Shadow Daughter

A riveting, provocative, and ultimately hopeful exploration of mother-daughter estrangement, woven with research and anecdotes, from an award-winning journalist. The day of her mother's funeral, Harriet Brown was five thousand miles away. For years they'd gone through cycles of estrangement and connection, drastic blow-ups and equally dramatic reconciliations. By the time her mother died at seventy-six, they hadn't spoken at all in several years. Her mother's death sent Brown on a journey of exploration, one that considered guilt and trauma, rage and betrayal, and forgiveness. Shadow Daughter tackles a subject we rarely discuss as a culture. Family estrangements -- between parents and children, siblings, multiple generations -- are surprisingly common, and even families that aren't officially estranged often have some experience of deep conflicts. Despite the fact that the issue touches most people one way or another, estrangement is still shrouded in secrecy, stigma, and shame. We simply don't talk about it, and that silence can make an already difficult situation even harder. Brown tells her story with clear-eyed honesty and hard-won wisdom; she also shared interviews with others who are estranged, as well as the most recent research on this taboo topic. Ultimately, Shadow Daughter is a thoughtful, provocative, and deeply researched exploration of the ties that bind and break, forgiveness, reconciliation, and what family really means.

Of all the myriad stars and celebrities Hollywood has produced, only a handful have achieved the fame - and, some would say, infamy - of Orson Welles, the creator and star of what is arguably the greatest film ever, Citizen Kane. Many books have been written about him, detailing his achievements as an artist as well as his foibles as a human being. None of them, however, has come so close to the real man as Chris Welles Feder does in this beautifully realised portrait of her father. In My Father's Shadow is a classic story of a life lived in the public eye, told with affection and the wide-eyed wonder of a daughter who never stopped believing that some day she would truly know and understand her elusive and larger-than-life father. The result is a moving and insightful look at life in the shadow of a legendary figure and an immensely entertaining story of growing up in the unreal reality of Hollywood.

After Megan's father's entanglement in court politics leaves her family penniless, they are forced to move into literally the lowest section of the city. It takes backbone the strength of steel to find triumph in adversity, and in F'talezon it takes more--it takes magic. But Megan learns to survive--and becomes a hero in the process.

In a future where the Population Police enforce the law limiting a family to only two children, Luke, an illegal third child, has lived all his twelve years in isolation and fear on his family's farm in this start to the Shadow Children series from Margaret Peterson Haddix. Luke has never been to school. He's never had a birthday party, or gone to a friend's house for an overnight. In fact, Luke has never had a friend. Luke is one of the shadow children, a third child forbidden by the Population Police. He's lived his entire life in hiding, and now, with a new housing development replacing the woods next to his family's farm, he is no longer even allowed to go outside. Then, one day Luke sees a girl's face in the window of a house where he knows two other children already live. Finally, he's met a shadow child like himself. Jen is willing to risk everything to come out of the shadows—does Luke dare to become involved in her dangerous plan? Can he afford not to?

A girl with dark magic who

Los Angeles, 1985: Reagan is a few months into his second term, the economy is booming: Good morning, America. But for the teenagers in the suburbs beyond the suburbs of LA, life is more complicated than a campaign slogan. Ed Valencia and his crew are marked out by their Mohawks as troublemakers, but it is the punk scene they inhabit that has given them a grasp of a world beyond Yum Yum Donuts and TV re-runs. Lise Anderson, a thirteen-year-old, longs to be cool, but her friends Trish and Jen seem to be privy to secrets – about fashion, about sex – that nobody will tell her. And Voyd, at fourteen a front-line warrior for the revolutionary right, alone in a house filled with everything he wants and nothing he needs, has devoted himself to the FF gang and the cause of a white nation. Exurbia tells the story of these three lost souls, and of the intersection and ultimately violent collision of their lives. In haunting, angry and beautiful prose, Molly McGrann explores the margins of 1980s America, and asks questions not only about where we are going, but about how we got here in the first place. ‘Exurbia reads like a companion piece to Bret Easton Ellis’s Less Than Zero . . . Full of the right zeitgeisty details and the characters are well drawn’ Metro ‘Gripping, and well-written and staged . . .Beautifully done . . . McGrann shows us something fascinating about teenage behaviour’ Telegraph ‘Molly McGrann paints a disturbingly barren landscape where the kids roam free, the cops are corrupt and the parents are figures of repression or neglect’ New Statesman

For fans of Tayari Jones and Ruth Ozeki, from National Book Critics Circle Award finalist Rizzuto comes a haunting and suspenseful literary tale set in 1970s New York City and World War II-era Japan, about three strong women, the dangerous ties of family and identity, and the long shadow our histories can cast. Twin sisters Hana and Kei grew up in a tiny Hawaiian town in the 1950s and 1960s, so close they shared the same nickname. Raised in dreamlike isolation by their loving but unstable mother, they were fatherless, mixed-race, and utterly inseparable, devoted to one another. But when their cherished threesome with Mama is broken, and then further shattered by a violent, nearly fatal betrayal that neither young woman can forgive, it seems their bond may be severed forever--until, six years later, Kei arrives on Hana's lonely Manhattan doorstep with a secret that will change everything. Told in interwoven narratives that glide seamlessly between the gritty streets of New York, the lush and dangerous landscape of Hawaii, and the horrors of the Japanese internment camps and the bombing of Hiroshima, SHADOW CHILD is set against an epic sweep of history. Volcanos, tsunamis, abandonment, racism, and war form the urgent, unforgettable backdrop of this intimate, evocative, and deeply moving story of motherhood, sisterhood, and second chances.

THE SECOND NOVEL IN THE BESTSELLING CHOCOLAT SERIES 'A delicious urban fairytale' DAILY MAIL Seeking refuge and anonymity in the cobbled streets of Montmartre, Vianne Rocher – disguising herself as 'Yanne' – and her two daughters live peacefully, if not happily, above their little chocolate shop. Nothing unusual marks them out, and the wind has stopped – at least for a while. Then into their lives blows Zozie de l'Alba, the lady with the lollipop shoes, ruthless, devious and seductive. With everything she loves at stake, Yanne must face a difficult choice: to flee, as she has done so many times before, or to confront her most dangerous enemy. 'Chocolat was a hard act to follow but Harris has managed it in style' DAILY EXPRESS 'She is terrific, she can write about anywhere, anything, anyone' DAILY TELEGRAPH 'Harris is as good at portraying the agonies of motherhood as she is at evoking the scent of bitter chocolate laced with cinnamon and chilli' SUNDAY TIMES