Shadows In The Half Light

One of the most in-depth treatments available, this classic manual offers a wealth of details on mediums and techniques, including natural and artificial light, gradations, and more. 65 black-and-white illustrations complement the text.

Without shading, even a beautiful drawing can appear flat. But artists can learn to add dimension to their work with these techniques, illustrations, and exercises that show how to achieve effects with light and shadow.

Johann Wolfgang von Goethe, although best known for his literary work, was also a keen and outspoken natural scientist. In the second polemic part of Zur Farbenlehre (Theory of Colours), for example, Goethe attacked Isaac Newton's ground-breaking revelation that light is heterogeneous and not immutable, as was previously thought. This polemic was unanimously rejected by the physicists of the day, and has often been omitted from compendia of Goethe's works. Indeed, although Goethe repeated all of Newton's key experiments, he was never able to achieve the same results. Many reasons have been proposed for this, ranging from the psychological — such as a blind hatred of Newtonism, self-deceit and paranoid psychosis — to accusations of incapability — Goethe simply did not understand the experiments. Yet Goethe was never to be dissuaded from this passionate conviction. This translation of Goethe's polemic, published for the first time in English, makes it clear that Goethe did understand the thrust of Newton's logic. It demonstrates that Goethe's resistance to Newton's theory stemmed from something quite different; his pantheism — the belief in the spiritual nature of light. This prevented him from allowing himself to think of light in physical terms and accepting that it is anything other than simple, immutable, and unknowable. This important new translation will be useful to natural scientists, historians, philosophers and theologians alike and will delight anyone hoping to add a further layer of nuance to Goethe's complex portrait. Contents:Introduction (Michael Duck)Preface to the First Edition of Zur Farbenlehre (1810)Exposure of Newton's TheoryAppendix Readership: Goethe researchers, historians and philosophers of science, historians of Christianity and readers interested in Goethe's work. Key Features:The first English translation of Goethe's Theory of ColoursJohann Wolfgang von Goethe, Germany's Shakespeare, confronts Isaac Newton, possibly the greatest scientist of all time in this well-known text