Shackled Heart

Betrayed, deceived, broken. They are the only words used to describe who I have become. Make no mistake, I let this happen. But do you want to know the thing about letting someone into your life? It can be undone. Lucas Rossi may think he has won this round. But I have news for him. I’m going to win every other one he sends my way. My heart may be in shackles, but my head has perfect clarity. SHACKLED HEARTS Is book 2 in Chanel and Lucas Duet. It is a part of the Chained Hearts world.

Betrayed, deceived, broken. They are the only words used to describe who I have become. Make no mistake, I let this happen. But do you want to know the thing about letting someone into your life? It can be undone. Lucas Rossi may think he has won this round. But I have news for him. I'm going to win every other one he sends my way. My heart may be in shackles, but my head has perfect clarity. SHACKLED HEARTS Is book 2 in Chanel and Lucas Duet. It is a part of the Chained Hearts world.

After losing his wife in a horrific car accident, Charlie Grimm believes that he deserves to pay for the life he stole. Haunted by his irreversible mistakes, Charlie vows he'll never fall in love again, and who could see past his criminal conviction anyway?MacKenna Christensen strives to support all of her parolees. But when she discovers Charlie is her client, she refuses to help him. She can never erase the gruesome images of his wife's death. Yet when she sees Charlie's anguish, she realizes he's not the reckless monster she imagined.As the disdain between Charlie and Mac turns to desire, guilt tears them apart. Is Mac willing to take a chance on a client at the risk of losing her job? Can Charlie forgive himself and open his heart to Mac, or will she become one more regret?

Sailor My husband sold me. Not only did he sell me, but he told me he loved me while doing the deal. What lies he tells. Only fools believe him. Unfortunately, one of those fools was… .. me. Keir Not in the habit of buying women. I didn’t need to. I was a king of my realm, the devil you whispered about in your sleep. So when his debt fell due, he sold me his wife. And I was happy because I wanted to play with her like any fool would. And play with her, I did. Pity, in the end, I would have to kill her. *Mafia Romance*

The biblical book of Genesis stands nearly without parallel in the shared history of Judaism, Christianity, and Islam. Because of its abiding importance to late antique theology and practical life across religious boundaries, it gave rise to a wide range of literary responses. The essays in this book study an array of Jewish and Christian responses to Genesis as they took shape in specific literary forms—the unique genres of late antique poetry. While late antique and early medieval Jews and Christians did not always agree in their interpretations of Genesis, they participated broadly in a shared culture of poetic production. Some of these poetic genres paralleled one another simply as distinct examples of metered speech, while others emerged in conversation and through mutual influence. Though late antique poems developed in a variety of languages and across religious boundaries, scholarly study of late antique poetry has tended to isolate the phenomenon according to language. As a corrective to this linguistic isolation, this book initiates a comparative conversation around the Jewish and Christian poetry that emerged in late antique Aramaic, Greek, Hebrew, Latin, and Syriac. Tending equally to exegetical content and literary form, the essays in this book sit at the intersection of a variety of scholarly conversations—around the history of biblical exegesis, the formation of late antique and early medieval literature and literary culture, and the comparative study of Judaism and Christianity.