She Guides My Pen

In the tranquil setting of an eerie night The thought of my love guides my pen with ease and swiftly strokes. Words and senses take over the moment and my soul is lifted to soar like an eagle's majestic flight in search of high ground. The echo of my heart repeating my deepest desires, pictures of past emotions render my mind, only to discover new and endless obsessions that create a balance between madness and sanity.

SISTERS FROM THE START is an extraordinary story of seven women, all with the names of gems - Pearl, Opal, Emerald, Topaz, Ruby, Sapphire, Peridot - each bearing terrible scars from childhood and previous marriages, which meet and instantaneously see something of themselves in each other. Rapidly developing a firm friendship, they are astounded to discover that they are in fact all sisters. As they discover more about themselves, they run million dollar businesses, and escalate an "I CARE. YOU CARE. WE CARE." campaign to feed, clothe, house, and provide medical care to the poorest, homeless, and unfortunate people of Houston. The awesome power of seven sisters is transversely credence. Do they have magic power like their father, Diamond Hilton? The author's writing style is fluid, engaging the reader in the narrative as it unfolds. The larger than life central characters are vividly depicted, evoking the reader's interest and empathy as they embark on a path to new and fulfilled lives. MY PEN LAY STILL NOT is an upheaval thirty years journey about Cheyenne Phoenix Coyote, the 'Red-haired Gal' of a family with three sets of dark- straight-hair triplets. She suffers many hardships from illness to lost loves to rape to sodomy to lost loves. These uncontrolled circumstances cause Cheyenne heartaches, promiscuity, impaired judgment, and to become manic-depressive. Follow her from three failed marriages to the same man to one-night stands to a pen pal that loves her unconditionally. You will laugh and cry with this fabulous lass as she burns herself to death and rises from the ashes like a Phoenix.

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The Poetry of the Self-Taught demonstrates the characteristic strengths of self-taught poetry and analyzes the factors that have caused most selftaught poets to disappear from anthologies and from literary history. Raising the question of whether or not their work should be read today and taken seriously - instead of being relegated to separate and unequal categories like women's or «peasant» poetry - the book highlights interesting contrasts between the poetry of eighteenth-century autodidacts such as Robert Burns, Mary Leapor, C.D.F. Schubart, and Anna Louise Karsch and the work of their contemporaries, mainstream poets like Alexander Pope, James Thomson, C.F. Gellert, and Barthold Heinrich Brockes. Self-taught poetry is often treated as an index to the lives and times of the poets, but this book explores it with a different purpose: to understand and illustrate the commonalities in autodidactic poetics, imagery, rhetorical strategies, and themes. Concurrent with a recent upturn of interest in «laboring» or self-taught poets both in England and in Germany, The Poetry of the Self-Taught will be useful for courses focusing on such poets or those dealing with eighteenth-century literature.

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Now in its third edition, Feminist Literary Theory remains the most comprehensive, single volume introduction to a vital and diverse field Fully revised and updated to reflect changes in the field over the last decade Includes extracts from all the major critics, critical approaches and theoretical positions in contemporary feminist literary studies Features a new section, Writing 'Glocal', which covers feminism's dialogue with postcolonial, global and spatial studies Revised chapter introductions provide readers with helpful contextual information while extensive notes offer recommendations for further reading