Shades Of The Past

Prowling among these stories about Japan one finds riffraff and gentlemen, pirates and warriors, saints and sinners, smugglers and legitimate businessmen. All those, in fact, who made up the foreign communities of Japan in the early days. Harold S. Williams tells about them with the same inimitable humor, irony, drama and whimsy that made his earlier Tales of the Foreign Settlements such a popular success. With due regard for historical accuracy he recreates those fantastic days and the furor and fun with which they were filled. Here you can enjoy the privileged social status of belonging to the Victorian Volunteer Steam Fire Engine Company of Yokohama; you can join those Japanese pirates who were the first to meet Englishmen; arbitrate Japan's first labor dispute, involving foreigners, of course; witness the massacre of forty thousand Japanese Christians; revel in Nagasaki when it was the Paris of the Far East; travel over the Tokaido when it was the most picturesque and colorful of the world's highways; watch at close range each gruesome detail of an act of harakiri; dive for sunken treasures; watch the world's largest wooden vessel burn to the water line; marvel at one of the greatest advertising feats of all time.

In his book 21 Lessons for the 21st Century the historian Yuval Noah Harrari wrote that man had the possibility to conquer the world precisely because he could create fictional stories and believe in them. People created more and more complex stories about themselves that served and continue to serve, according to the professor of the University of Jerusalem, building unity, social harmony and gaining power. A narrative about past, in which memory fragmentation and victimisation play a large role, may be a temptation to instrumentalise the past. This is especially true in relation to the events of the twentieth century, when a series of bloody war conflicts occurred. As shown in the following post-conference volume, today the wars of the past (World War I and World War II, Indian-Pakistani war) and current conflicts (Russo-Ukrainian war, war in Sudan or Nagorno-Karabakh) are also a catalyst for the process of instrumentalisation. This process can be analysed both at the level of the evolution of the language of conflict, including the erosion of the values of democratic dialogue, and the use of specific means of commemorating the past (monuments, museums, the Internet).

Art Deco lighting from homes and public spaces presented in over 590 color photos, including accent and figural radio lamps, boudoir lamps, table and desk lamps, overhead and wall lighting, and floor lighting produced by Consolidated Glass, Lightolier, Lincoln, Moe Bridges, Williamson, Frankart, Nuart, and Chase. The text provides values in the captions for the lighting displayed.

March 1294. With David and Llywelyn in Ireland, the rule of Wales and England has fallen to Math and Anna. Unbeknownst to them, however, rebellious barons have tried to assassinate David and thrown Ireland into civil war. When the treachery reaches across the sea and touches Anna, she finds herself at the center of a conspiracy that stretches from Dublin to Edinburgh--and it is only her actions and choices that stand between her family and the destruction of everything they've worked so hard to build. Shades of Time takes place simultaneously with Outpost in Time, the previous book in the After Cilmeri series. Complete series reading order: Daughter of Time, Footsteps in Time, Winds of Time, Prince of Time, Crossroads in Time, Children of Time, Exiles in Time, Castaways in Time, Ashes of Time, Warden of Time, Guardians of Time, Masters of Time, Outpost in Time, Shades of Time, Champions of Time, Refuge in Time, Outcasts in Time, Hidden in Time, Legacy of Time. Also, This Small Corner of Time: The After Cilmeri Series Companion.

"In Shades of Gray Molly Littlewood McKibbin offers a social and literary history of multiracialism in the twentieth-century United States. She examines the African American and white racial binary in contemporary multiracial literature to reveal the tensions and struggles of multiracialism in American life through individual consciousness, social perceptions, societal expectations, and subjective struggles with multiracial identity. McKibbin weaves a rich sociohistorical tapestry around the critically acclaimed works of Danzy Senna, Caucasia (1998); Rebecca Walker, Black White and Jewish: Autobiography of a Shifting Self (2001); Emily Raboteau, The Professor's Daughter (2005); Rachel M. Harper, Brass Ankle Blues (2006); and Heidi Durrow, The Girl Who Fell from the Sky (2010). Taking into account the social history of racial classification and the literary history of depicting mixed race, she argues that these writers are producing new representations of multiracial identity. Shades of Gray examines the current opportunity to define racial identity after the civil rights, black power, and multiracial movements of the late twentieth century changed the sociopolitical climate of the United Statesand helped revolutionize the racial consciousness of the nation. McKibbin makes the case that twenty-first-century literature is able to represent multiracial identities for the first time in ways that do not adhere to the dichotomous conceptions of race that have, until now, determined how racial identities could be expressed in the United States" --

A widowed Victorian Lady . . . A mysterious Viscount . . . A remote and ancient castle . . . Where ghostly residents stir anew . . .

When actress Laura Reynolds found herself transported back in time to Regency London, she realized she was being manipulated by an influential man to exact revenge against handsome, wealthy Sir Blair Deveril. She was instructed to make Sir Blair fall in love with her—and then harshly reject him. But Laura found herself straying from the script when she was in Blair’s strong arms… Paranormal Regency Romance by Sandra Heath; originally published by Signet