Sita Under The Crescent Moon

In present-day Pakistan, in the far corners of Lyari in Karachi, or Hingol in Balochistan, or Thatta in Sindh, tightly knit groups of women keep alive the folklore, songs and legends of Sati—their name for Sita in the Ramayana. The way they sustain the attendant rituals and practices in a nation state with a fixed idea of what constitutes citizenship and who gets to be a primary citizen is at the heart of this book. In Sita under the Crescent Moon, author Annie Ali Khan travels with women devotees—those without resources, subject to intense violence—who, through the bravest and simplest act, that of a pilgrimage, retrace what they remember of the goddess. Who are these pilgrims? How did this relationship with Sati start, and why is she so significant? How do their oral mytho-histories compare to colonial narratives or mainstream definitions of Sati? Even while retelling the stories of these pilgrims, Sita under the Crescent Moon studies how worship has altered the mores of a land—and how the sacral site, made up of clay and thread and tumble weed, grants a woman power to fight against her circumstances.

In present-day Pakistan, in the far corners of Lyari in Karachi, or Hingol in Balochistan, or Thatta in Sindh, tightly knit groups of women keep alive the folklore, songs and legends of Sati--their name for Sita in the Ramayana. The way they sustain the attendant rituals and practices in a nation state with a fixed idea of what constitutes citizenship and who gets to be a primary citizen is at the heart of this book. In Sita under the Crescent Moon, author Annie Ali Khan travels with women devotees--those without resources, subject to intense violence--who, through the bravest and simplest act, that of a pilgrimage, retrace what they remember of the goddess. Who are these pilgrims? How did this relationship with Sati start, and why is she so significant? How do their oral mytho-histories compare to colonial narratives or mainstream definitions of Sati? Even while retelling the stories of these pilgrims, Sita under the Crescent Moon studies how worship has altered the mores of a land--and how the sacral site, made up of clay and thread and tumble weed, grants a woman power to fight against her circumstances.

TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.

Because clothing, food, and shelter are basic human needs, they provide excellent entries to cultural values and individual aesthetics. Everyone gets dressed every day, but body art has not received the attention it deserves as the most common and universal of material expressions of culture. The Grace of Four Moons aims to document the clothing decisions made by ordinary people in their everyday lives. Based on fieldwork conducted primarily in the city of Banaras, India, Pravina Shukla conceptualizes and realizes a total model for the study of body art—understood as all aesthetic modifications and supplementations to the body. Shukla urges the study of the entire process of body art, from the assembly of raw materials and the manufacture of objects, through their sale and the interactions between merchants and consumers, to the consumer's use of objects in creating personal decoration.

This volume presents a collection of some of the seminal articles of Professor K. S. Shukla who made immense contributions to our understanding of the history and development of mathematics and astronomy in India. It consists of six parts: Part I constitutes introductory articles which give an overview of the life and work of Prof. Shukla, including details of his publications, reminiscences from his former students, and an analysis of his monumental contributions. Part II is a collection of important articles penned by Prof. Shukla related to various aspects of Indian mathematics. Part III consists of articles by Bibhutibhusan Datta and Avadhesh Narayan Singh—which together constitute the third unpublished part of their History of Hindu Mathematics—that were revised and updated by Prof. Shukla. Parts IV and V consist of a number of important articles of Prof. Shukla on different aspects of Indian astronomy. Part VI includes some important reviews authored by him and a few reviews of his work. Given the sheer range and depth of Prof. Shukla’s scholarship, this volume is essential reading for scholars seeking to deepen their understanding of the rich and varied contributions made by Indian mathematicians and astronomers.

Yoga is the settling of the mind into silence according to Maharishi Patanjali in his seminal Yoga-Sutras. How to settle the mind and achieve this silence? The Divinely-realized techniques of yoga are the key. Within this book, you will discover the basic theory, philosophy and practices of classical yoga as received by Sri Dharma Mittra from his beloved Guru and refi ned over his half-century of practice and teaching. Can a book enlighten the mind on its own? No, but this book will without a doubt aid in the process. Om Shanti Om.