Short Plays With Great Roles For Women

Short Plays with Great Roles for Women is an antidote to the traditional underrepresentation of women on stage, by offering twenty-two short plays that put women right at the centre of the action. The push for more women’s roles has gathered force over the last few years, and this collection is part of that movement, with rich, intelligent roles for women of all ages and backgrounds. This anthology offers a vital slice of life, addressing relevant and diverse topics such as: a young, Islamic woman coming out to her religious mother; black women’s navigation of the natural hair movement; bullying in a small-town American school; social media addiction; and the trials and tribulations of family life. Plays from award-winning playwrights are supported by original production details and playwrights’ afterwords, forming a broad and comprehensive collection of complete texts that offer full character journeys. Appealing to aspiring performers, playwrights, directors and students, Short Plays with Great Roles for Women is an essential resource for actor training, assessments, showcases, show-reels, short films and theatre performances.

This important, landmark survey dispels the myth that there aren't any good plays for women.

Gather any group of actresses, from students to stars, and someone will inevitably ask, "Where are all the great roles for women?" The roles are right here, in this unprecedented and magnificently diverse collection of plays with all-female casts. The seven full-length and ten one-act selections range in tone from the unabashed theatricality of Edward Albee's Pulitzer Prize-winning Three Tall Women to the blistering black comedy of Laura Cunningham's Beautiful Bodies. Their characters include uprooted Japanese war brides, outrageously liberated Shakespearean heroines, an avenging African American housewife, and nuns who double as Catholic schoolgirls. Whether you're looking for a script to produce or a scene for an acting class, this book will provide you with a wealth of juicy, challenging female roles as it introduces you to some of the finest playwrights at work today.

It’s Her Say, a collection of short plays that focus on the female experience, can be used in the classroom for scene study or licensed for production. Ranging from historical fiction to social consciousness to shifting friendships to horror comedy, each play is written by a female-identifying theatre teacher who knows exactly what young performers are capable of and what kind of work they are eager to perform. This collection includes the following short plays: Some Things Never Change by Jane Best I Said Run. by Rachel Bublitz The Women's Land Army by Stephanie Buckley Beauty Kweenz by Diana Burbano Talk to Me About Home by Eugenie Carabatsos The Boot by Emily Hageman Angela and Angie and Cynthia by Patty MacMullen The Stakeout by K. Alexa Mavromatis The Un-Help Desk by Emily McClain Girl, Period by Stephanie Shearer Drama/Comedy Short Play Collection. Each play is 10-20 minutes. 10-20 actors, flexible casting (These plays can be licensed together or separately. If you license the whole collection, you have permission to pick and choose which plays to perform.)

THE STORY: In the Louisiana bayou, big brother Ogun Size is hardworking and steady. Younger brother Oshoosi is just out of prison and aimless. Elegba, Oshoosi's old prison-mate, is a mysterious complication. A simple circle defines a world that beg

2f per play / Drama / Unit set Award-winning new playwright Jane Shepard comes to print with four powerful short plays for women. Edgy, original, and with a darkly funny humanity, here are four pieces that give new muscle to actresses, providing roles of exceptional range. All successfully produced on the New York stage, each play features two-woman casts, with age-open roles, in work that explores our tender, brave, and sometimes brutal search for meaning. Includes both comedy and drama, with

"An eviscerating satire of gender roles in popular culture, Beautiful Man imagines a world in which women are the subjects and men the objects. As three women dissect the latest Hollywood blockbuster, narrative after narrative of strong female characters fold into each other, fusing into a brutally recognizable story. In Unit B-1717, a woman is trying to clean out her storage locker and say goodbye to the past, but an overwhelming feeling of dread forces her to confront the way she has historically subjugated herself to the needs of others. In And then there was you, a mother addresses her child as they both visit milestones that offered them each independence, and in the process explores how the profound connection between mother and child evolves."--

THE STORY: When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.