Shamanism And Culture

A guide to worldwide shamanism and shamanistic practices, emphasizing historical and current cultural adaptations. This two-volume reference is the first international survey of shamanistic beliefs from prehistory to the present day. In nearly 200 detailed, readable entries, leading ethnographers, psychologists, archaeologists, historians, and scholars of religion and folk literature explain the general principles of shamanism as well as the details of widely varied practices. What is it like to be a shaman? Entries describe, region by region, the traits, such as sicknesses and dreams, that mark a person as a shaman, as well as the training undertaken by initiates. They detail the costumes, music, rituals, artifacts, and drugs that shamans use to achieve altered states of consciousness, communicate with spirits, travel in the spirit world, and retrieve souls. Unlike most Western books on shamanism, which focus narrowly on the individual's experience of healing and trance, Shamanism also examines the function of shamanism in society from social, political, and historical perspectives and identifies the ancient, continuous thread that connects shamanistic beliefs and rituals across cultures and millennia.

"Shamanism is one of the most archaic expressions of humankind's religious quest. It has been a natural focus of anthropological research and studies in comparative religion. This volume is a collection of Juha Pentikäinen's writings on shamanism. Shamanism and Culture differs from other books about this exciting phenomenon. It takes a more holistic and comprehensive approach towards shamanistic research based upon Professor Pentikäinen's field work in shamanistic cultures and societies."--Back cover.

Title first published in 2003. Shamanism has a contradictory position within the Korean cultural system, leading to the periodical suppression of shamanism yet also, paradoxically, ensuring its survival throughout Korean history. This book examines the place of shamans within contemporary society as a cultural practice in which people make use of shamanic ritual and disputing the prevalent view that shamanism is 'popular culture', a 'women's religion' or 'performing arts'. Directly confronting the prejudice against shamans and their paradoxical situation in a modern society such as Korea, this book reveals the cultural discrepancy between two worlds in Korean culture, the ordinary world and the shamanic world, showing that these two worlds cannot be reconciled. This unique study of shamanism offers a significant contribution to growing studies in indigenous anthropology and indigenous religions, and provides a captivating read for a wide range of readers through retelling the stories-never-to-be-told involving shamanic ritual.

A guide to worldwide shamanism and shamanistic practices, emphasizing historical and current cultural adaptations. This two-volume reference is the first international survey of shamanistic beliefs from prehistory to the present day. In nearly 200 detailed, readable entries, leading ethnographers, psychologists, archaeologists, historians, and scholars of religion and folk literature explain the general principles of shamanism as well as the details of widely varied practices. What is it like to be a shaman? Entries describe, region by region, the traits, such as sicknesses and dreams, that mark a person as a shaman, as well as the training undertaken by initiates. They detail the costumes, music, rituals, artifacts, and drugs that shamans use to achieve altered states of consciousness, communicate with spirits, travel in the spirit world, and retrieve souls. Unlike most Western books on shamanism, which focus narrowly on the individual's experience of healing and trance, Shamanism also examines the function of shamanism in society from social, political, and historical perspectives and identifies the ancient, continuous thread that connects shamanistic beliefs and rituals across cultures and millennia. Nearly 200 entries on shamanic belief systems, practices, rituals, and related phenomena 152 contributors including international experts and pioneering researchers in the field 100 photos, charts, and tables Multicultural bibliography of significant materials from the fields of history, ethnography, and anthropology

Author Mihly Hoppl founder and president of the International Society of Shamanistic Research has written numerous studies examining shamanistic culture in many parts the world. His research has covered the comparative mythology of Uralic peoples, ethnosemiotics, theory of tradition, and shamanism in Eurasia. He has conducted fieldwork in Siberia among Sakha, Tuva, Buryat, Nanai, and in North East China among Manchu, Daur, and Bargu nationalities. Shamans and Traditions, his most current study, follows in the wake of his recent works Rediscovery of Shamanic Heritage (2003), Shamans and Cultures (2001), and Studies on Mythology and Uralic Shamanism (2001).

Ripinsky-Naxon explores the core and essence of shamanism by looking at its ritual, mythology, symbolism, and the dynamics of its cultural process. In dealing with the basic elements of shamanism, the author discusses the shamanistic experience and enlightenment, the inner personal crisis, and the many aspects entailed in the role of the shaman.

"This book provides an in-depth look at the beliefs and practices centered on the shaman, a person believed to have powers to heal and communicate with the spirit world. The work features more than 90 of the author's drawings of masks, fetishes, carvings and ongon, and 40 rare photographs of shamans, medicine men and women and healers"--Provided by publisher.

Wayward Shamans tells the story of an idea that humanity’s first expression of art, religion and creativity found form in the figure of a proto-priest known as a shaman. Tracing this classic category of the history of anthropology back to the emergence of the term in Siberia, the work follows the trajectory of European knowledge about the continent’s eastern frontier. The ethnographic record left by German natural historians engaged in the Russian colonial expansion project in the 18th century includes a range of shamanic practitioners, varied by gender and age. Later accounts by exiled Russian revolutionaries noted transgendered shamans. This variation vanished, however, in the translation of shamanism into archaeology theory, where a male sorcerer emerged as the key agent of prehistoric art. More recent efforts to provide a universal shamanic explanation for rock art via South Africa and neurobiology likewise gloss over historical evidence of diversity. By contrast this book argues for recognizing indeterminacy in the categories we use, and reopening them by recalling their complex history.