Show Us Your Tits

Vampires have secretly grown wealthy behind the scenes for centuries, involved in monumental tasks such as overthrowing governments, and mundane ones like running local strip clubs. But instead of viewing things from afar, they like to plunging headfirst into debauchery themselves. In modern times, the sexy unofficial vampire boss gets in deep trouble after her group's move to St. Louis. Along with her right hand vamp "Scummy" (who battles an eternal hangover, an everlasting erection and extreme lack of couth) and a cast of other assorted degenerates, they must prepare for one last battle against an old antagonist from days past. None of this is made easier by the training of new "rookie" vampire, a local St. Louis "hoosier", along the way. Imagine if vampires were far more human than anyone gives them credit for but too rich, too bored, and too immortal to play by any of the rules.

Dive into this no-holds-barred group autobiography of the critically acclaimed feminist punk-rock group, The Lunachicks—featuring never-before-seen materials from the band's private archive. Fallopian Rhapsody: The Story of the Lunachicks is a coming-of-age tale about a band of NYC teenagers who forged a sisterhood, found salvation, and fervently crashed the gates of punk rock during the '90s, accidentally becoming feminist icons along the way. More than that, this is a story about the enduring friendship among the book's three central voices: Theo Kogan, Sydney Silver, and Gina Volpe. They formed the Lunachicks at LaGuardia High School (of "Fame" fame) in the late '80s and had a record deal with Blast First Records as teenagers, whisked into the studio by Kim Gordon and Thurston Moore. Over the course of thirteen-ish years, the Lunachicks brought their brand of outrageous hard-rockin' rebelliousness around the world countless times, simultaneously scaring conservative onlookers and rescuing the souls of wayward freaks, queers, and outcasts.Their unforgettable costume-critiques of pop culture were as loud as their "Marsha[ll]" amps, their ferocious tenacity as lasting as their pre-internet mythology. They toured with bands like the Go-Go's, Marilyn Manson, No Doubt, Rancid, and The Offspring; played the Reading Festival with Nirvana; and rocked the main stage at the Warped tour twice. Yet beneath all the makeup, wigs, and hilarious outfits were three women struggling to grow into adulthood under the most unorthodox of conditions. Together onstage they were invincible B-movie superheroes who kicked heaps of ass—but apart, not so much. Depression, addiction, and identity crises loomed overhead, not to mention the barrage of sexist nonsense they faced from the music industry. Filled with never-before-seen photos, illustrations, and ephemera from the band's private archive, and featuring contributions from Lunachicks drummer Chip English, founding member Sindi B., and former bandmate Becky Wreck, Fallopian Rhapsody is a bawdy, gripping, warts-and-all account of how these city kids relied on their cosmic creative connection to overcome internal strife and external killjoys, all the while empowering legions of fans to shoot for the moon. For readers of Carrie Brownstein's Hunger Makes Me a Modern Girl, Kim Gordon's Girl in a Band, and Chrissie Hynde's Reckless, Fallopian Rhapsody is the literary equivalent of diving headfirst into a moshpit and slowly but surely venturing up to the front of the stage.

A new family moves into an old house—and a new chapter of its deadly history begins—in the New York Times bestselling author’s psychological thriller. Divorcée Caitlin Stoller and her children recently moved into a charming old house in the coastal town of Echo, Washington. The place was a bargain, but as weeks pass, Caitlin starts receiving messages—first friendly, then unsettling—hinting at the property’s dark past . . . Caitlin’s daughter, Lindsay, isn’t fitting in at the local high school. To make matters worse, there are stories of students disappearing without a trace. Caitlin doesn’t want to believe the whispers—about her home or Lindsay’s school. But as personal items go missing, and dangerous accidents become frequent, it seems clear that something strange is going on. The Watcher knows how to get inside the Stollers’ home—and inside their heads. The rumors are true. But the full horror is even worse. There’s no escaping the nightmare that started here long ago, and no place to hide from a killer who knows exactly how this story will end . . .

Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.

Entry includes attestations of the head word's or phrase's usage, usually in the form of a quotation. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).

Henry "Hank" Toohey, a thirteen-year-old altar boy, is an incessant smart-ass with a deep love of life...and other four-letter words. But with his foul mouth comes a heart of gold, and he's going to need it to get through the last weekend of summer 1984. Everyone up and down St. Patrick Street, Henry's claustrophobic Irish-Catholic block in Philadelphia -- with its seventy-eight row homes, seventy-eight skinny mile-high lawns, seventy-eight statues of saints, and seventy-eight Mondale-Ferraro signs -- knows that the Toohey family is falling apart. Henry's mailman father is having an affair with a neighbor lady right under his mother's nose. His big brother has been a drunken mess since his girlfriend died. And his little sister is counting on him to keep her laughing through it all. But Henry has a plan to pull the family back together: He'll propose to his chain-smoking fourteen-year-old girlfriend, Grace McClain, at a neighborhood wedding. To prepare, he and his ragtag group of friends pinball around the streets, making elaborate plans for his proposal, riding bikes, rating breasts, bothering the local merchants, talking trash about Mike Schmidt and Bob Seger, and kissing behind the seafood-store dumpster. Gritty, giddy, and bursting with Henry's boundless energy, Green Grass Grace is a heart-thumping rocket ride back to adolescence that is riotously funny and tragic at the same time.

A powerful and witty exploration of gendered cyberhate, this book combines scholarly literature, online evidence and personal experiences to expose the reality of the harassment faced by women online today

What's it like to travel at more than 850 MPH, riding in a supersonic T-38 twin turbojet engine airplane? What happens when the space station toilet breaks? How do astronauts "take out the trash" on a spacewalk, tightly encapsulated in a space suit with just a few layers of fabric and Kevlar between them and the unforgiving vacuum of outer space? The Ordinary Spaceman puts you in the flight suit of U.S. astronaut Clayton C. Anderson and takes you on the journey of this small-town boy from Nebraska who spent 167 days living and working on the International Space Station, including more than forty hours of space walks. Having applied to NASA fifteen times over fifteen years to become an astronaut before his ultimate selection, Anderson offers a unique perspective on his life as a veteran space flier, one characterized by humility and perseverance. From the application process to launch aboard the space shuttle Atlantis, from serving as a family escort for the ill-fated Columbia crew in 2003 to his own daily struggles--family separation, competitive battles to win coveted flight assignments, the stress of a highly visible job, and the ever-present risk of having to make the ultimate sacrifice--Anderson shares the full range of his experiences. With a mix of levity and gravitas, Anderson gives an authentic view of the highs and the lows, the triumphs and the tragedies of life as a NASA astronaut.