Shifting Perspectives Of Postcolonialism In Twenty First Century Anglophone Arab Fiction

Shifting Perspectives of Postcolonialism in Twenty-First-Century Anglophone-Arab Fiction explores the flourishing Anglophone-Arab fiction after 9/11. Central to this expansion are the socio-political changes in the aftermath of the 9/11attacks, not only on the international scene, but also at the local level within the Arab/Muslim world. Paralleling this expansion is a shift from traditional postcolonial discourse toward Arab nation’s internal issues. Rather than echoing the outmoded “writing back” paradigm, the Anglophone-Arab writers have taken up specific social and political concerns through their writings and offer a trenchant commentary on issues of indigenous and international significance. Moving away from postcolonial political awareness, Anglophone-Arab writers provide a critical perspective on some important contemporary issues facing the Arab nations like misuse of religious discourse, sectarianism, terrorism, feminism, class struggle, political rights and democracy, and the fragmentation of the Arab society.

Arab Voices in Diaspora offers a wide-ranging overview and an insightful study of the field of anglophone Arab literature produced across the world. The first of its kind, it chronicles the development of this literature from its inception at the turn of the past century until the post 9/11 era. The book sheds light not only on the historical but also on the cultural and aesthetic value of this literary production, which has so far received little scholarly attention. It also seeks to place anglophone Arab literary works within the larger nomenclature of postcolonial, emerging, and ethnic literature, as it finds that the authors are haunted by the same ‘hybrid’, ‘exilic’, and ‘diasporic’ questions that have dogged their fellow postcolonialists. Issues of belonging, loyalty, and affinity are recognized and dealt with in the various essays, as are the various concerns involved in cultural and relational identification. The contributors to this volume come from different national backgrounds and share in examining the nuances of this emerging literature. Authors discussed include Elmaz Abinader, Diana Abu-Jaber, Leila Aboulela, Leila Ahmed, Rabih Alameddine, Edward Atiyah, Shaw Dallal, Ibrahim Fawal, Fadia Faqir, Khalil Gibran, Suheir Hammad, Loubna Haikal, Nada Awar Jarrar, Jad El Hage, Lawrence Joseph, Mohja Kahf, Jamal Mahjoub, Hisham Matar, Dunya Mikhail, Samia Serageldine, Naomi Shihab Nye, Ameen Rihani, Mona Simpson, Ahdaf Soueif, and Cecile Yazbak. Contributors: Victoria M. Abboud, Diya M. Abdo, Samaa Abdurraqib, Marta Cariello, Carol Fadda–Conrey, Cristina Garrigós, Lamia Hammad, Yasmeen Hanoosh, Waïl S. Hassan, Richard E. Hishmeh, Syrine Hout, Layla Al Maleh, Brinda J. Mehta, Dawn Mirapuri, Geoffrey P. Nash, Boulus Sarru, Fadia Fayez Suyoufie

This Edinburgh Companion seeks to develop a postcolonial framework for addressing the Middle East. The first collection of essays on this subject, it assembles some of the world's foremost postcolonialists to explore the critical, theoretical and disciplinary possibilities that inquiry into this region opens for postcolonial studies. Throughout its twenty-four chapters, its focus is on literary and cultural critique. It draws on texts and contexts from the late nineteenth to the early twenty-first centuries as case studies, and deploys the concept of 'post/colonial modernity' to reveal the enduring impact of colonial and imperial power on the shaping of the region. And it covers a wide and significant range of political, social, and cultural issues in the Middle East during that period - including the heritage of Orientalism in the region; the roots and contemporary branches of the Israel-Palestine conflict; colonial history, state formation and cultures of resistance in Egypt, Turkey, the Maghreb and the wider Arab world; the clash of tradition and modernity in regional and transnational expressions of Islam; the politics of gender and sexuality in the Arab world; the ongoing crises in Libya, Iraq, Iran and Syria; the Arab Spring; and the Middle Eastern refugee crisis in Europe.

