Silences

John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: “Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant.” “He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It’s what’s happening now.” –The American Record Guide “There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away.”

In this pathbreaking book, King-Kok Cheung sheds new light on the thematic and rhetoncal uses of silence in fiction by three Asian American women: Hisaye Yamamoto, Maxine Hong Kingston, and JoyKogawa. Boldly articulating the unspeakable, these writers break the silence imposed by families or ethnic communities and defy the dominant culture that suppresses the voicing of minority experiences. Yet at the same time, they demonstrate how silences—voiceless gestures, textual ellipses, authorial hesitations—can themselves be articulate. Drawing on theoretical works on women's writing, on ethnicity and race, and on postmodernism and history, Cheung takes issue with Anglo-American feminists who valorize speech unequivocally and with revisionist Asian American male critics who attempt to refute Orientalist stereotypes by renouncing silence. She challenges Eurocentric views of speech and silence as polarized, hierarchical, and gendered, and proposes an approach to Asian American literature which overturns the "East-West" or "dual personality" model. Yamamoto, Kingston, and Kogawa interweave speech and silence, narration and ellipses, autobiography and fiction as they adapt and recast Asian and Euro-American precursors. Drawing freely from both traditions, they reinvent the past by decentering, disseminating, and interrogating authority-but not by reappropriating it. A fresh and subtle response to issues relating to cultural diversity, Articulate Silences will be important reading for scholars and students in the fie,4s of literary theory and criticism, women's studies, Asian American studies, and ethnic studies.

This book is about silence and power and how they interact. It argues that only by studying how silence works-how it is implicated in the construction of meaning-can we arrive at the elusive roots of power in all its dimensions. Silence becomes the currency of power by delineating the margins or what we perceive and through a sleight of hand wherein behaviors undertaken in the service of self-interest appear instead as inevitable and devoid of human agency. The theoretical load of this argument is carried by vivid ethnographic material dealing with music, linguistic behavior, racial conflicts, work dislocations, and the construction of anthropological subjects and texts.

A deeply thoughtful, honest and illuminating memoir about a phenomenon too often neglected in the contemporary world.

A landmark survey of disenfranchised literary voices and the forces that seek to silence them—from the influential activist and author of Tell Me a Riddle. With this groundbreaking work, Olsen revolutionized the study of literature by shedding critical light on the writings of marginalized women and working-class people. From the excavated testimony of authors’ letters and diaries, Olsen shows us the many ways the creative spirit, especially in those disadvantaged by gender, class, or race, has been suppressed through the years. Olsen recounts the torments of Herman Melville, the shame that brought Willa Cather to a dead halt, and the struggles of Olsen’s personal heroine Virginia Woolf, the greatest exemplar of a writer who confronted the forces that worked to silence her. First published in 1978, Silences expanded the literary canon and the ways readers engage with literature. This 25th-anniversary edition includes Olsen’s classic reading lists of forgotten authors and a new introduction. Bracing and prescient, Silences remains “of primary importance to those who want to understand how art is generated or subverted and to those trying to create it themselves” (Margaret Atwood, The New York Times Book Review). “A valuable book, an angry book, a call to action.” —Maxine Hong Kingston “Silences helped me to keep my sanity many a day.” —Gloria Naylor, author of Mama Day “[Silences is] ‘the Bible.’ I constantly return to it.” —Sandra Cisneros, author of The House on Mango Street “Silences will, like A Room of One’s Own, be quoted where there is talk of the circumstances in which literature is possible.” —Adrienne Rich, author of Diving into the Wreck

An in-depth look at revolutionary new ways to handle sexual assaults. Every two minutes someone in the US is sexually assaulted, and each year there are nearly 300,000 victims of sexual assault. But victims are no longer silent, and new practices by police, prosecutors, nurses, and rape crisis professionals are resulting in more humane and compassionate treatment of victims and more aggressive pursuit and prosecution of perpetrators. Shattering Silencesa is the first book to cover these new approaches and partnerships. Christopher Johnston shows how the people and organizations implementing these new approaches are having far-reaching impacts on helping victims heal and making it more likely that predators will be arrested and sentenced. His in-depth portrayals of the altruistic and hard-working people behind these radical approaches—based on seven years of interviews—provide a template of best practices for other organizations and communities to follow. With sexual assault taking center stage these days, Shattering Silences is more important than ever.

Silence can be powerful. Kathy Kacer’s second book in her middle grade series about heroic rescues during WWII tells the tale of siblings Helen and Henry, and history’s most famous mime. Desperate to save them from the Nazis, Henry and Helen’s mother makes the harrowing decision to take her children from their home in 1940s Germany and leave them in the care of strangers in France. The brother and sister must hide their Jewish identity to pass for orphans being fostered at a convent in the foreign land. Visits from a local mime become the children’s one source of joy, especially for Henry, whose traumatic experience has left him a selective mute. When an informer gives them up, the children are forced to flee yet again from the Nazis, but this time the local mime—a not yet famous Marcel Marceau—risks everything to try to save the children. Masters of Silence shows award-winning author Kathy Kacer at the top of her craft, bringing to light the little-known story of Marceau’s heroic work for the French Resistance. Marceau would go on to save hundreds of children from Nazi concentration camps and death during WWII. In characteristic Kacer style, Masters of Silence is dramatic and engaging, and highlights the courage of both those rescuing and the rescued themselves. Wenting Li’s chapter heading illustrations and evocative covers provide the perfect visuals for the series.