Signatures In Time

Time Signatures engages in a close study of the autobiographical writings of three contemporary Francophone writers from the Maghreb: Assia Djebar, HZl_ne Cixous, and AbdelkZbir Khatibi. Alluding to music not only as a 'theme' pulsing throughout these writers' works, but also as a means of comprehending their unique, improvisational writing styles, Alison Rice offers readers a new and beautifully constructed way of reading these authors' texts by demonstrating that the form adopted to address topics of concern is as significant as the content itself. The voice of Jacques Derrida intermingles with the timbres of these three writers in fruitful contrapuntal passages, serving as a source of inspiration for conceptualizing language and communicating the self in an unprecedented manner. Time Signatures demonstrates that these individuals write the 'self' in French in ways influenced by sensitivities acquired during their early experiences in a multicultural, multilingual 'colonial' environment in which their ears were trained, and their minds tuned, for translations to come.

Music Fundamentals for Dance is a text for student dancers, choreographers, and dance educators written by an experienced educator and choreographer. This book presents foundational knowledge of the elements of music and describes their application to dance performance, choreography, and teaching. It includes a web resource offering exercises, activities, projects, downloadable examples of music, and web links that provide a range of active learning experiences.

More and more popular musical artists today use odd time signatures to give their music a unique sound. This practice goes back to the 1960s, with Dave Brubeck and The Beatles, and continued with artists like King Crimson, Rush, Sting, Metallica, Tool, and Radiohead. To many musicians, these meters are complex and mysterious. However, nothing could be farther from the truth. Odd time signatures should be easy to understand, as they are simply meters with an odd number of beats to the bar. The Drummer's Guide to Odd Time Signatures will help you understand how to hear and feel these meters and to use them in a variety of musical situations and genres. Take your drumming to the next level, and master the art of playing in odd time signatures! A CD demonstrating the musical examples in the book is included. "Rick Landwehr's Drummer's Guide to Odd Time takes the drumset player on a step by step journey into the world of odd times. Beginning with a simple waltz and advancing to 11/4 time signatures. Every example is clear and concise, providing insight and logic, simplifying complex meter concepts. The fun Afro-Cuban, Brazilian and Jazz examples will broaden any player's bag of tricks. I welcome this book to my library, and look forward to using it with my students." - Casey Scheuerell, Berklee College of Music, Jean-Luc Ponty, Gino Vannelli, Chaka Khan "Way to go, Rick! An excellent, clear and concise pathway to develop understanding and control of odd time signature grooves." - Skip Hadden: Berklee College of Music, Weather Report, Author of World Fusion Drumming (Alfred)

This amazing book and demonstration recording uses proven methods for comprehending and performing complex rhythms to make understanding, performing, and composing in odd meters easy and natural. Also included: Three Steps to Mastery * Rhythm pyramid for all meters * Magic dotted rhythms to make odd meters feel even * Compound meters and combinations of even and odd meters * Applying odd meters to common song forms * Bibliography and Discography of recommended reading and listening. I wish I had a copy of Odd Meter Bass when I was playing with Don Ellis' Band!" Joel DiBartolo, bass for Doc Severson's Tonight Show Band"

When we hear music we don't just listen; we move along with it. Hearing in Time explores our innate propensity for rhythmic synchronization, drawing on research in music psychology, neurobiology, music theory, and mathematics. It looks at music from a wide range of musical styles and cultures.

Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles. This full eBook version is in fixed-layout format to ensure layout and image quality is consistent with the original hardback edition. Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavours of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable. This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis. This is the full eBook version of the original hardback edition.

Frontiers in Handwriting Recognition contains selected key papers from the 6th International Workshop on Frontiers in Handwriting Recognition (IWFHR '98), held in Taejon, Korea from 12 to 14, August 1998. Most of the papers have been expanded or extensively revised to include helpful discussions, suggestions or comments made during the workshop.