Shamisen Of Japan

Shamisen of Japan teaches you how to professionally play and make the Tsugaru Shamisen, simply and enjoyably! Interested in Shamisen? Enjoy the free Shamisen Crash Course, shop for high-quality Shamisen direct from Japan, and join the growing global Shamisen society at Bachido.com! About the book:It's really two books in one:Step-by-step Construction Manual Each step in the construction of the shamisen is carefully documented Hundreds of pictures along the way Traceable shamisen templatesComplete Guide for Playing Pictures and descriptions of essential tsugaru shamisen techniques Notation for 16 folk songs (Minyo) and tsugaru piecesBook HighlightsSimply written! Yes! What a novel concept! But really, who likes thick, tedious instruction manuals? Shamisen is written simply (mainly because the author's vocabulary ain't that large) in order to directly give you all the knowledge you need to build and/or play tsugaru shamisen. Nothing less, nothing more? than you need.Hundreds of pictures! Almost all instructions in the book are accompanied by an easy-to-see picture! Making the book a useful workshop/classroom material, acceptable coffee table book, and/or bathroom reader, Shamisen of Japan is a fiesta o? pictures which will keep you inspired and interested when the novelty of the English letters wears off.Professional techniques! Learn invaluable shamisen technique used by famous artists like the Yoshida Brothers, Masahiro Nitta, Agatsuma Hiromitsu, Asano Sho and Shinichi Kinoshita!

Shamisen of Japan teaches you how to professionally play and make the Tsugaru Shamisen, simply and enjoyably! Interested in Shamisen? Enjoy the free Shamisen Crash Course, shop for high-quality Shamisen direct from Japan, and join the growing global Shamisen society at Bachido.com! About the book:It's really two books in one:Step-by-step Construction Manual Each step in the construction of the shamisen is carefully documented Hundreds of pictures along the way Traceable shamisen templatesComplete Guide for Playing Pictures and descriptions of essential tsugaru shamisen techniques Notation for 16 folk songs (Minyo) and tsugaru piecesBook HighlightsSimply written! Yes! What a novel concept! But really, who likes thick, tedious instruction manuals? Shamisen is written simply (mainly because the author's vocabulary ain't that large) in order to directly give you all the knowledge you need to build and/or play tsugaru shamisen. Nothing less, nothing more... than you need.Hundreds of pictures! Almost all instructions in the book are accompanied by an easy-to-see picture! Making the book a useful workshop/classroom material, acceptable coffee table book, and/or bathroom reader, Shamisen of Japan is a fiesta o' pictures which will keep you inspired and interested when the novelty of the English letters wears off.Professional techniques! Learn invaluable shamisen technique used by famous artists like the Yoshida Brothers, Masahiro Nitta, Agatsuma Hiromitsu, Asano Sho and Shinichi Kinoshita!

The shamisen is a traditional Japanese musical instrument. It was introduced to Japan in the mid-sixteenth century via China and the Ryûkyû Islands, and was quickly established as a culturally significant musical instrument in its new context. The instrument - a three-string lute - developed numerous styles of performance and is found as a solo and ensemble instrument in diverse social and cultural contexts. The shamisen is known as an instrument of geisha in the entertainment districts; it is used in kabuki and bunraku theatre; and also has an established place within a wide-range of performance traditions, many of which are depicted in woodblock prints and other art depicting everyday life of the Edo period. This book, which is based on the author's field research in Japan, is a history of the shamisen. It locates the instrument within its various social and cultural contexts, and includes accompanying illustrations (e.g., woodblock prints, photographs and illustrations) to help show visually the place of the instrument in traditional and modern Japan.

This interesting and authoritative book includes essential facts about the various forms of Japanese music and musical instruments and their place in the overall history of Japan. Japanese Music and Musical Instruments has three main orientations: The history of Japanese music Construction of the instruments Analysis of the music itself. The book covers in a lucidly written text and a wealth of fascinating photographs and drawings the main forms of musical expression. Many readers will find the useful hints on purchasing instruments, records, and books especially valuable, and for those who wish to pursue the matter further there is a selected bibliography and a guide to Tokyo's somewhat hidden world of Japanese music. It will be found an invaluable aid to the understanding and appreciation of an important, but little-known, and fascinating aspect of Japanese culture.

This study situates musical analysis in the context of its creation, demonstrating that traditional Japanese music is an active socio- cultural system that has been reproduced in Japan from the seventeenth century to the present day.

The unique sounds of the biwa, shamisen, and other traditional instruments from Japan are heard more and more often in works for the concert hall and opera house. Composing for Japanese Instruments is a practical orchestration/instrumentation manual with contextual and relevant historical information for composers who wish to learn how to compose for traditional Japanese instruments. Widely regarded as the authoritative text on the subject in Japan and China, it contains hundreds of musical examples, diagrams, photographs, and fingering charts, and comes complete with two accompanying compact discs of musical examples. Its author, Minoru Miki, is a composer of international renown and is recognized in Japan as a pioneer in writing for Japanese traditional instruments. The book contains valuable appendices, one of works Miki himself has composed using Japanese traditional instruments, and one of works by other composers -- including Toru Takemitsu and Henry Cowell -- using Japanese traditional instruments. Marty Regan is Assistant Professor of Music at Texas A&M University; Philip Flavin is a Research Fellow in the School of Languages, Cultures and Linguistics at Monash University, Australia.

The fate of local places increasingly rests on their capability to capitalize on their highly specific local cultural resources. Cultural Commodities in Japanese Rural Revitalization: Tsugaru Nuri Lacquerware and Tsugaru Shamisen examines the dynamics of this reality for the Tsugaru District of the Aomori Prefecture, Japan, and its two dominant cultural commodities, a lacquerware and a musical performance. Organized on the basis of policy, production and consumption, the research points to historical trajectory and a combinative conceptual-operational space as the means of identifying cultural and economic potential for a cultural commodity. This analytical approach provides both for assessing the local consciousness and identifying informed policy and industry management for the commodity, making it possible to realize its potential in local revitaliszation.