Shadows On The Grave 1

"One of the most precise and admirable storytellers in the medium."ð„Guillermo del Toro The master of supernatural horror is back with bizarre tales of terror in his signature black-and-white style. Running through the entire series is the continuing story of Corben's new warrior character, Denaeus, reminiscent of his best-loved creation, Den from the classic Heavy Metal series. New stories from 2012 Eisner Hall of Fame award winner Richard Corben!

Richard Corben follows up 2014's Spirits of the Dead with a new collection of original short stories, ranging from gothic tales worthy of Poe, to Twilight Zone-style encounters with the weird, to a full-length fantasy epic featuring a barbarian reminiscent of Corben's most notorious creation, Den, immortalized in the 1981 animated film Heavy Metal. Corben rose to prominence with short horror and science fiction stories in the early 1970s in Creepy and Eerie, which were later collected in Creepy Presents Richard Corben. He remains one of the most important voices in horror comics. In 2009 he won the Eisner for Best Miniseries as well as being named Spectrum's Grand Master, one of illustration's most prominent awards. In 2011 he won the Eisner for Best Oneshot, and the following year he was inducted in the Will Eisner Hall of Fame.

Tuck Everlasting meets The Village in Shadow Grave, a delightfully eerie middle grade novel by Marina Cohen about a boy trapped in a strange town where secrets turn deadly and the unnatural lurks in the night. Twelve-year-old Arlo is afraid of fire, creepy TV shows, and even his own shadow—but most of all, he’s afraid of losing his mother to the disease that nearly claimed her life a year ago. During a Thanksgiving road trip, a sudden collision with a strange beast in the middle of the road totals the family’s car, and Arlo, his mom, and his sister end up stranded in a small town. There’s something off about Livermore. No one has a phone or a car, and the townspeople aren’t exactly friendly. Without phone service to make a call for help, the family stays at the Samuels’ mansion, but inexplicable sightings at night set Arlo on edge. When he stumbles upon a dark secret that the town’s inhabitants will kill to keep, getting out of Livermore becomes a matter of life or death.

The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.

A brave shadow finds a more colorful life in this joyous picture book by the acclaimed author of The Uncorker of Ocean Bottles and illustrator of Sidewalk Flowers. Smoot the shadow has been living a yawn-filled life for years. His boy never laughs and never leaps, so Smoot never does either . . . until the day he pops free, and decides to hit the road in search of the life he dreams about. And as he enjoys his first colorful day—singing, dancing, and playing—other shadows watch him, and they become brave, too. The frog's shadow takes the shape of a prince, the dragonfly's shadow that of a dragon. Even the rock's shadow gets in on the excitement. But what will become of the timid beings their shadows have left behind? Will they finally be inspired to find their own daring?

Darynda Jones has garnered a strong following with her series starring Grim Reaper Charley Davidson. Here together for the first time in a stunning eBook bundle are the first three novels in the New York Times bestselling paranormal series: First Grave on the Right Charley sees dead people. And it's her job to convince them to "go into the light." But when these very dead people have died under less than ideal circumstances (i.e., murder), sometimes they want Charley to bring the bad guys to justice. Complicating matters are the intensely hot dreams she's been having about an Entity who has been following her all her life...and it turns out he might not be dead after all. In fact, he might be something else entirely. Second Grave on the Left When Charley and Cookie, her best friend slash receptionist, have to track down a missing woman, the case is not quite as open and shut as they anticipate. Meanwhile, Reyes Alexander Farrow (otherwise known as the Son of Satan. Yes. Literally.) has left his corporeal body because he's being tortured by demons who want to lure Charley closer. But Reyes can't let that happen. Because if the demons get to Charley, they'll have a portal to heaven. And if they have a portal to heaven...well, let's just say it wouldn't be pretty. Third Grave Dead Ahead Every time Charley closes her eyes, she sees him: Reyes Farrow, the part-human, part-supermodel son of Satan. Yes, she did imprison him for all eternity, but come on. How is she supposed to solve a missing persons case, deal with an ego-driven doctor, calm her curmudgeonly dad, and take on a motorcycle gang hell-bent on murder when the devil's son just won't give up?

Book #5 in mystery series for kids 8-12 written by Chris Fabry and Jerry B. Jenkins, authors of Left Behind Kids; set in Colorado; suspense

A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer