Sexuality In The Confessional

In Sexuality in the Confessional: A Sacrament Profaned, Stephen Haliczer places the current debate on sex, celibacy, and the Catholic Church in a historical context by drawing upon a wealth of actual case studies and trial evidence to document how, from 1530 to 1819, sexual transgression attended the heightened significance of the Sacrament of Penance. Attempting to reassert its moral and social control over the faithful, the Counter-Reformation Church underscored the importance of communion and confession. Priests were asked to be both exemplars of celibacy and "doctors of souls," and the Spanish Inquisition was there to punish transgressors. Haliczer relates the stories of these priests as well as their penitents, using the evidence left by Inquisition trials to vividly depict sexual misconduct, during and after confession, and the punishments wayward priests were forced to undergo. In the process, he sheds new light on the Church of the period, the repressed lives of priests, and the lives of their congregations; coming to a conclusion as startling as it is timely. Based on an exhaustive investigation of Inquisition cases involving soliciting confessors as well as numerous confessors' manuals and other works, Sexuality in the Confessional makes a significant contribution to the history of sexuality, women's history, and the sociology of religion.

Stephen Haliczer has mined rich documentary sources to produce the most comprehensive and enlightening picture yet of the Inquisition in Spain. The kingdom of Valencia occupies a uniquely important place in the history of the Spanish Inquisition because of its large Muslim and Jewish populations and because it was a Catalan kingdom, more or less "occupied" by the despised Castilians who introduced the Inquisition. Haliczer underscores the intensely regional nature of the Valencian tribunal. He shows how the prosecution of religious deviants, the recruitment and professional activity of Inquisitors and officials, and the relations between the Inquisition and the majority Old Christian population all clearly reflect the place and the society. A great series of pogroms swept over Spain during the summer of 1391. Jewish communities were attacked and the Jews either massacred or forced to convert. More than ninety percent of the victims of the Valencian Inquisition a century later were descendants of those who chose conversion, the conversos. Haliczer argues convincingly against those who see all the conversos as "secret Jews." He finds, on the contrary, that a wide range of religious beliefs and practices existed among them and that some were even able to assimilate into Old Christian society by becoming familiares of the Inquisition itself. Nevertheless, it was controversy over the sincerity of the converted which spawned the first proposals for the establishment of a Spanish national Inquisition. That very same controversy, persisting in the writings of history, may be resolved by Haliczer's stimulating discoveries. Inquisition and Society in the Kingdom of Valencia is a major contribution to the lively field of Inquisition studies, combining institutional history of the tribunal with socioreligious history of the kingdom. The many case histories included in the narrative give both Valencian society and the Inquisition very human faces. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

Susan Bernstein examines the gendered power relationships embedded in confessional literature of the Victorian period. Exploring this dynamic in Charlotte Bronta's Villette, Mary Elizabeth Braddon's Lady Audley's Secret, George Eliot's Daniel Deronda, and Thomas Hardy's Tess of the d'Urbervilles, she argues that although women's disclosures to male confessors repeatedly depict wrongdoing committed against them, they themselves are viewed as the transgressors. Bernstein emphasizes the secularization of confession, but she also places these narratives within the context of the anti-Catholic tract literature of the time. Based on cultural criticism, poststructuralism, and feminist theory, Bernstein's analysis constitutes a reassessment of Freud's and Foucault's theories of confession. In addition, her study of the anti-Catholic propaganda of the mid-nineteenth century and its portrayal of confession provides historical background to the meaning of domestic confessions in the literature of the second half of the century. Originally published in 1997. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

A critique and excavation of sexual confession as the key ritual of twenty-first-century moving image culture, from the banal to the forbidden.

The premise of Confessional Politics is that in this confessional age, "telling all is in." From a unique variety of perspectives and angles, the essays in this collection explore the association of confession with femininity; they examine its function as a gender-specific discourse as they probe its many feminized genres and subgenres. Confessional Politics investigates the creative and strategic ways in which women shape the telling of their sexual stories in order to resist and negotiate the confessional practices designed to position them in conventional sexual frameworks. Investigating the confessional politics of traditional forms of social life writing (including erotic diaries, journals, letters, and confessional fiction), this book significantly expands its focus beyond conventional forms to include practices affecting mass readerships and audiences. The collection addresses provocative general topics: talk shows, sexual harassment, sexual abuse, sexuality, self-help books, and cross-dressing, as well as expressive works such as contemporary Canadian women's poetry, lesbian fiction, performance art, Anne Frank's recently released complete diary, and memoirs.

Sheds new light on James Joyce's use of sexual motifs as cultural raw material for Ulysses and other works Joyce/Foucault: Sexual Confessions examines instances of sexual confession in works of James Joyce, with a special emphasis on Portrait of the Artist as a Young Man and Ulysses. Using Michel Foucault's historical analysis of Western sexuality as its theoretical underpinning, the book foregrounds the role of the Jesuit order in the spread of a confessional force, and finds this influence inscribed into Joyce's major texts. Wolfgang Streit goes on to argue that the tension between the texts' erotic passages and Joyce's criticism of even his own sexual writing energizes Joyce's narratives-and enables Joyce to develop the radical skepticism of power revealed in his work. Wolfgang Streit is Lecturer, Ludwig Maximilians University, Munich.