Shards Of Love

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

Story 1: Melisa is an ordinary girl who moves into Dawn Mirage, a beautiful city located far away from her hometown. Traveling to Mirage High School from her home takes a lot of time, therefore she decides to wander around Dawn Mirage and find a place to stay. She lives in Rose Garden, a luxurious mansion. Melisa starts her new life living with four romantic young men under the same roof. As Melisa and the residents are doing pretty well after some time, they find something magical in the mansion's storage room. Their fate change as some of them are teleported into a vast world known as the 'Astral World'. Melisa becomes an alchemist, someone who makes potions with variety of effects and uses slight healing magic. The male members become offensive fighters, with each of them being unique and different. Being destined to rescue the sealed queen, the Rose Garden members begin their adventure to fight the seven invaders from seven different continents, as well as forging bonds with other heroic fighters that fights for the honor of their kingdom and for personal reason. Story 2: This story begins in Chapter 10. Astral World's renowned noble named Von Sozou spends his night with Lady Restia once every three months. Since Lady Restia's kingdom is now a sworn enemy to the Von Clan, they have to meet secretly at their usual rendezvous. Lady Restia prays that there will be peace between the two sides. Von Sozou embraces her, showing that he loves her very much. The next day, both Von Sozou and Lady Restia's kingdom are attacked by the fifth invader, Solaris. Her fire magic explosions and meteor crashes destroy everything in the two kingdom. Von Sozou is the only Von Clan member who survives after the deadly catastrophe. He rushes to Lady Restia's Kingdom with extreme speed, only to find out that she is already dead. Saddened and angered by the death of his loved one, Von Sozou join forces with other fighters to have his revenge against Solaris.

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

From the author of the thrilling science-fiction epic Children of Time, winner of the prestigious Arthur C. Clarke Award. Shards of Earth is the first high-octane, far-future space adventure in Adrian Tchaikovsky's Final Architecture trilogy. 'One of the most interesting and accomplished writers in speculative fiction' – Christopher Paolini The war is over. Its heroes forgotten. Until one chance discovery . . . Idris has neither aged nor slept since they remade his mind in the war. And one of humanity’s heroes now scrapes by on a freelance salvage vessel, to avoid the attention of greater powers. Eighty years ago, Earth was destroyed by an alien enemy. Many escaped, but millions more died. So mankind created enhanced humans such as Idris - who could communicate mind-to-mind with our aggressors. Then these ‘Architects’ simply disappeared and Idris and his kind became obsolete. Now, Idris and his crew have something strange, abandoned in space. It’s clearly the work of the Architects – but are they really returning? And if so, why? Hunted by gangsters, cults and governments, Idris and his crew race across the galaxy as they search for answers. For they now possess something of incalculable value, and many would kill to obtain it. Praise for Adrian Tchaikovsky: 'Enthralling, epic, immersive and hugely intelligent' – Stephen Baxter on Shards of Earth 'He writes incredibly enjoyable sci-fi, full of life and ideas' – Patrick Ness ‘Brilliant science fiction’ – James McAvoy on Children of Time

Willa Hillicrissing, a thirteen-year-old human-alien Hybrid with golden eyes and a wild mane of fox-fur hair, was raised amid the green forests and peaceful seaside setting of Port Dublin in Ireland where, as an apprentice to her Hybrid mentor, Holly Cotton, she takes her first steps on the path to becoming a Cryptic.

'a young debut author whose talents are sure to develop' Kirkus Reviews...a fascinating and entertaining novel. toronto.com She must travel to the future to stop herself from destroying it.Wren Derecho is the lone survivor of a mysterious accident that took the lives of her parents. OrphanedAs Wren tries to navigate through the pain of grief and loss, she crosses paths with three other individuals and soon realizes that something beyond coincidence has intertwined their lives together.Bionic Each of their journeys are marked by immense tragedy, fate, a time machine, and a mysterious power source that seems to be alive . . . and not from this world. Unlikely friendshipsFrom the perspective of these four characters, you'll find the heartbeat of the story lies within the growth of love, trust and friendship developed from adventure, adversity and a common mission: to rescue their friend and save their city from an unseen yet familiar force. She's about to face her greatest enemy. Her future selfWren and her team quickly discover that the hero of any story can easily become the villain. ​

An account of a young woman's struggles in a land of parallel dimension.

“It would be hard to imagine Russian poetry in the last half century without Lydia Grigorieva,” writes eminent Russian poet and critic Konstantin Kedrov. Grigorieva is a uniquely individual voice, bucking the trends of modernist poetry to create her own distinctive and beguiling body of poetry. Her work draws on her own remarkable life to create startlingly arresting images and metaphors, full of beauty and power, from her series that emerged from her Arctic childhood, to the troubles that beset Ukraine. Her range of influences is wide, and Beethoven, Freud, Sylvia Plath and Byron all appear in her poems as well as more familiar Russian images. At the heart of Grigorieva’s poetry is what she calls its ‘musicality’ – her firm belief in the power of rhyme and rhythm in creating a poetic experience. In this first major collection of her work in English, English poet John Farndon, working with Grigorieva and co-translator Olga Nakston, has recreated this musicality in English so that English readers might experience for the first time what makes her work so revered in her Russian homeland. Translated by John Farndon with Olga Nakston. Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova (Managing Editor).