Shaping Natural History And Settler Society

This book explores the life and work of Mary Elizabeth Barber, a British-born settler scientist who lived in the Cape during the nineteenth century. It provides a lens into a range of subjects within the history of knowledge and science, gender and social history, postcolonial, critical heritage and archival studies. The book examines the international importance of the life and works of a marginalized scientist, the instrumentalisation of science to settlers' political concerns and reveals the pivotal but largely silenced contribution of indigenous African experts. Including a variety of material, visual and textual sources, this study explores how these artefacts are archived and displayed in museums and critically analyses their content and silences. The book traces Barber’s legacy across three continents in collections and archives, offering insights into the politics of memory and history-making. At the same time, it forges a nuanced argument, incorporating study of the North and South, the history of science and social history, and the past and the present.

This book explores the life and work of Mary Elizabeth Barber, a British-born settler scientist who lived in the Cape during the nineteenth century. It provides a lens into a range of subjects within the history of knowledge and science, gender and social history, postcolonial, critical heritage and archival studies. The book examines the international importance of the life and works of a marginalized scientist, the instrumentalisation of science to settlers' political concerns and reveals the pivotal but largely silenced contribution of indigenous African experts. Including a variety of material, visual and textual sources, this study explores how these artefacts are archived and displayed in museums and critically analyses their content and silences. The book traces Barber's legacy across three continents in collections and archives, offering insights into the politics of memory and history-making. At the same time, it forges a nuanced argument, incorporating study of the North and South, the history of science and social history, and the past and the present. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

"Hammel successfully illuminates how the production and circulation of Barber's work was deeply affected by contemporary attitudes towards gender and race within the colonial context of the nineteenth-century Cape. This fascinating book is destined to become a landmark in the history of science in South Africa."--Nigel Penn, University of Cape Town, South Africa "This book is an original study of the contributions of a woman scientist. It is the most detailed study of its kind ... The book will make a significant addition to the global literature that examines the colonial and gendered dimensions of the history of science." --William Beinart, University of Oxford, UK "Moving seamlessly between biographical, local and international frames, this book provides a fresh look at the global knowledge transformations of the nineteenth century." --Kirsten McKenzie, University of Sydney, Australia This book explores the life and work of Mary Elizabeth Barber, a British-born settler scientist who lived in the Cape during the nineteenth century. It provides a lens into a range of subjects within the history of knowledge and science, gender and social history, postcolonial, critical heritage and archival studies. The book examines the international importance of a marginalized scientist, the instrumentalisation of science to settlers' political concerns and reveals the pivotal but largely silenced contribution of indigenous African experts. Including a variety of material, visual and textual sources, this study explores how these artefacts are archived in museums and critically analyses their content and silences. The book traces Barber's legacy across three continents, offering insights into the politics of memory and history-making.

Neil Forkey makes a significant contribution to the growing body of work on Canadian environmental history. Themes of ethnicity and environment in the Trent Valley are brought into wider perspective with comparisons to other areas of contemporary settlement throughout the British Empire and North America. Forkey begins by placing his study within the literature of settler societies of Upper Canada and North America. The Trent Valley's geography, prehistory, and Native peoples, the Huron and the Mississauga, are discussed alongside the Anglo-Celtic migrations and resettlement of the area. Careful attention is devoted to the life and nature writings of Catherine Parr Traill. Her descriptions of life and environmental changes in the Valley point the way to a keener understanding of Canadian attitudes about the natural world during the nineteenth century. Shaping the Upper Canadian Frontier: Environment, Society, and Culture in the Trent Valley is the story of the Trent Valley during the nineteenth century, one of a settler society and a microcosm for wider human and environmental changes throughout North America.

Mary Elizabeth Barber (1818–1899), born in Britain, arrived in the Cape Colony in 1820 where she spent the rest of her life as a rolling stone, as she lived in and near Grahamstown, the diamond and gold fields, Pietermaritzburg, Malvern near Durban and on various farms in the eastern part of the Cape Colony. She has been perceived as ‘the most advanced woman of her time’, yet her legacy has attracted relatively little attention. She was the first woman ornithologist in South Africa, one of the first who propagated Darwin’s theory of evolution, an early archaeologist, keen botanist and interested lepidopterist. In her scientific writing, she propagated a new gender order; positioned herself as a feminist avant la lettre without relying on difference models and at the same time made use of genuinely racist argumentation. This is the first publication of her edited scientific correspondence. The letters – transcribed by Alan Cohen, who has written a number of biographical articles on Barber and her brothers – are primarily addressed to the entomologist Roland Trimen, the curator of the South African Museum in Cape Town. Today, the letters are housed at the Royal Entomological Society in St Albans. This book also includes a critical introduction by historian Tanja Hammel who has published a number of articles and published a monograph (2019) on Mary Elizabeth Barber.

Too often Indigenous peoples have been portrayed as being without a future, destined either to disappear or assimilate into settler society. This book asserts quite the opposite: Indigenous peoples are not in any sense “out of time” in our contemporary world. Shaping the Future on Haida Gwaii shows how Indigenous peoples in Canada not only continue to have a future, but are at work building many different futures – for themselves and for their non-Indigenous neighbours. Through the experiences of the Haida First Nation, this book explores these possible futures in detail, demonstrating how Haida ways of thinking about time, mobility, and political leadership are at the heart of contemporary strategies for addressing the dilemmas that come with life under settler colonialism.

An innovative three hundred year exploration of the social and political contexts of science and the scientific imagination in South Africa.

This edited collection presents the first critical and historical overview of photography in Portuguese colonial Africa to an English-speaking audience. Photography in Portuguese Colonial Africa, 1860–1975 brings together sixteen scholars from interdisciplinary fields as varied as history, anthropology, art history, visual culture and museum studies, to consider some of the key aspects in the visual representation of the longest-lasting European colonial empire in the African continent. The chapters span over two centuries and cover five formerly colonial territories – Angola, Cabo Verde, Guinea-Bissau, Mozambique, and São Tomé and Príncipe – deploying a range of methodologies to explore the multiple meanings and the contested uses of the photographic image across the realms of politics, science, culture and war. This book responds to a marked surge of international interest in the relationship between photography and colonialism, which has hitherto largely overlooked the Portuguese imperial context, by delivering the most recent scholarly findings to a broad readership.