Master's Thesis from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 9.2, University of Hyderabad (school of humanities,centre for comparative literature), course: MA, language: English, abstract: This book is about Arab Anglophone fiction produced after 9/11 in the United States. It attempts to analyze how the writers of such a period portray the life of Arab Americans in a post-9/11 America. It shows how Arab Americans dealt with the consequences of 9/11. It reflects several aspects that characterize Arab American writing as a diasporic narrative, such as memory and home, racialization, anti-Arab sentiment and urgency of expression, and how Arab Americans responded to the terrorist attack of 9/11. The study also investigates the role of Anglophone Arab fiction in paving the way for more intercultural understanding and attempting to de-orientalize the Arab. What I found is that some writers often try to negotiate with the American culture in order to arrive at an identity that incorporates multiple elements from both the culture of origin and the host culture. Hybrid and cosmopolitan in their approach, such writers also attempt to be cultural mediators, and they show much concern about subverting the normative judgment and stereotypical image that has fixed the Arab American. Works of fiction produced by Anglophone Arab writers, such as Laila Halaby’s Once in a Promised Land, Rabih Alameddine’s The Hakawati, and Alia Yunis’ The Night Counter represented how Arab Americans faced difficulties after 9/11 in terms of identity construction, cultural identification, and the conflicting sense of belonging and non-belonging. These works genuinely depict the life of Arab Americans and give a better understanding of who Arabs are. They also interlink both the Arab culture and American culture, celebrating both cultural identities.

Narrating Postcolonial Arab Nations significantly enhances the interface between postcolonial literary studies and the hitherto under-studied Arab world. Lindsey Moore brings together canonical and less familiar Arab novels and memoirs from the last half century to consider colonial continuities and consequences. Literary narratives are shown to oppose repressive versions of nationalism and to track desire lines toward more hospitable nations. The literatures discussed in this book enable a deeper historical understanding of twenty-first century Arab uprisings and their aftermaths. The book analyzes four rich sites of literary production: Egypt, Algeria, Lebanon, and Palestine. Moore explores ways in which authors critique particular nation-state formations and decolonizing histories, engage the general problematic of 'the nation', and redefine, repurpose, and transcend national literary canons. Chapter One contrasts Egyptian literary representations of popular revolt with official revolutionary discourse. Chapter Two addresses the enduring legacy of anti-colonial violence in Algeria and the place of Albert Camus in its literature. Chapter Three uses narratives of gender violence on the Beirut front line to reveal the divisibility and intersectional identity politics of postcolonial nation-states. Chapter Four emphasizes ways in which Palestinian memoirs insist upon remembering towards a postcolonial future. The book provides detailed analysis of literary narratives by Etel Adnan, Rabih Alameddine, Alaa al-Aswany, Rachid Boudjedra, Albert Camus, Rashid al-Daïf, Assia Djebar, Ghada Karmi, Naguib Mahfouz, Jean Said Makdisi, Edward Said, Boualem Sansal, Raja Shehadeh, Miral al-Tahawy, and Latifa al-Zayyat. It is an indispensable volume for students and scholars of Postcolonial, Arab, and World literatures.

Postcolonial Fiction and Colonial Time reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency.

The Routledge Handbook of Translation History presents the first comprehensive, state-of-the-art overview of this multi-faceted disciplinary area and serves both as an introduction to carrying out research into translation and interpreting history and as a key point of reference for some of its main theoretical and methodological issues, interdisciplinary approaches, and research themes. The Handbook brings together 30 eminent international scholars from a wide range of disciplinary backgrounds, offering examples of the most innovative research while representing a wide range of approaches, themes, and cultural contexts. The Handbook is divided into four sections: the first looks at some key methodological and theoretical approaches; the second examines some of the key research areas that have developed an interdisciplinary dialogue with translation history; the third looks at translation history from the perspective of specific cultural and religious perspectives; and the fourth offers a selection of case studies on some of the key topics to have emerged in translation and interpreting history over the past 20 years. This Handbook is an indispensable resource for students and researchers of translation and interpreting history, translation theory, and related areas.

