Skip Beat 14

Vie Ghoul is the new band burning up the charts by stealing Sho's moves, and Kyoko's hopping mad on his behalf. Kyoko's confrontation with Sho about his lack of action doesn't go as well as she hoped--Sho gets violent, and the frontman for Vie Ghoul gets a good look at Kyoko's demons. And both men seem a little more interested in Kyoko than Ren would like... -- VIZ Media

When Kyoko’s heart is broken, she decides that revenge is a dish best served in the spotlight! Kyoko Mogami followed her true love Sho to Tokyo to support him while he made it big as an idol. But he’s casting her out now that he’s famous enough! Kyoko won’t suffer in silence—she’s going to get her sweet revenge by beating Sho in show biz! Kyoko desperately wants to be cast in a new samurai drama so she can work opposite her best friend in the entire world, Kanae "Moko" Kotonami. But the producer in charge of the acting test kicks Kyoko out without even letting her perform! Kyoko’s temporary manager, Yoshiro, isn’t worried, though. He knows a little adversity isn’t enough to stand in the way of Kyoko’s dreams. Still, her competition isn’t known for playing fair, and Kyoko’s professionalism is getting blasted away by waves of doubt and grudge demons. Her only chance to stay in the running is to channel her dark emotions into her acting, but how can she hope to control feelings about her special weakness, Ren Tsuruga?!

Playing Solo Jazz Piano is an essential new book for creative jazz pianists. The second edition adds two new chapters and audiovisual content to the original. Readers will learn essential solo jazz piano concepts like stride piano, one-handed shell voicings, comping, using basslines, shared-hand voicings, leaving out the bass, and playing ballads. Plus, the book explores modern approaches to solo jazz piano including perpetual motion, counterpoint, and borrowing from classical music. With over 200 musical examples, references to over 100 jazz pianists, and numerous hands-on exercises, Playing Solo Jazz Piano is the perfect how-to for passionate, innovative pianists. " Jeremy has done a remarkable job of organizing the whole history of jazz piano in the book you now hold. It is concise and yet open-ended simultaneously. All of the important concepts and historical styles are here, and presented in a way that is thorough and that will also stimulate you to investigate, listen, experiment and have fun with the world of solo jazz piano." - Fred Hersch, jazz pianist, fifteen-time Grammy nominee "Jeremy Siskind’s book takes solo pianistson a journey from basic concepts to a real musical conversation: between both hands, across jazz tradition, with textures and rhythms, counterpoint and new harmonies. There’s a wealth of musical ideas here: how to efficiently practice, creatively delveinto a song, and musically tell a story." - Tamir Hendelman, pianist (Jeff Hamilton Trio, UCLA lecturer, recording artist) “ I’ve been waiting for this book! Jeremy Siskind presents a cogent and stimulating series of techniques and approaches to creative solo piano playing, rooted in the tradition while inviting both students and professionals to find their own voice and musical personality. The material is historically informed, well-organized, and specific, yet quite open-ended and fun to read and practice. Early and often, the book provides excellent guidance on how to develop the oft-neglected left hand. Finally, the lists of recommended recorded examples from the music’s solo piano masters are an invaluable asset.” - Jason Yeager, Assistant Professor of Piano, Berklee College of Music “ Playing Solo Jazz Piano is an extraordinarily comprehensive text on a complex subject. Jeremy expertly covers a breadth of techniques and styles while introducing fresh concepts drawn from his own unique artistic experience. This book is an invaluable resource for the beginner and advanced student alike." - David Meder, Assistant Professor of Piano, University of North Texas Author Jeremy Siskind is the student of Fred Hersch and the teacher of widely-hailed prodigy Justin-Lee Schultz. A top finisher in several national and international jazz piano competitions, Siskind is a two-time laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Besides a performance career in which he has been praised as “a genuine visionary” (Indianapolis Star) who “seems to defy all boundaries” (JazzInk), Siskind is an active teacher, including as a faculty member at Western Michigan University and Fullerton College. The author of over fifteen pedagogical books, Siskind chairs the Creative Track for the National Conference for Keyboard Pedagogy and serves as a regular clinician for Yamaha Music Education. He regularly travels too spread peace through music in places like Lebanon, Cyprus, Thailand, China, India, Colombia, and Tunisia with the organization Jazz Education Abroad.

When her true love, Sho, breaks up with her after becoming famous, Kyoko Mogami decides to get revenge by beating Sho in show business.

Kyoko and Moko are finally going to Dayjowey Land to have tea with a princess! A chance encounter with show biz royalty interrupts Kyoko’s dreams of a sweet afternoon in an enchanted castle though. Now she and Moko are putting their English skills to the test as they escort an excited American around the park. But as Kyoko well knows, nothing is ever exactly as it seems in show biz, and their new friend is no exception! -- VIZ Media

Koo and Lory can't stop meddling in Kyoko's and Ren's lives. Because while Koo is impressed with Kyoko's talent, he knows that she will never be a great actress unless she can overcome her fatal weakness. And Lory knows that Ren's acting is likewise affected by his refusal to face his past. Can the two old-timers give their young protégés a much-needed kick in the pants, or will their plans blow up in their faces?! -- VIZ Media

Kyoko is determined to win her way into show business, even if it means wearing embarrassing bright pink overalls and putting up with spoiled stars. But her first big assignment proves more difficult than she imagined when she finds herself in front of the camera with an injured leg. Will she be able to ace her first attempt at acting despite the pain, or will she make an utter fool of herself in front of her sort-of nemesis, Ren Tsuruga? -- VIZ Media

On the way to the Dark Moon wrap party Kyoko bumps into her cast mate Kijima. He’s never paid her any attention before, but he heard that people called her beautiful when they saw her in her Natsu role. Kijima can’t contain his curiosity and buys Kyoko a total makeover for the party. But is his interest innocent, or does he have wicked plans in store?! -- VIZ Media