Shakespeare Revolutionized

Nearly four hundred years after his death, Shakespeare permeates our everyday lives: from the words we speak to the teenage heartthrobs we worship to the political rhetoric spewed by the twenty-four-hour news cycle. In the pages of this wickedly clever little book, Esquire columnist Stephen Marche uncovers the hidden influence of Shakespeare in our culture. Some fascinating tidbits: Shakespeare coined more than 1,700 words, including hobnob, glow, lackluster, and dawn. Paul Robeson's 1943 performance as Othello on Broadway was a seminal moment in black history. Tolstoy wrote an entire book about Shakespeare's failures as a writer. In 1936, the Nazi Party tried to claim Shakespeare as a Germanic writer. Without Shakespeare, the book titles Infinite Jest, The Sound and the Fury, and Brave New World wouldn't exist. The name Jessica was first used in The Merchant of Venice. Freud's idea of a healthy sex life came directly from the Bard. Stephen Marche has cherry-picked the sweetest and most savory historical footnotes from Shakespeare's work and life to create this unique celebration of the greatest writer of all time.

That "William Shakespeare" was the author of Hamlet, Romeo and Juliet and many other much-loved plays is the greatest deception in literary history. Shakespeare Revolutionized tells the fascinating story of how the identity of the real author--Edward de Vere, the highest ranking earl in Queen Elizabeth's court--was uncovered and explains why it matters who the author really was: knowing Shakespeare's real identity revolutionizes understandings of the plays, the conditions in which they were written and the Elizabethan era.

For nearly 200 years, people have questioned the identity of Shakespeare; however, this debate is often dismissed by most scholars as “just a conspiracy theory,” with the life of the poet-playwright being “beyond doubt.” And yet, the documented facts related to the man from Stratford are meagre—where they exist at all—forcing biographers to rely heavily on their own imaginations. What does it mean to say that the traditional stance on Shakespeare’s authorship is a belief as opposed to a search for knowledge? What are the ethical implications of declaring that some history is “beyond doubt,” and that no debate about it may be permitted? What can theories of knowledge, truth and rhetoric tell us about how knowledge of Shakespeare has been constructed and justified? To the extent that this belief has consequences for society, can it then be said to be an ethical one? Finally, what difference does it actually make—from a pragmatic perspective—who the Author was? Highly original in its scope, The Shakespeare Authorship Question and Philosophy sets out the debate’s many profound philosophical dimensions concerning knowledge, historiography, truth and academic freedom—implications that transcend the debate itself.

A "romp through the Shakespeare authorship question, exploring how doubting that William Shakespeare wrote the plays attributed to him became an act of blasphemy--and who the Bard might really be"--

This is a succinct and finest history of Shakespeare studies in the nineteenth and twentieth centuries.

📖 "William Shakespeare: A Life in Verse and Prose" 🖋️ Dive into the captivating world of the Bard like never before! 🎭 From the bustling streets of Stratford-upon-Avon to the illustrious London theater scene, embark on a journey through the life and times of the world’s most celebrated playwright. 🏰✍️ Highlights: 🌟 Explore Shakespeare's early days and the Elizabethan era that shaped his writings. 🌟 Delve deep into the heart of his sonnets and experience the passion of his poetic expression. 💖📜 🌟 Step onto the stage of his dramatic world, filled with tragedies, comedies, and histories. 🎭👑 🌟 Witness the powerful women in his plays and their reflection of Elizabethan society. 💃👸 🌟 Discover his profound impact on literature, theater, and societies across centuries. 🌎📚 Whether you’re a Shakespeare enthusiast or new to his works, this book offers a fresh perspective on the enduring nature of his verse and prose. 🌌 Grab your copy now and immerse yourself in the timeless echo of Shakespeare's genius! 📚❤️

When Jane Sutcliffe sets out to write a book about William Shakespeare and the Globe Theatre, in her own words, she runs into a problem: Will's words keep popping up all over the place! What's an author to do? After all, Will is responsible for such familiar phrases as "what's done is done" and "too much of a good thing." He even helped turn "household words" into household words. But, Jane embraces her dilemma, writing about Shakespeare, his plays, and his famous phrases with glee. After all, what better words are there to use to write about the greatest writer in the English language than his very own? As readers will discover, "the long and the short of it" is this: Will changed the English language forever. Backmatter includes an author’s note, a bibliography, and a timeline.

An anthology that traces how Shakespeare has shaped American history and culture—featuring pieces by Founding Fathers, Orson Welles, and other noteworthy figures “The history of Shakespeare in America,” writes James Shapiro in his introduction to this groundbreaking anthology, “is also the history of America itself.” Shakespeare was a central, inescapable part of America’s literary inheritance, and a prism through which crucial American issues—revolution, slavery, war, social justice—were refracted and understood. In tracing the many surprising forms this influence took, Shapiro draws on many genres—poetry, fiction, essays, plays, memoirs, songs, speeches, letters, movie reviews, comedy routines—and on a remarkable range of American writers from Emerson, Melville, Lincoln, and Mark Twain to James Agee, John Berryman, Pauline Kael, and Cynthia Ozick. Americans of the revolutionary era ponder the question “to sign or not to sign;” Othello becomes the focal point of debates on race; the Astor Place riots, set off by a production of Macbeth, attest to the violent energies aroused by theatrical controversies; Jane Addams finds in King Lear a metaphor for American struggles between capital and labor. Orson Welles revolutionizes approaches to Shakespeare with his legendary productions of Macbeth and Julius Caesar; American actors from Charlotte Cushman and Ira Aldridge to John Barrymore, Paul Robeson, and Marlon Brando reimagine Shakespeare for each new era. The rich and tangled story of how Americans made Shakespeare their own is a literary and historical revelation. As a special feature, the book includes a foreword by Bill Clinton, among the latest in a long line of American presidents, including John Adams, John Quincy Adams, and Abraham Lincoln, who, as the collection demonstrates, have turned to Shakespeare’s plays for inspiration.