Shakespeare S Political And Economic Language

Shakespeare's plays are pervaded by political and economic words and concepts, not only in the histories and tragedies but also in the comedies and romances. The lexicon of political and economic language in Shakespeare does not consist merely of arcane terms whose shifting meanings require exposition, but includes an enormous number of relatively simple words which possess a structural significance in the configuration of meanings. Often operating by such means as puns, they open up a surprising number of possibilities. The dictionary reveals the conceptual nucleus of each term and explores the contexts in which it is embedded. The overlap between the political and economic dimensions of a word in Shakespeare's drama is particularly exciting as he is highly attuned to the interactions of these two spheres of human activity and their centrality in human affairs.

Shakespeare's plays are pervaded by political and economic words and concepts, not only in the histories and tragedies but also in the comedies and romances. The lexicon of political and economic language in Shakespeare does not consist merely of arcane terms whose shifting meanings require exposition, but includes an enormous number of relatively simple words which possess a structural significance in the configuration of meanings. Often operating by such means as puns, they open up a surprising number of possibilities. The purpose of this Dictionary is to reveal the conceptual nucleus of each term and explore the contexts in which it is embedded. The dictionary covers the whole spectrum from jokes to political invective. The overlap between the political and economic dimensions of a word in Shakespeare's drama is particularly exciting as he is highly attuned to the interactions of these two spheres of human activity and their centrality in human affairs.

This important collection of essays from Shakespeare Survey, the first published in 1975, shows a full range of writing on Shakespeare and politics with shifts of focus as diverse as biography, text and contexts, language and film, and from perspectives that are literary, historical, religious, theoretical and cultural. A new introductory article by John J. Joughin provides a commentary on the essays, relates them to other work in the field and gives an over-view of the subject. The comprehensive collection is a stimulating and provocative introduction to a subject that is complex but never dull.

An introduction to economic literary theory as applied to Shakespeare, concentrating on the shifting relations between economics and literature in both the Renaissance and postmodern eras.

Shows us that Shakespeare's poetic imagination displays the essence of politics and inspires reflection on the fundamental questions of statesmanship and political leadership. This book explores themes such as classical republicanism and liberty, the rule of law and morality, the nature and limits of statesmanship, and the character of democracy.

This book is an attempt to explore Shakespearean drama from the vantage point of the oppressed, invisible, and silent individuals and collectivities constructed in the plays. It examines the ideological apparatuses which produce and naturalise oppression and the political structures through which that oppression is sustained. Derek Cohen is concerned to demonstrate the many ways in which political and personal life, always interdependent, intersect. contradict, and disrupt one another often in the interests of and to the advantage of the dominant social ideology.

"This volume's main focus is on the ways in which, over the past 400 years, Shakespeare has played a role of significance within a European framework, particularly where a series of political events and ideologically based developments were concerned, such as the early modern wars of religion, the emergence of "the nation" during the late-eighteenth and nineteenth centuries, the First and Second World Wars, the process of European unification during the 1990s, the attack on the World Trade Center in New York, and Britain's participation in the war in Iraq." "The whole of the collection and particularly the opening section clearly invites a European and even a global perspective." "This book convincingly demonstrates that Shakespeare, both at the level of his meaning in his own time and at that of his reception in later ages, should no longer be studied only in relation to particular nations, but as Dirk Delabastita argues, also at various supranational levels." --Book Jacket.