Six Seconds In Dallas

In this long-awaited follow-up to his critically acclaimed 1967 classic, Six Seconds in Dallas, Josiah Thompson reveals major new forensic discoveries since the year 2000 that overturn previously accepted “facts” about the Kennedy assassination. Together they provide what no previous book on the assassination has done—incontrovertible proof that JFK was killed in a crossfire. Last Second in Dallas is not a conspiracy book. No theory of who did it is offered or discussed. Among the discoveries: The test showing that all recovered bullet fragments came from Oswald’s rifle was mistaken. Several fragments could have come from bullets of any manufacturer and any caliber. The sudden two-inch forward movement of the president’s head in the Zapruder film just before his head explodes is revealed to be an optical illusion caused by the movement of Zapruder’s camera. This leaves without further challenge clear evidence that this shot came from a specific location to the right front of the limousine. Detailed analysis of film frames matched by the newly validated acoustic evidence show a second shot struck the president’s head from behind less than a second later. Result: two killing shots to the head from opposite directions in the final second of the shooting—hence the book’s title. At once a historical detective story and a deeply personal narrative by a major figure in the field, Last Second in Dallas captures the drama and sweep of events, detailing government missteps and political bias as well as the junk science, hubris, and controversy that have dogged the investigation from the beginning. Into this account Thompson weaves his own eventful journey, that of a Yale-educated scholar who in 1976 resigned his tenured professorship in philosophy to become a private investigator in San Francisco, developing a national reputation. Profusely illustrated, Last Second in Dallas features dozens of archive photographs, including Zapruder film frames reproduced at the highest clarity ever published.

The moving, untold family story behind Abraham Zapruder's film footage of the Kennedy assassination and its lasting impact on our world. Abraham Zapruder didn't know when he ran home to grab his video camera on November 22, 1963 that this single spontaneous decision would change his family's life for generations to come. Originally intended as a home movie of President Kennedy's motorcade, Zapruder's film of the JFK assassination is now shown in every American history class, included in Jeopardy and Trivial Pursuit questions, and referenced in novels and films. It is the most famous example of citizen journalism, a precursor to the iconic images of our time, such as the Challenger explosion, the Rodney King beating, and the 9/11 attack on the Twin Towers. But few know the complicated legacy of the film itself. Now Abraham's granddaughter, Alexandra Zapruder, is ready to tell the complete story for the first time. With the help of the Zapruder family's exclusive records, memories, and documents, Zapruder tracks the film's torturous journey through history, all while American society undergoes its own transformation, and a new media-driven consumer culture challenges traditional ideas of privacy, ownership, journalism, and knowledge. Part biography, part family history, and part historical narrative, Zapruder demonstrates how one man's unwitting moment in the spotlight shifted the way politics, culture, and media intersect, bringing about the larger social questions that define our age.

From the author of White Noise (winner of the National Book Award) and The Silence, an eerily convincing fictional speculation on the events leading up to the assassination of John F. Kennedy In this powerful, unsettling novel, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped. A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche.

Documents the events leading up to and following the assassination of the thirty-fifth president as revealed by the Secret Service agents who were present, in an account that also draws on letters written by Jackie Kennedy in the immediate aftermath and other previously undisclosed sources.

The shots that killed President John F. Kennedy in November 1963 were fired from the sixth floor of a nondescript warehouse at the edge of Dealey Plaza in downtown Dallas. That floor in the Texas School Book Depository became a museum exhibit in 1989 and was designated part of a National Historic Landmark District in 1993. This book recounts the slow and painful process by which a city and a nation came to terms with its collective memory of the assassination and its aftermath. Stephen Fagin begins Assassination and Commemoration by retracing the events that culminated in Lee Harvey Oswald’s shots at the presidential motorcade. He vividly describes the volatile political climate of midcentury Dallas as well as the shame that haunted the city for decades after the assassination. The book highlights the decades-long work of people determined to create a museum that commemorates a president and recalls the drama and heartbreak of November 22, 1963. Fagin narrates the painstaking day-to-day work of cultivating the support of influential citizens and convincing boards and committees of the importance of preservation and interpretation. Today, The Sixth Floor Museum helps visitors to interpret the depository and Dealey Plaza as sacred ground and a monument to an unforgettable American tragedy. One of the most popular historic sites in Texas, it is a place of quiet reflection, of edification for older Americans who remember the Kennedy years, and of education for the large and growing number of younger visitors unfamiliar with the events the museum commemorates. Like the museum itself, Fagin’s book both carefully studies a community’s confrontation with tragedy and explores the ways we preserve the past.

New evidence from untranslated manuscripts challenges the accepted view that Kierkegaard's "gospel of suffering" was an orthodox view of man's existence.

Acetate overlay in pocket.Includes index. Bibliography: p. 307-308.