Shakespeare And Commemoration

On the 400th anniversary of Shakespeare's death, this collection opens up the social practices of commemoration to new research and analysis. An international team of leading scholars explores a broad spectrum of celebrations, showing how key events - such as the Easter Rising in Ireland, the Second Vatican Council of 1964 and the Great Exhibition of 1851 - drew on Shakespeare to express political agendas. In the USA, commemoration in 1864 counted on him to symbolise unity transcending the Civil War, while the First World War pulled the 1916 anniversary celebration into the war effort, enlisting Shakespeare as patriotic poet. The essays also consider how the dream of Shakespeare as a rural poet took shape in gardens, how cartoons challenged the poet's élite status and how statues of him mutated into advertisements for gin and Disney cartoons. Richly varied illustrations supplement these case studies of the diverse, complex and contradictory aims of memorialising Shakespeare.

Memory and commemoration play a vital role not only in the work of Shakespeare, but also in the process that has made him a world author. As the contributors of this collection demonstrate, the phenomenon of commemoration has no single approach, as it occurs on many levels, has a long history, and is highly unpredictable in its manifestations. With an international focus and a comparative scope that explores the afterlives also of other artists, this volume shows the diverse modes of commemorative practices involving Shakespeare. Delving into these “cultures of commemoration,” it presents keen insights into the dynamics of authorship, literary fame, and afterlives in its broader socio-historical contexts.

This book is the first comprehensive account of global Shakespeare commemoration in the period between 1916 and 2016. Combining historical analysis with insights into current practice, Memorialising Shakespeare covers Shakespeare commemoration in China, Ukraine, Egypt, and France, as well as Great Britain and the United States. Chapter authors discuss a broad range of commemorative activities—from pageants, dance, dramatic performances, and sculpture, to conferences, exhibitions, and more private acts of engagement, such as reading and diary writing. Themes covered include Shakespeare’s role in the formation of cultural memory and national and global identities, as well as Shakespeare’s relationship to decolonisation and race. A significant feature of the book is the inclusion of chapters from organisers of recent Shakespeare commemoration events, reflecting on their own practice. Together, the chapters in Memorialising Shakespeare show what has been at stake when communities, identity groups, and institutions have come together to commemorate Shakespeare.

This extraordinary collection introduces us to commemorations of Shakespeare in locations and contexts we would never have expected. It shows how he has been deployed as ambassador, warrior, inspiration and 'cultural saint' to boost and create the self-image not only of the British but of other nations too. -Professor Lisa Hopkins, Sheffield Hallam University, UK Designed to offer 'an analytic audit of the field' in the wake of the 2016 Shakespeare quatercentenary commemorations, Memorialising Shakespeare does considerably more than that. It reaches back to ideologically-charged tercentenary ceremonies in British-occupied Egypt in 1916 and to representations of "the Shakespeare-reading soldier" in the Great War before beating a path to more recent commemorative events staged in the Soviet Union in 1964, France in 2014, China in 2016, and myriad other points in between. Concluding with a stunning Afterword by Ton Honselaars that movingly dips back into the trenches of 1916, the book offers deeply informed state-of-the-art assessments of Shakespeare's locations in the here and now of the last one hundred years that will undoubtedly serve as a template for future efforts in kind. -Professor Thomas Cartelli, Muhlenberg College, USA Memorialising Shakespeare is a first-rate contribution to the growing field of Shakespearean cultural memory. It brings commemoration to the front of Shakespearean studies. The case studies it collects show how memory studies benefit from a transhistorical and transnational approach. This volume combines innovative, exciting studies of Shakespearean commemoration with current theoretical practice, opening new paths for future studies in the field. -Professor Clara Calvo, University of Murcia, Spain This book is the first comprehensive account of global Shakespeare commemoration in the period between 1916 and 2016. Combining historical analysis with insights into current practice, Memorialising Shakespeare covers Shakespeare commemoration in China, Ukraine, Egypt, and France, as well as Great Britain and the United States. Chapter authors discuss a broad range of commemorative activities-from pageants, dance, dramatic performances, and sculpture, to conferences, exhibitions, and more private acts of engagement, such as reading and diary writing. Themes covered include Shakespeare's role in the formation of cultural memory and national and global identities, as well as Shakespeare's relationship to decolonisation and race. A significant feature of the book is the inclusion of chapters from organisers of recent Shakespeare commemoration events, reflecting on their own practice. Together, the chapters in Memorialising Shakespeare show what has been at stake when communities, identity groups, and institutions have come together to commemorate Shakespeare. Edmund G. C. King is a Lecturer in English at The Open University in Milton Keynes, UK. A book historian with a speciality in the history of reading, his published work has appeared in Book History (2013), Shakespeare (2014), the Yearbook of English Studies (2015), and The Cambridge Companion to Shakespeare's First Folio (2016). Monika Smialkowska is a Senior Lecturer in English Literature at Northumbria University, UK. Her current research interests lie in post-renaissance adaptations and appropriations of Shakespeare. Her published work has appeared in Critical Survey (2010), Shakespeare (2011, 2014), The Cambridge Guide to the Worlds of Shakespeare, Volume Two: The World's Shakespeare, 1660-Present (2016), and Shakespeare in the North: Place, Politics and Performance in England and Scotland (2021). .

This essay collection examines the Shakespearian culture of Cold War Europe - Germany, France, UK, USSR, Poland, Spain and Hungary - from 1947/8 to the end of the 1970s. Written by international Shakespearians who are also scholars of the Cold War, the essays assembled here consider representative events, productions and performances as cultural politics, international diplomacy and sites of memory, and show how they inform our understanding of the political, economic, even military, dynamics of the post-war global order. The volume explores the political and cultural function of Shakespearian celebration and commemoration, but it also acknowledges the conflicts they generated across the European Cold War ‘theatre’, examining the impact of Cold War politics on Shakespearian performance, criticism and scholarship. Drawing on archival material, and presenting its sources both in their original language and in translation, it offers historically and theoretically nuanced accounts of Shakespeare’s international significance in the divided world of Cold War Europe, and its legacy today.

Shakespeare in Canada is the result of a collective desire to explore the role that Shakespeare has played in Canada over the past two hundred years, but also to comprehend the way our country’s culture has influenced our interpretation of his literary career and heritage. What function does Shakespeare serve in Canada today? How has he been reconfigured in different ways for particular Canadian contexts? The authors of this book attempt to answer these questions while imagining what the future might hold for William Shakespeare in Canada. Covering the Stratford Festival, the cult CBC television program Slings and Arrows, major Canadian critics such as Northrop Frye and Marshall McLuhan, the influential acting teacher Neil Freiman, the rise of Québécois and First Nation approaches to Shakespeare, and Shakespeare’s place in secondary schools today, this collection reflects the diversity and energy of Shakespeare’s afterlife in Canada. Collectively, the authors suggest that Shakespeare continues to offer Canadians “remembrance of ourselves.” This is a refreshingly original and impressive contribution to Shakespeare studies—a considerable achievement in any work on the history of one of the central figures in the western literary canon.