Showgirls Of Las Vegas

Little girls all over the world may hope to grow up to become a princess, but few ever realize the dream. For those who grow up to become showgirls, they go far beyond, becoming goddess-like objects of men's desire and the epitome of feminine beauty, elegance, and class. As soon as resort casinos began to dot the dusty Las Vegas landscape, major stars, extravagant show productions, and beautiful women helped promote the city to become the ultimate adult playground. In the early 1950s, when women began to dance and parade on the stages of Las Vegas, the showgirl persona evolved from the seductive burlesque-style performance art to the elegant productions modeled after those staged in France, with women dripping in furs and feathers, or in nothing more than a G-string and rhinestones. The over-the-top Las Vegas productions may have faded into obscurity, leaving but one show, Bally's Jubilee, as the longest running showgirl show on the Las Vegas Strip, but the iconic showgirl will forever represent Las Vegas in all of its glitz and glory.

A young girl from Buffalo takes a vacation to Las Vegas and her trip turns into a dream career on the Vegas stage. The author, a former showgirl/entertainer, has written a collection of vignettes of her life in the 1950s and early 60s when Las Vegas first became such a magical place, when legendary entertainers filled the lounge and showroom stages, notorious mobsters still roamed the Strip, and the Las Vegas showgirls reigned supreme. But this is not another research book on old Las Vegas. It is a collection of the author's memoirs describing what her life was like as a premier dancer and showgirl in some of the top hotel/casinos of that time. To add to the reader's nostalgic visit to the golden age of the Vegas Strip, she has included a mélange of personal photos and memorabilia. Enjoy the trip!

The former Playboy bunny and entertainer presents her favorite places and activities in Las Vegas, including nightclubs, casinos, and shows.

Here are portfolios by four photographers on the world of Las Vegas sex, glamour and spectacle shot during the production of the controversial movie Showgirls. In addition, the director's essay illuminates their visual style while giving insights into his own moviemaking techniques.

Set in the glittery world of the Las Vegas Strip this story follows the rise of a young dancer from a job in a tawdry strip-joint to the leading role in the show at the Stardust hotel.

What's celebrated as the "worst movie ever," film writer Adam Nayman explores the 1995 Paul Verhoeven film that won the Razzie and perhaps ended its star's career. He argues that Showgirls is not so bad it's good, it's so good it's mistaken for bad.

Drawing on interviews with a breadth of different showgirls, from shows in Paris, Las Vegas, Berlin, and Los Angeles, as well as her own artworks and those by other contemporary and historical artists, this book examines the experiences of showgirls and those who watch them, to challenge the narrowness of representations and discussions around what has been termed ‘sexualisation’ and ‘the gaze’. An account of the experience of being ‘looked at’, the book raises questions of how the showgirl is represented, the nature of the pleasure that she elicits and the suspicion that surrounds it, and what this means for feminism and the act of looking. An embodied articulation of a new politics of looking, Viewing Pleasure and Being a Showgirl engages with the idea (reinforced by feminist critique) that images of women are linked to selling and that women’s bodies have been commodified in capitalist culture, raising the question of whether this enables particular bodies – those of glamorous women on display – to become scapegoats for our deeper anxieties about consumerism.