Sister Emily S Lightship

DIVDIVIn these twenty-eight magnificent tales, which include two Nebula Award winners, Jane Yolen puts a provocative spin on familiar storybook worlds and beloved fairy tale characters/divDIV One of the most acclaimed and honored authors in science fiction and fantasy, Jane Yolen has been called “the Hans Christian Andersen of America” for her brilliant reimagining of classic fairy tales. In her first collection of short stories written for an adult audience (after Tales of Wonder and Dragonfield), Yolen explores themes of freedom and justice, truth and consequence, and brings new life to our most cherished fables and myths./divDIV /divDIVHere are storybook realms rendered more contemporary, and cautionary tales made grimmer than Grimm: Snow White is transported to Appalachia to match wits with a snake-handling evil stepmother and Beauty’s meeting with the Beast takes a twisty, O. Henry–esque turn; in Yolen’s Nebula Award–winning “Lost Girls,” a feminist revolt rocks Peter Pan’s Neverland and in the collection’s glorious title story—also a Nebula winner—the poet Emily Dickinson receives some unexpected and otherworldly inspiration. Sometimes dark, sometimes funny, and always enthralling, Sister Emily’s Lightship is proof positive that Yolen is truly a folklorist of our times. /divDIV /divDIVThis ebook features a personal history by Jane Yolen including rare images from the author’s personal collection, as well as a note from the author about the making of the book. /div/div

"The book gives detailed attention to the principal trends in Dickinson scholarship during the past half-century: rhetorical and stylistic analysis of the poems and letters; biographical studies informed by theories of gender, sexuality, and by medical history; feminist studies of the poet's life and work; textual studies of the bound and unbound fascicles and the so-called worksheet drafts (or "scraps"); new assessments of the poet's social and cultural milieu, including influences on her spiritual sensibility; and of her theories of poetry, including lyricism."--BOOK JACKET.

A survey of the last 100 years of science fiction, with representative stories and illuminating essays by the top writers, poets, and scholars, from Edgar Rice Burroughs and Samuel Butler to Robert A. Heinlein and and Jack Vance, from E.E. "Doc" Smith and Clifford D. Simak to Ted Chiang and Charles Stross-- and everyone in between. More than one million words of classic fiction and essays!

"Strong storytelling and new takes on a beloved fantasy topic result in a welcome addition to the literature of dragons." (Library Journal) Whether portrayed as fire-breathing reptilian beasts or as noble creatures of power and grace, dragons have been found in nearly every culture's mythology. Now, in The Dragon Book, today's greatest fantasists reignite the fire... Includes stories by New York Times bestselling authors Jonathan Stroud, Gregory Maguire, Garth Nix, Diana Gabaldon, Tamora Pierce, Harry Turtledove, Sean Williams, and Tad Williams, as well as tales by Peter Beagle, Jane Yolen, Adam Stemple, Cecelia Holland, Naomi Novik, Kage Baker, Samuel Sykes, Diana Wynne Jones, Mary Rosenblum, Tanith Lee, Andy Duncan, and Bruce Coville.

Neil Gaiman, Eoin Colfer, and many more join this magical brew [that] will enchant young adult readers and their elders as well. (Publishers Weekly) In Wizards, today's master fantasists turn their hands to tales of these magical beings, living in both ancient and modern times, as well as in fantasy realms that never were. Featuring stories by New York Times bestselling authors Neil Gaiman, Eoin Colfer and Garth Nix as well as tales from Kage Baker, Peter S. Beagle, Terry Bisson, Orson Scott Card, Terry Dowling, Andy Duncan, Jeffrey Ford, Elizabeth Hand, Nancy Kress, Tanith Lee, Patricia A. McKillip, Mary Rosenblum, Tad Williams, Gene Wolfe, and Jane Yolen.

In culture and scholarship, science-fictional worlds are perceived as unrealistic and altogether imaginary. Seo-Young Chu offers a bold challenge to this perception of the genre, arguing instead that science fiction is a form of “high-intensity realism” capable of representing non-imaginary objects that elude more traditional, “realist” modes of representation. Powered by lyric forces that allow it to transcend the dichotomy between the literal and the figurative, science fiction has the capacity to accommodate objects of representation that are themselves neither entirely figurative nor entirely literal in nature. Chu explores the globalized world, cyberspace, war trauma, the Korean concept of han, and the rights of robots, all as referents for which she locates science-fictional representations in poems, novels, music, films, visual pieces, and other works ranging within and without previous demarcations of the science fiction genre. In showing the divide between realism and science fiction to be illusory, Do Metaphors Dream of Literal Sleep? sheds new light on the value of science fiction as an aesthetic and philosophical resource—one that matters more and more as our everyday realities grow increasingly resistant to straightforward representation.

You think you know the story of Sleeping Beauty, but the real story is far more spellbinding… Gorse is the thirteenth and youngest in a family of fairies tied to the evil king’s land and made to do his bidding. When accident-prone Gorse falls ill just as the family is bid to bless the new princess, a fairytale starts to unfold. Sick as she is, Gorse races to the castle with the last piece of magic the family has left—a piece of the Thread of Life. But that is when accident, mayhem, and magic combine to drive Gorse’s story into the unthinkable, threatening the baby and the kingdom.