion, the vistas of modern science, and especially the pop-psychologies that confirm the narcissism of our age.

The basis for the upcoming major motion picture The Program directed by Stephen Frears (High Fidelity, The Queen, Philomena), starring Chris O'Dowd as journalist David Walsh and Ben Foster as Lance Armstrong. When Lance Armstrong won his first Tour de France in 1999, the sports world had found a charismatic new idol. Journalist David Walsh was among a small group covering the tour who suspected Armstrong’s win wasn’t the feel-good story it seemed to be. From that first moment of doubt, the next thirteen years of Walsh’s life would be focused on seeking the answers to a series of hard questions about Armstrong’s astonishing success. As Walsh delved ever deeper into the shadow world of performance-enhancing drugs in professional athletics, he accumulated a mounting pile of evidence that led a furious Armstrong to take legal action against him. But he could not make Walsh—or the story—go away, and in the autumn of 2012, Walsh was vindicated when the cyclist was stripped of his seven Tour de France titles. With this remarkable book, Walsh has produced both the definitive account of the Armstrong scandal, and a testament to the importance of journalists who are willing to report a difficult truth over a popular fantasy.

Let the sinning begin. The first two volumes in Wasserman's scandalous seriesare now available in one book. This edition includes "Lust" and "Envy." 5 1/2x 8 1/4.

This volume looks at the history of the idea of sin as it has influenced and shaped Western culture. Emphasis is placed on an inter- and cross-disciplinary approach. The word "sin" has come to transcend the theological and enter the common parlance in both media and society. This book is an examination of that idea. It discusses how the concept of sin evolved through the Middle Ages and into the modern era. From religion to politics and from the bedroom to the boardroom, a more complete understanding of the history of sin will assist the modern reader in a wide variety of fields. This book builds on the work of Gregory the Great to explain each of the so-called seven deadly sins: pride, lust, anger, gluttony, avarice, envy, and sloth. Each chapter provides a close look at the origins and history of that individual sin, concluding with a section on contemporary applications of the idea and a case study. The central argument is that the concept of sin has been integral to the development of Western society, including not only political and religious history but also in extensive aspects of popular culture in the twenty-first century. The broader but significant issue of intention versus action permeates the study.

Explores the seven deadly sins as they appear in today's culture, focusing on specific behaviors, how society makes each one an attractive option, and possible solutions.

Why psychology is in peril as a scientific discipline—and how to save it Psychological science has made extraordinary discoveries about the human mind, but can we trust everything its practitioners are telling us? In recent years, it has become increasingly apparent that a lot of research in psychology is based on weak evidence, questionable practices, and sometimes even fraud. The Seven Deadly Sins of Psychology diagnoses the ills besetting the discipline today and proposes sensible, practical solutions to ensure that it remains a legitimate and reliable science in the years ahead. In this unflinchingly candid manifesto, Chris Chambers shows how practitioners are vulnerable to powerful biases that undercut the scientific method, how they routinely torture data until it produces outcomes that can be published in prestigious journals, and how studies are much less reliable than advertised. Left unchecked, these and other problems threaten the very future of psychology as a science—but help is here.

Malice that cannot speak its name, cold-blooded but secret hostility, impotent desire, hidden rancor and spite--all cluster at the center of envy. Envy clouds thought, writes Joseph Epstein, clobbers generosity, precludes any hope of serenity, and ends in shriveling the heart. Of the seven deadly sins, he concludes, only envy is no fun at all.Writing in a conversational, erudite, self-deprecating style that wears its learning lightly, Epstein takes us on a stimulating tour of the many faces of envy. He considers what great thinkers--such as John Rawls, Schopenhauer, and Nietzsche--have written about envy; distinguishes between envy, yearning, jealousy, resentment, and schadenfreude ("a hardy perennial in the weedy garden of sour emotions"); and catalogs the many things that are enviable, including wealth, beauty, power, talent, knowledge and wisdom, extraordinary good luck, and youth (or as the title of Epstein's chapter on youth has it, "The Young, God Damn Them"). He looks at resentment in academia, where envy is mixed with snobbery, stirred by impotence, and played out against a background of cosmic injustice; and he offers a brilliant reading of Othello as a play more driven by Iago's envy than Othello's jealousy. He reveals that envy has a strong touch of malice behind it--the envious want to destroy the happiness of others. He suggests that envy of the astonishing success of Jews in Germany and Austria may have lurked behind the virulent anti-Semitism of the Nazis.As he proved in his best-selling Snobbery, Joseph Epstein has an unmatched ability to highlight our failings in a way that is thoughtful, provocative, and entertaining. If envy is no fun, Epstein's Envy is truly a joy to read.