Shakespeare Scenes And Characters A Series Of Illustrations Designed By Adamo Hofmann Makart Pecht Schwoerer And Spiess

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Shakespeare Scenes and Characters: A Series of Illustrations, Designed by Adamo, Hofmann, Makart, Pecht, Schwoerer, and Spiess F. Pecht is known alike as an artist and a man of letters. From his birth-place, Constance, he passed successively to Munich, to Dresden, to Leipzig, being engaged in the practice of lithography and in portrait painting. At Paris he came under the in uence of Paul Delaroche. From 1848 onwards he spent three years in England, and finally settled in Munich. A series of paintings from subjects suggested by the lives of Goethe and Schiller was succeeded by the illustration of their works and of those of Lessing in the Schiller, Goethe, and Lessing Galleries issued under either Pecht's sole superintendence or in joint editorship with A. Von Ramberg. The present Shakespeare Scenes may be looked upon as a continuation of these works. As a critic he has on various occasions been of service in calling attention to the works of rising artists of the Munich school. In, the Munich Maximilianeum may be seen twelve figures of warriors and statesmen, more than life-size, which serve as examples of Pecht's work in fresco. At present he is engaged together with Schwoerer in adorning the council-hall at Constance with frescoes representing the history of the old imperial town, and especially the period of the famous Council of 1414-18. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

Four hundred years after William Shakespeare’s death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new ‘Shakespeares’ to emerge, revealing Shakespeare’s ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations—adaptations of both the works of Shakespeare, and of Shakespeare the man—and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare’s works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare’s works, and more generally how play and playfulness can make Shakespeare ‘relatable,’ ‘relevant,’ and entertaining for successive generations of audiences and readers.