Introduction / Aroosa Kanwal and Saiyma Aslam -- Reimagining History: The Legacy of War and Partition. "All These Angularities": Spatialising non-Muslim Pakistani Identities / Cara Cilano -- 1971: Reassessing a Forgotten National Narrative / Muneeza Shamsie -- History, Borders and Identity: Dealing with Silenced Memories of 1971 / Daniela Vitolo -- 9/11 and Beyond: Contexts, Forms and Perspectives. Global Pakistan in the Wake of 9/11 / Ulka Anjaria -- US-American Inoutside Perspectives and the Dynamics of Post-9/11 Dissociation in Pakistani Fiction / Claudia Nordinger -- The Nuclear Novel in Pakistan / Michaela M. Henry -- Uses of Humour in Post-9/11 Pakistani Anglophone Fiction: H.M Naqvi's Home Boy and Mohammed Hanif's A Case of Exploding Mangoes / Ambreen Hai -- Comic Affiliations/Comic Subversions: The Use of Humour in Contemporary British Pakistani Fiction / Sarah Ilott -- Resistance and Redefinition: Theatre of the Pakistani Diaspora in the UK and the US / Suhaan Mehta -- Historiographic Metafiction and Renarrating History / Nisreen Yousef -- The Dialectics of Human Rights: Politics, Positionality, Controversies. Pakistani Fiction and Human Rights / Esra Mirze Santesso -- Divergent Discourses: Human Rights, and Contemporary Pakistani Anglophone Literature / Shazia Sadaf -- The Taming of the Tribal within Pakistani Narratives of Progress, Conflict and Romance / Uzma Abid Ansari -- Phoenix Rising: The West's Use (and misuse) of Anglophone Memoirs of Pakistani Women / Colleen Lutz Clemens -- Writing Back and/as Activism: Refiguring Victimhood and Remapping the Shooting of Malala Yousafzai / Rachel Fox -- Identities in Question: Shifting Perspectives on Gender. Doing History Right: Challenging Masculinist Postcolonialism in Pakistani English Literature / Fawzia Afzal-Khan -- Love, Sex, and Desire v/s Islam in British Muslim Literature / Kavita Bhanot -- Everyday Life and Wordly Subjectivity in Pakistani Anglophone Fiction / Mosarrap Hossain Khan -- Spaces of Female Subjectivity: Identity, Difference, Agency. Agency, Gender, Nationalism and the Romantic Imaginary in Pakistan / Abu-Bakar Ali -- Conjugal Homes: Marriage Culture in Contemporary Novels of the Pakistani Diaspora / Rahul K. Gairola and Elham Fatma -- British-Pakistani Female Playwrights: Feminist Perspectives on Sexuality, Marriage, and Domestic Violence / Aqeel Abdulla -- Shifting Contexts: New Perspectives on Identity, Space and Mobility. Identifying Islamic Spaces of Worship in Contemporary British Pakistani Life Writing / Gerogia Stabler -- Homes and Belonging(s): The Interconnectedness of Space, Movement and Identity in British Pakistani Novels / Eva Pataki -- Committed and Communist: Negotiating Political Alegiances in the Diaspora / Miquel Pomar-Amer -- Unsettling Narratives: Imagining Post-postcolonial Perspectives. Non-Human Narrative Agency: Textual Sedimentation in Pakistani Anglophone Literature / Asma Mansoor -- Post-Postcolonial Experiments with Perspectives / Hanji Lee -- Peripheral Modernism and Realism in British-Pakistani Fiction / Asher Ghaffar -- New Horizons: Towards a Pakistani Idiom. "Brand Pakistan": Global Imaginings and National Concerns in Pakistani Anglophone Literature / Barirah Nazir, Nicholas Holm and Kim L. Worthington -- Competing Habitus: National Expectations, Metropolitan Market and Pakistani Writing in English (PWE) / Masood Raja -- De/Re-constructing Identities: Critical Approaches to Contemporary Pakistani Fiction / Faisal Nazir -- On the Wings of Poesy: Pakistani Diaspora Poets and the Pakistani Idiom / Waseem Anwar -- Brand Pakistan: The Case of Pakistani Anglophone Literary Canon / Aroosa Kanwal and Saiyma Aslam