Sisters Of Tomorrow

Anthology of stories, essays, poems, and illustrations by the women of early science fiction For nearly half a century, feminist scholars, writers, and fans have successfully challenged the notion that science fiction is all about "boys and their toys," pointing to authors such as Mary Shelley, Clare Winger Harris, and Judith Merril as proof that women have always been part of the genre. Continuing this tradition, Sisters of Tomorrow: The First Women of Science Fiction offers readers a comprehensive selection of works by genre luminaries, including author C. L. Moore, artist Margaret Brundage, and others who were well known in their day, including poet Julia Boynton Green, science journalist L. Taylor Hansen, and editor Mary Gnaedinger. Providing insightful commentary and context, this anthology documents how women in the early twentieth century contributed to the pulp-magazine community and showcases the content they produced, including short stories, editorial work, illustrations, poetry, and science journalism. Yaszek and Sharp's critical annotation and author biographies link women's work in the early science fiction community to larger patterns of feminine literary and cultural production in turn-of-the-twentieth-century America. In a concluding essay, the award-winning author Kathleen Ann Goonan considers such work in relation to the history of women in science and engineering and to the contemporary science fiction community itself.

An ancient prophecy divides two sisters- One good... One evil... Who will prevail? Twin sisters Lia and Alice Milthorpe have just become orphans. They have also become enemies. As they discover their roles in a prophecy that has turned generations of sisters against each other, the girls find themselves entangled in a mystery that involves a tattoo-like mark, their parents' deaths, a boy, a book, and a lifetime of secrets. Lia and Alice don't know whom they can trust. They just know they can't trust each other.

INSTANT NEW YORK TIMES BESTSELLER A REESE'S BOOK CLUB PICK "A charming, hilarious, feel-good story about the kind of bonds & rivalries only sisters can share. Also, a great present for your sister for the holidays!!"--Reese Witherspoon Three generations. Two chicken shacks. One recipe for disaster. In tiny Merinac, Kansas, Chicken Mimi's and Chicken Frannie's have spent a century vying to serve up the best fried chicken in the state--and the legendary feud between their respective owners, the Moores and the Pogociellos, has lasted just as long. No one feels the impact more than thirty-five-year-old widow Amanda Moore, who grew up working for her mom at Mimi's before scandalously marrying Frank Pogociello and changing sides to work at Frannie's. Tired of being caught in the middle, Amanda sends an SOS to Food Wars, the reality TV restaurant competition that promises $100,000 to the winner. But in doing so, she launches both families out of the frying pan and directly into the fire. . . The last thing Brooklyn-based organizational guru Mae Moore, Amanda's sister, wants is to go home to Kansas. But when her career implodes, helping the fading Mimi's look good on Food Wars becomes Mae's best chance to reclaim the limelight--even if doing so pits her against Amanda and Frannie's. Yet when family secrets become public knowledge, the sisters must choose: Will they fight with each other, or for their heritage?

A portrait of the Mitford sisters follows Jessica, a communist; Debo, the Duchess of Devonshire; Nancy, a best-selling novelist; Diana, who was the most hated woman in England; and Unity, who was obsessed with Adolf Hitler.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR “[A] skillfully crafted gothic mystery . . . Johnson pulls off a great feat in this book.” —Financial Times “It reminded me, in its general refusal to play nice, of early Ian McEwan.” —The New York Times Book Review “Johnson crafts an aching thriller about the dangers of loving too intensely.” —Time From a Booker Prize finalist and international literary star: a blazing portrait of one darkly riveting sibling relationship, from the inside out. “One of her generation’s most intriguing authors” (Entertainment Weekly), Daisy Johnson is the youngest writer to have been shortlisted for the Man Booker Prize. Now she returns with Sisters, a haunting story about two sisters caught in a powerful emotional web and wrestling to understand where one ends and the other begins. Born just ten months apart, July and September are thick as thieves, never needing anyone but each other. Now, following a case of school bullying, the teens have moved away with their single mother to a long-abandoned family home near the shore. In their new, isolated life, July finds that the deep bond she has always shared with September is shifting in ways she cannot entirely understand. A creeping sense of dread and unease descends inside the house. Meanwhile, outside, the sisters push boundaries of behavior—until a series of shocking encounters tests the limits of their shared experience, and forces shocking revelations about the girls’ past and future. Written with radically inventive language and imagery by an author whose work has been described as “entrancing” (The New Yorker), “a force of nature” (The New York Times Book Review), and “weird and wild and wonderfully unsettling” (Celeste Ng), Sisters is a one-two punch of wild fury and heartache—a taut, powerful, and deeply moving account of sibling love and what happens when two sisters must face each other’s darkest impulses.

Brothers and sisters are among the most important people in life. The emphasis of this book is not merely "getting along" but being best friends.

"TOMORROW" My Sister Said, Tomorrow Never Came. (Metis language translated into English) "That's the train you'll ride on," Papa said. Mama muffled sounds as she pulled me close to her, then my two sisters. "My little girls, I'm going to miss you so much!" I was very confused. I wanted to cry. I didn't like seeing my Mama cry. Why aren't Mama and Papa coming with us I thought as we were guided onto the train? I tried looking out the window wanting to see Mama and Papa once more and was told to sit. As the train blew its loud whistle, we slowly began to move. Once more I jumped up and pressed my face to the window. "Mama, Papa," I cried until their faces faded in the distance. I was five years old. I didn't understand where I was going. Several long hours came to pass as an overwhelming sadness continued to engulf me. I could not control my tears. I wanted to go home! I wanted my Mama! I wanted my Papa! The more my sisters, Helene and Lucy, tried to console me, the harder I cried. "Shhh," Helene whispered. As I closed my heavy eyes and laid my head on her lap, I heard her softly say, "Tomorrow tomorrow we'll go home." My sisters were big girls. They were much older than I. They would know when I would get to see my Mama and Papa and my Brother Tommy again. After all, Helene was eight years old and Lucy was seven. They would take care of me. Papa told them to watch over me. My world as I knew it no longer existed. We were shipped off to a government boarding school. It was 1927. "Indians" must be civilized! The Indians must be divorced from his primitive ways! We must recreate him! Make a new personality! Teach them the white man's ways! Helene? Lucy? Where are you? As time passed I began to forget my Mama and Papa and all that was before. Did the government succeeded in recreating me. I was now eight years old. We were told we would get to go home for the summer. I wanted to stay at school. I would miss my friends. Again, another unknown world was thrown at me. A sadness engulfed me again. A sadness I knew I felt before. What did Mama and Papa look like? Where did we live? I tried to picture home family but the memories of when I left home seem to be forgotten. Three long years passed since my sister Helene said these words, "Tomorrow my sister".

Two five year old girls met in the most tragic of circumstances, on the day they were supposed to die. Miraculously, they survived an unspeakable ordeal and became the best of friends. In fact they became more than friends from that day onward, they became as close and inseparable as only true blood sisters could be. The lifelong bond between Manya and Raya was so strong that nothing could ever tear them apart. Their friendship survived immigration from their birth-country to Israel and Canada and not even the distance of the ocean could destroy their bond. They were meant to be a part of each others lives forever as sisters chosen by destiny.