Side Stepping Mainline Theory

The average chess player spends too much time on studying opening theory. In his day, World Champion Emanuel Lasker argued that improving amateurs should spend about 5% of their study time on openings. These days club players are probably closer to 80%, often focusing on opening lines that are popular among grandmasters. Club players shouldn't slavishly copy the choices of grandmasters. GMs need to squeeze every drop of advantage from the opening and therefore play highly complex lines that require large amounts of memorization. The main necessity for club players is to emerge from the opening with a reasonable position, from which you can simply play chess and pit your own tactical and positional understanding against that of your opponent. Gerard Welling and Steve Giddins recommend the Old Indian-Hanham Philidor set-up as a basis for both Black and White. They provide ideas and strategies that can be learned in the shortest possible time and require the bare minimum of maintenance and updating. They deliver exactly what you need: rock-solid positions that you know how to handle. By adopting a similar set-up for both colours, with similar plans and techniques, you further reduce study time. With this compact and straightforward opening approach, Welling and Giddins argue, club players will have more time to focus on what is really decisive in the vast majority of non-grandmaster games: tactics, positional understanding and endgame technique.

The average chess player spends too much time on studying opening theory. In his day, World Champion Emanuel Lasker argued that improving amateurs should spend about 5% of their study time on openings. These days club players are probably closer to 80%, often focusing on opening lines that are popular among grandmasters. Club players shouldn't slavishly copy the choices of grandmasters. GMs need to squeeze every drop of advantage from the opening and therefore play highly complex lines that require large amounts of memorization. The main necessity for club players is to emerge from the opening with a reasonable position, from which you can simply play chess and pit your own tactical and positional understanding against that of your opponent. Gerard Welling and Steve Giddins recommend the Old Indian-Hanham Philidor set-up as a basis for both Black and White. They provide ideas and strategies that can be learned in the shortest possible time and require the bare minimum of maintenance and updating. They deliver exactly what you need: rock-solid positions that you know how to handle. By adopting a similar set-up for both colours, with similar plans and techniques, you further reduce study time. With this compact and straightforward opening approach, Welling and Giddins argue, club players will have more time to focus on what is really decisive in the vast majority of non-grandmaster games: tactics, positional understanding and endgame technique.

Many club players think that studying chess is all about cramming as much information in their brain as they can. Most textbooks support that notion by stressing the importance of always trying to find the objectively best move. As a result amateur players are spending way too much time worrying about subtleties that are really only relevant for grandmasters. Emanuel Lasker, the second and longest reigning World Chess Champion (27 years!), understood that what a club player needs most of all is common sense: understanding a set of timeless principles. Amateurs shouldn’t waste energy on rote learning but just strive for a good grasp of the basic essentials of attack and defence, tactics, positional play and endgame play endgame play. Chess instruction needs to be efficient because of the limited amount of time that amateur players have available. Superfluous knowledge is often a pitfall. Lasker himself, for that matter, also studied chess considerably less than his contemporary rivals. Gerard Welling and Steve Giddins have created a complete but compact manual based on Lasker’s general approach to chess. It enables the average amateur player to adopt trustworthy openings, reach a sound middlegame and have a basic grasp of endgame technique. Welling and Giddins explain the principles with very carefully selected examples from players of varying levels, some of them from Lasker’s own games. The Lasker Method to Improve in Chess is an efficient toolkit as well as an entertaining guide. After working with it, players will dramatically boost their skills – without carrying the excess baggage that many of their opponents will be struggling with.

The Ruy Lopez is perhaps the most classical of all chess openings. It dates back to the 16th century and has featured in the opening repertoire of every modern world champion. It is a highly flexible variation: Bobby Fischer used it to create numerous powerful strategic masterpieces. In the hands of Anatoly Karpov it led to many of his trademark positional squeezes, whereas Garry Kasparov often used it as a springboard for his typically powerful attacks. Opening Repertoire: The Ruy Lopez is a modern examination of this perennial favourite. Joshua Doknjas has put together a repertoire for White based firmly around contemporary trends in the Lopez. He examines all aspects of this highly complex opening and provides the reader with well-researched, fresh, and innovative analysis. Each annotated game has valuable lessons on how to play the opening and contains instructive commentary on typical middlegame plans. * A complete repertoire for White in the Ruy Lopez. * A question and answer approach provides an excellent study method.

Why is this repertoire called simple? For the simple reason that the variations are straightforward, easy to remember and require little or no maintenance. International Master Christof Sielecki has created a reliable set of lines for chess players of almost all levels. The major objective is to dominate Black in the opening, by simple means. You don’t need to sacrifice anything or memorize long tactical lines. Unless Black plays something stupid, when tactics are the simplest punishment. Sielecki developed this repertoire working with students who were looking for something that was easy to understand and to learn. Most of the lines he selected are occasionally played by grandmasters, but on the whole they lie outside the mainstream of opening theory. That means that there is hardly any need to monitor theoretical developments. Sielecki always clearly explains the plans and counterplans and keeps you focussed on what the position requires. Ambitious players rated 1500 or higher will get great value out of studying this extremely accessible book.

The average club player doesn’t need to study hundreds of pages of chess opening theory. Understanding structures and finding tactics are much more important than memorizing variations. Renowned German chess trainers Erik Zude and Jörg Hickl have created an ideal club player’s repertoire for Black. This compact manual presents a set of lines that is conveniently limited in scope, yet varied, solid and complete. The core repertoire is based on lines that the authors have successfully played at (grand)master level for decades: the Antoshin Variation of the Philidor Defence against 1.e4 and the Old-Indian Defence against 1.d4. There is only a limited number of plans, ideas and structures that you need to learn, and very few forcing variations. You will develop your position with a sequence of strong standard moves and start your highly effective counterplay. Zude and Hickl provide common sense guidance, explain all typical characteristics and give practical examples. If you have an Elo rating between 1400 and 2200, you don’t need to look further because you can Play 1..d6 Against Everything!

If like most chess players you have a limited amount of time that you can spend studying, but you still want to push for an advantage with White, then the Trompowsky is a great choice. The Trompowsky, 1.d4 Nf6 2.Bg5, has not been as deeply investigated as many of the main lines, and it is an attacking opening that is tricky for Black to face.As well as providing an attacking repertoire for White with the ambitious Trompowsky Attack, the author also covers 2.Bg5 against the Dutch Defense, as well as the Pseudo-Tromp, 1.d4 d5 2.Bg5.

The Hippopotamus Defence is just what a club player needs. It’s a straightforward and clear-cut chess opening that avoids the ever growing body of mainline theory. It’s universal: Black can use the Hippo against virtually all of White’s choices (1.e4, 1.d4, 1.c4, 1.f4, the Colle, London, Trompowsky, Réti and others). It’s not very well known and will surprise many opponents. On top of all that, the Hippo is seriously underestimated: with its characteristic double fianchetto it may look quiet, but inside there lurks a very dangerous animal. FIDE Master Alessio de Santis is one of the world’s greatest experts on the Hippo and has written a practical, well-structured and accessible manual. His book can be studied on three levels: after a first flash of 3 to 4 hours you will be familiar with the Hippo’s basic moves and key variations, its strategic themes and recurring manoeuvres. In the second and third stage De Santis leads you through the most important concrete lines and introduces the Semi-Hippopotamus to counter some specific White ideas. You can use the Hippo as a surprise weapon or as your main repertoire. The extensive explanations and clear conclusions make this book an easy-to-navigate manual for all club players. If you like to confront your opponents with some unexpected counter-attacks, then you need not look any further.