Shadows Of Myth

Discover ancient civilizations that have disappeared beneath the ocean's surface and explore how the science of submergence adds to our knowledge of human history. The traces of much of human history – and that which preceded it – lie beneath the ocean surface; broken up, dispersed, often buried and always mysterious. This is fertile ground for speculation, even myth-making, but also a topic on which geologists and climatologists have increasingly focused in recent decades. We now know enough to tell the true story of some of the continents and islands that have disappeared throughout Earth's history, to explain how and why such things happened, and to unravel the effects of submergence on the rise and fall of human civilizations. In Worlds in Shadow Patrick Nunn sifts the facts from the fiction, using the most up-to-date research to work out which submerged places may have actually existed versus those that probably only exist in myth. He looks at the descriptions of recently drowned lands that have been well documented, those that are plausible, and those that almost certainly didn't exist. Going even further back, Patrick examines the presence of more ancient lands, submerged beneath the waves in a time that even the longest-reaching folk memory can't touch. Such places may have played important roles in human evolution, but can only be reconstructed through careful geological detective work. Exploring how lands become submerged, whether from sea-level changes, tectonic changes, gravity collapse, giant waves or volcanoes, helps us determine why, when and where land may disappear in the future, and what might be done to prevent it.

Why is it that thieves and mages never mix? Probably because thieves remind mages too much of themselves. A young female thief is working to help her crew stay alive in Waypoint, a city that exists on the precipice of humanity to one side and in the shadows of Ziammotienth on the other. Also called Tolan's Doom, the mountain torn asunder by a dragon-if you believe in myths. Many an adventurer calls Waypoint the only bastion of civilization before returning to the remains of the once-great half-elven city's remains from which to strike into the darkness underground. Most do not return. Kaylin has no intention of heading to the mountain's grip. But will she be able to evade its grasp? Is Ziammotienth just a story of legends and minstrels or much more? Commerce, adventure, and intrigue swirl around the young thief as she fights her way into a far larger world than she had expected to experience.

From the forest she will come No memory, no future, and only a white rose to identify her The Ilduin Bane are myth and legend: assassins, mages whose blades drip poison and whose minds share a common purpose, one of death or control. All who have gone against them have been lost, unable to penetrate their powerful protections. And so Archer Blackcloak gathers a small band to bring about the downfall of the Bane. From Archer comes strength of purpose and an indomitable will. Ratha and Giri, the Anari warriors, give the group a fighter's skill and temper. Young Tom, whose unwavering loyalty is matched by an insatiable curiosity and Sara Deepwell, who has a surprising talent for magic, join them. From their last member, Tess Birdsong, the only survivor of a brutal attack that left her with no memory, comes the power of one who has nothing left to lose. But the road to freedom is long and twisted, and before they are finished their old sorrows may destroy them. Yet once started, they cannot turn back, no matter how high the price to be paid

Sixteen-year-old Jack thinks he’s a failure. Living with aches and nausea, hearing voices and disconnected from his friends, he wonders if crystal meth might take the pain away. But when his mother ends up in a coma, and his father can’t cope, Jack runs from home with his younger sister Emily. As the siblings shelter from a violent storm, goddess Freyja appears. She says they must travel to the realm of Sylvaheim to defeat the malevolent Lord Batu Glass and his partner Morgana. Growing in power, they now threaten all the realms. But the ultimate challenge lies within: Can Jack and Emily conquer their deepest fears to stop druglord Batu Glass and his henchmen, the traitorous ravens, before Jack’s soul is lost too? Shadows of Sylvaheim is not just a coming-of-age mythic fantasy novel, it also acts as a Jungian guide to life. “It is a worthy undertaking to introduce young people to Jungian psychology and I applaud Toula’s efforts and dedication. I wish her great success!” Dr Murray Stein ~ Jungian Analyst, Author, Lecturer

A collection of stories about some strange but essentially friendly creatures: a homesick anito stuck behind an old aparador; a musical rocking horse carved out of a very special block of wood; a poor kapre blamed by Old Manang for all the misdeeds in Lola’s house; and a shadow man who hosts parties in his shadow world.

Archer Blackcloak and two Anari warriors set out from their village in search of the bandits who ambushed and massacred a trade caravan.

After losing his sister to illness, Edward becomes distraught. He struggles to find the strength to endure his existence. Even the comfort from his family is not enough to help mend his heartbreak. Edward is at risk of being swallowed and lost forever to this overwhelming affliction of loss and death. In one of his most crippling, darkest moments, the depths of the shadows consume his mind. As Edward transverses the gloom, he senses a presence. It is ancient and powerful, and it seems to be attracted to his anguish. Although fearful at first, Edward feels strangely comfortable and tethered to this presence within the shadows. Unbeknownst to Edward, he had somehow accessed a conduit to the world beyond the physical, a world where the gods dwell. However, the ubiquity within the shadows Edward has summoned is not a god. The presence is Astraea, a sorceress who lived more than two millennia ago. Somehow by joining the shadow realm, Edward and Astraea are bound, transcending space and time. Their decisions on how to use this newfound power will shape both the heavens and the world.

The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark, one-of-a-kind fairy tale inspired by Mexican folklore. “A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadow is a magical fairy tale about identity, freedom, and love, and it's like nothing you've read before.”—Bustle NEBULA AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Tordotcom • The New York Public Library • BookRiot The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld. Praise for Gods of Jade and Shadow “A dark, dazzling fairy tale . . . a whirlwind tour of a 1920s Mexico vivid with jazz, the memories of revolution, and gods, demons, and magic.”—NPR “Snappy dialog, stellar worldbuilding, lyrical prose, and a slow-burn romance make this a standout. . . . Purchase where Naomi Novik, Nnedi Okorafor, and N. K. Jemisin are popular.”—Library Journal (starred review) “A magical novel of duality, tradition, and change . . . Moreno-Garcia’s seamless blend of mythology and history provides a ripe setting for Casiopea’s stellar journey of self-discovery, which culminates in a dramatic denouement. Readers will gladly immerse themselves in Moreno-Garcia’s rich and complex tale of desperate hopes and complicated relationships.”—Publishers Weekly (starred review)