Sirens Collected Papers On Women In Fantasy 2012 2015

Sirens: Collected Papers on Women in Fantasy 2012-2015 combines written versions of presentations from four years of Sirens, a conference on women in fantasy literature. During those years, presenters were encouraged to analyze tales retold, hauntings, and rebels and revolutionaries, among other topics. Presentations for Sirens were chosen by vetting boards made up of scholars, professionals, and readers. Following each year's conference, presenters were invited to submit text versions of their presentations for the Sirens compendium, and a sample of each year's programming is represented.

Sirens: Collected Papers 2009-2011 combines written versions of presentations from three years of Sirens, a conference on women in fantasy literature. During those years, presenters were encouraged to analyze women warriors, fairies, and monsters. Presentations for Sirens were chosen by vetting boards made up of scholars, professionals, and readers. Following each year’s conference, presenters were invited to submit text versions of their presentations for the Sirens compendium; twenty-five of the nearly ninety presentations from 2009–2011 are represented in these collected papers.

Game of Thrones, one of the hottest series on television, leaves hundreds of critics divided on how "feminist" the show really is. Certainly the female characters, strong and weak, embody a variety of archetypes--widow queens, warrior women, damsels in distress, career women, priestesses, crones, mothers and maidens. However, the problem is that most of them play a single role without nuance--even the "strong women" have little to do besides strut about as one-note characters. This book analyzes the women and their portrayals one by one, along with their historical inspirations. Accompanying issues in television studies also appear, from the male gaze to depiction of race. How these characters are treated in the series and how they treat themselves becomes central, as many strip for the pleasure of men or are sacrificed as pawns. Some nude scenes or moments of male violence are fetishized and filmed to tantalize, while others show the women's trauma and attempt to identify with the scene's female perspective. The key is whether the characters break out of their traditional roles and become multidimensional.

Music videos promote popular artists in cultural forms that circulate widely across social media networks. With the advent of YouTube in 2005 and the proliferation of handheld technologies and social networking sites, the music video has become available to millions worldwide, and continues to serve as a fertile platform for the debate of issues and themes in popular culture. This volume of essays serves as a foundational handbook for the study and interpretation of the popular music video, with the specific aim of examining the industry contexts, cultural concepts, and aesthetic materials that videos rely upon in order to be both intelligible and meaningful. Easily accessible to viewers in everyday life, music videos offer profound cultural interventions and negotiations while traversing a range of media forms. From a variety of unique perspectives, the contributors to this volume undertake discussions that open up new avenues for exploring the creative changes and developments in music video production. With chapters that address music video authorship, distribution, cultural representations, mediations, aesthetics, and discourses, this study signals a major initiative to provide a deeper understanding of the intersecting and interdisciplinary approaches that are invoked in the analysis of this popular and influential musical form.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

“A first-rate fantasy novel” that blends military fantasy with courtly politics, vast worldbuilding, and a diverse cast of characters (Orson Scott Card, New York Times–bestselling author of Ender's Game) The first book in the acclaimed Inda series, set within Sherwood Smith’s epic fantasy universe, Sartorias-deles Indevan-Dal is the second son of the Prince and Princess of Choraed Elgaer, destined to become his elder brother Tanrid'’ Shield Arm—his military champion. Like all second sons, he is to be privately trained at home by Tanrid, the brother whose lands he will one day protect. When the King’s Voice comes to summon Inda to the Military Academy, he might well feel foreboding, or even fear—war is imminent—yet youthful Inda feels only excitement. But there are things that Tanrid hasn’t prepared him for, and Inda will soon learn that the greatest threats to his safety will not come from foreign enemies, but from supposed allies within his own country.

The forest is a dangerous place, where siren song lures men and women to their deaths. For centuries, a witch has harvested souls to feed the heartless tree, using its power to grow her domain. When Owen Merrick is lured into the witch’s wood, one of her tree-siren daughters, Seren, saves his life instead of ending it. Every night, he climbs over the garden wall to see her, and every night her longing to become human deepens. But a shift in the stars foretells a dangerous curse, and Seren’s quest to become human will lead them into an ancient war raging between the witch and the king who is trying to stop her.

Zach Johnson, the world’s last freelance detective, has been man-napped by the beautiful sapphire-haired Amazon Kiana. She’s brought him to her home island of Lantis—where the women dominate men with their words—to discover who killed her mother, the Queen. But to save the day this time, Zach and his holographic A.I. sidekick HARV have to tangle with not just one gorgeous superwoman, but four. Each of Kiana’s three sisters could have the motive and the means to pull off the crime—and now that you mention it, Kiana could too...