Sherlock Holmes Byomkesh Bakshi And Feluda

Sherlock Holmes, Byomkesh Bakshi, and Feluda: Negotiating the Center and the Periphery presents a postcolonial reading of Conan Doyle’s canonical detective texts—Sherlock Holmes adventures, and some lesser known detective texts written by two Bengali (Indian) writers—Sharadindu Bandyopadhyay (1899-1970), and Satyajit Ray (1921-1992). The book proposes that in a postcolonial reading situation, the representation of Holmes problematizes the act of reading and also the act and discourse of inquiry. The fact that the Holmes adventures contribute to the hegemonic culture of “Anglo/Eurocentrism” is seen as a reinforcement of racial superiority among the “colonized.” This book studies how literary texts function as a signifier of a particular national identity, and can indicate the cultural construct of a state. It contends that only those texts which cater to the standards of global hierarchy are considered canonical, and indigenous texts, however significant, remain as "Other" literature. The book highlights colonial and postcolonial discourse in the Bengali detective texts and examines, how far Holmes has been able to reinforce racial dominance over the Indian detectives Byomkesh Bakshi and Feluda.

Classic tales of crime detection featuring Byomkesh Bakshi, the master inquisitor Written long before Satyajit Ray’s Feluda series, Saradindu Bandyopadhyay’s Byomkesh Bakshi mysteries heralded a new era in Bengali popular fiction. Set in the old-world Calcutta of the Raj, these stories featuring the astute investigator and his chronicler friend Ajit are still as gripping and delightful as when they first appeared. Byomkesh’s world, peopled with wonderfully delineated characters and framed by a brilliantly captured pre-Independence urban milieu, is fascinating because of its contemporary flavor. In the first story, Byomkesh works undercover to expose an organized crime ring trafficking in drugs. In ‘The Gramophone Pin Mystery’, he must put his razor-sharp intellect to good use to unearth the pattern behind a series of bizarre roadside murders. In ‘Calamity Strikes’, the ace detective is called upon to investigate the strange and sudden death of a girl in a neighbour’s kitchen. In the next story, he has to lock horns with an old enemy who has vowed to kill him with an innocuous but deadly weapon. And in ‘Picture Imperfect’, Byomkesh Bakshi unravels a complex mystery involving a stolen group photograph, an amorous couple, and an apparently unnecessary murder. Available in English for the first time in a superb translation, these stories will captivate every lover of crime fiction, young and old alike.

Byomkesh Bakshi's appeal as the self-styled inquisitor, a detective not by profession but by passion, has found him a dedicated following among generations of readers. The present collection of stories, all set in Calcutta of the fifties and sixties, brings together four mysteries that put the sleuth's remarkable mental agility to the ultimate test. In The Menagerie (adapted by master film-maker Satyajit Ray for his 1967 film Chiriakhana) Byomkesh cracks a strange case involving broken motor parts, a seemingly natural death and the peculiar inhabitants of Golap Colony who seem capable of doing just about anything to safeguard the secrets of their tainted pasts. In The Jewel Case, he investigates the mysterious disappearance of a priceless necklace, while in The Will That Vanished he solves a baffling riddle to fulfil the last wish of a close friend. And in The Quills of the Porcupine, the shrewd detective is in his element as he expertly foils the sinister plans of a ruthless opportunist. Byomkesh's exploits just as it does Bandyopadhyay's remarkable portrayal of a city struggling to overcome its colonial past and come into its own.

Detective fiction has never lacked devoted fans. The undying popularity of Sherlock Holmes and Hercule Poirot vouch for that fact. In the early thirties, a detective by the name of Byomkesh Bakshi made an unobtrusive entry into the world of Bengali fiction. He preferred calling himself a satyanneshi, a seeker of truth and within days was a household name, courtesy his cerebral skills and the exciting situations he found himseft in. In the tradition of Doyle and Christie, Byomkesh is accompanied on his adventures by his friend, Ajit, Slightly obtuse and the perfect foil to him.

Saradindu Bandyopadyay's immortal detective Byomkesh Bakshi has enjoyed immense popularity for several decades. From being a household name in the Calcutta of 1930s, when he first created, to a popular face on TV in the 1990s, Byomkesh along with his friend-cum-foil Ajit is perhaps the best-loved of India's literary detectives. This collection brings together three of his classic whodunnits. From a murder in a boarding house with too many suspects to a mystery with a supernatural twist, and then busting a black - marketeering ring in rural bengal, these stories take the super sleuth to different locales on his quest for truth, and bring out his ingenuity and astuteness. Translated into English for the first time by award-winning translator Arunava Sinha, the breathless pace and thrilling plots of these action-packed adventures will win Byomkesh a new genertion of admirers.

Mystery fiction as a genre renders moral judgments not only about detectives and criminals but also concerning the cultural structures within which these mysteries unfold. In contrast to other volumes which examine morality in crime fiction through the lenses of personal guilt and personal justice, Certainty and Ambiguity in Global Mystery Fiction analyzes the effect of moral imagination on the moral structures implicit in the genre. In recent years, public awareness has attended to the relationship between social structures and justice, and this collection centers on how personal ethics and social ethics are bound together amidst the shifting moral landscapes of mystery fiction. Contributors discuss the interplay between personal guilt and social guilt – considering morality and justice on an individual level and at a societal level – using frameworks of certainty and ambiguity. They show how individual characters in works by Agatha Christie, Gabriel García Márquez, Natsuo Kirino, F.H. Batacan, and Stephen King, among others, may view their moral standing with certainty but clash with the established mores of their culture. Featuring essays on Japanese, Filipino, Indian, and Colombian mystery fiction, as well as American and British fiction, this volume analyzes social guilt and justice across cultures, showing how individuals grapple with the certainty, and, at times, the moral ambiguity, of their respective cultures.

Critical Essays on English and Bengali Detective Fiction brings together three strains of detective fiction: British, American, and Bengal. The import of detective fiction from Britain has influenced generations of writers of Bengali detective fiction. In this anthology of critical essays by scholars on detective fiction, we have divided the contents into three groups. First, there are essays on classic British detective fiction, with essays on Charles Dickens, Wilkie Collins, Arthur Conan Doyle, Agatha Christie, P.D.James, Kate Atkinson, and Margery Allingham. The second section is on American hard-boiled fiction with essays on Dashiell Hammett and Raymond Chandler. The third section is on Bengali detective fiction with essays on Hemendra Kumar Roy, Saradindu Bandyopadhay and Satyajit Ray. Together, these essays bring three strains of detective fiction into conversation to show the gradual postcolonial attempt of Bengali detective fiction to outgrow colonial influences and create an original and organic tradition of regional and vernacular detective fiction.