Sheikh S Desert Desire

A NEW Westmoreland story! From New York Times bestselling author BRENDA JACKSON Years ago, Canyon Westmoreland wasn't ready to settle down. But when Keisha Ashford returns to town with a two-year-old son, everything changes—except for the blazing attraction he still feels for Keisha. This time around, nothing will stop Canyon from claiming what is his—his woman and his child!

The Complete 'Desert Sheikh Series’ Boxset. Dive into three Sheikh romances! Princes, American women and Passion! The Sheikh’s Royal Seduction An exotic prince, a sharp-tongued vet, a passion neither can ignore… Desperate to save his favorite lioness, Sala, from a deadly disease, Prince Zatar summons exotic wildlife veterinarian Alex Seaton to the palace. But when a stunning woman clad in western clothing arrives at the palace, he’s convinced there must be a mistake. The sharp-tongued, defiant woman couldn’t possibly be skilled enough to save Sala. However, as she works to heal his beloved pet, a dark passion simmers between them. To take her to his bed would be scandalous, but how can he resist such sweet temptation? Alexis Seaton is all too aware of the practiced seduction of royalty. As a renowned animal healer, she’s spent time in countless luxurious gardens with some of the most exotic big cats in the world. To maintain her professional status, she must resist the prince’s sultry, searching eyes and sensual promises. Only a fool would give up her life’s passion for one night in the arms of a man who would forget her by morning. But under Zatar’s watchful gaze, her resolve shifts like the sands of Arabia, and even she may not be able to resist the sheikh’s royal seduction forever... The Sheikha’s Unexpected Protector He once destroyed her life; now he’s getting the chance to save it. Princess Salari moved to Paris after her father, the king of Kattahar, exiled her. But when she hears about his sudden death, she’s ready to come home. After ten years away, she’s stunned by the sight of Kalif, the man who destroyed her life. Her former childhood friend and the only man to ever break her heart has morphed into the sexiest royal guardsman she’s ever seen. Although she refuses to even entertain the thought of falling for his seductive glances again, she won’t have a chance to avoid him. Someone doesn’t want Salari back in the palace, and they’ll stop at nothing to make sure she ends up dead. With no choice but to accept Kalif’s protection, she’ll have to guard her heart against the one man who can destroy it. Kalif Nazat never expected to be tasked with guarding Princess Salari. She still despises him, despite his attempts to apologize for his part in her exile. He’d had no good options that day ten years ago, and even the lesser of two evils had terrible consequences for the only woman he’d ever loved. But with someone wishing Salari dead, he figures keeping her alive is the only way he can redeem himself. As the killer closes in, he’ll risk his life to keep her safe, and in turn risk losing his heart forever. The Sheikh’s American Fiancée Christina is in the tiny country of Kattahar for one reason and one reason only—she’s looking for a potential donor for her adorable niece who’s desperate for a kidney. While cleaning out her parents’ attic, Christina stumbles upon a family secret: her sister, Kasha, is adopted and her birth mother, Sabrina, a potential kidney donor, is living in Kattahar. With her world thrown into a tailspin, Christina heads to Kattahar to seek Sabrina out. What’s not in her plans is becoming involved with anyone, including the sinfully hot man she can’t keep her eyes off. But when he asks her to be his fiancée, she’s more than a little intrigued. As desperate as Christina is to find her sister’s birth mother, Dakaric, King of Al Qalb, is just as desperate to keep power-hungry, crown-seeking women from distracting him from his goal of making his country prosperous. Christina just happens to be the perfect woman at the perfect time. She’s only in Kattahar for one week, just long enough to pose for some PR photos and prove his “fiancée” exists. If she agrees to the ruse to keep the gold diggers away, he’ll help her find Kasha’s mother. The only hitch in his plan is his growing attraction to Christina, who is beginning to look more and more perfect in every way.

A new Westmoreland story! The first in a new trilogy from New York Times bestselling author Brenda Jackson No woman walks away from Zane Westmoreland. But when Channing Hastings does just that, it leaves the rancher reeling—and then she returns to town engaged! Zane will do whatever it takes to show her that there is no man for her but him. Plus a Brenda Jackson favorite from The Steele Family series Intimate Seduction

A brand-new Westmoreland novel from New York Times bestselling author Brenda Jackson Their affair ended long ago. But when Dr. Micah Westmoreland must work with his old flame, the heat between them is undeniable. This time, he'll do whatever it takes to make her his. Plus a Brenda Jackson favorite—the second in the Steele Family series Night Heat.

A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called “desert romances.” Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and interviews with authors, Jarmakani explores popular investments in the war on terror by examining the collisions between fantasy and reality in desert romances. Focusing on issues of security, freedom, and liberal multiculturalism, she foregrounds the role that desire plays in contemporary formations of U.S. imperialism. Drawing on transnational feminist theory and cultural studies, An Imperialist Love Story offers a radical reinterpretation of the war on terror, demonstrating romance to be a powerful framework for understanding how it works, and how it perseveres.

Arabia, 1816 For Sheikh Khalid al-Raqam, choosing a bride comes second to the responsibility of ruling his kingdom and protecting its treasures. When he is given a shipwrecked foreign beauty as a tribute gift, he foresees a diplomatic nightmare—until he lays eyes on Juliette de Montignac's lush curves. His passion is only roused further by her bold and defiant spirit. His inner conqueror awakened, Khalid is determined to tame Juliette….by awakening her own desire for him! Book one of the Princes of the Desert series.

One night of electrifying, primitive lovemaking with Sheikh Arash Khosravi and Lana Holding had never let another man touch her. Separated by circumstance, she despaired of seeing him again. But their reunion proved bittersweet. For pride and pain had made her strong sheikh ruthless and as cold as the blizzard they were stranded in.... Arash had risked his fortune to save his beloved country. And so he could promise gentle Lana no future. But solitude with the breathtaking beauty was too tempting for his noble resistance. Surrendering to the woman who was his torment, his delight, he vowed to have her forever. Could he keep her when he had nothing to offer...but himself?

Civilized Violence provides a social and historical explanation for the popular appeal of cinema violence. There is a significant amount of research on the effects of media violence, but less work on what attracts audiences to representations of violence in the first place. Drawing on historical-sociology, cultural studies, feminist and queer theory, masculinity studies and textual analysis, David Hansen-Miller explains how the exercise of violence has been concealed and denied by modern society at the same time that it retains considerable power over how we live our lives. He demonstrates how discourses of sexuality and gender, even romantic love, are freighted with the micropolitics of violence. Confronted with such contradictions, audiences are drawn to the cinema where they can see violence graphically restored to everyday life. Popular cinema holds the power to narrate and interpret social forces that have become too opaque, diffuse and dynamic to otherwise comprehend. Through detailed engagement with specific narratives from the last century of popular film - The Cabinet of Dr. Caligari, The Sheik, Once Upon a Time in the West, Deliverance - and the pervasive violence of contemporary cinema, Hansen-Miller investigates the manner in which representations can transform our understanding of how violence works.