Slant

The “reigning master of hard-edge science fiction takes a chilling look at the plausible near-future” in this cyberpunk sequel to Queen of Angels (Seattle Post-Intelligencer). In the second half of the twenty-first century, nanotechnology has transformed every aspect of society. Humans can now change their abilities, their appearance, their very bodies on microscopic level. Advanced psychotherapy seems to have wiped away violence and illness. The world is sane and in balance. However, that balance teeters with the grisly murder of two prostitutes and a series of suicides. Soon, public defender Mary Cho’s investigation finds a dark danger lurking in the recesses of the “dataflow.” Entertainment, virtual pornography, neo-Luddite separatists, an unknown artificial intelligence—everything seems to be intertwined in a vast conspiracy. As technology fails so too does the society perched high atop it. Perfection is a high pedestal from which to fall.

"The dead will always find ways to speak" When Teffy Byrne steals a dead sex worker's coded journal from a local art show, she thinks it might shed light on an unsolved murder committed seven years ago. The victim? Teresa Squires, her boyfriend Ger's old flame. But Teffy has to put Teresa's journal aside because Troy Hopper, Ger's former drug boss, is out of Her Majesty's Penitentiary and trying to contact Ger through her. An attempt to protect her lover quickly gets out of hand and Teffy finds herself stranded on an island with a pound of Troy's heroin smuggled inside a dead woman's urn: a dead woman whose daughter is intent on scattering what she thinks are her mother's ashes. But Teffy is determined to get the dope back and crack the code to that stolen journal. She just has no idea how explosive the journal's contents will turn out to be. Martin's propulsive storytelling, knife-edge prose, and deep compassion for the hardscrabble lives of his characters will keep you turning pages in this North Atlantic noir set against the hip galleries and rapidly changing outports of modern Newfoundland.

USA TODAY BESTSELLER! New York Times bestselling author Sharyl Attkisson takes on the media’s misreporting on Black Lives Matter, coronavirus, Joe Biden, Silicon Valley censorship, and more. When the facts don’t fit their Narrative, the media abandons the facts, not the Narrative. Virtually every piece of information you get through the media has been massaged, shaped, curated, and manipulated before it reaches you. Some of it is censored entirely. The news can no longer be counted on to reflect all the facts. Instead of telling us what happened yesterday, they tell us what’s new in the prepackaged soap opera they’ve been calling the news. For the past four years, five-time Emmy Award–winning investigative journalist and New York Times bestselling author Sharyl Attkisson has been collecting and dissecting alarming incidents tracing the shocking devolution of what used to be the most respected news organizations on the planet. For the first time, top news executives and reporters representing every major national television news outlet—from ABC, CBS, NBC, and CNN to FOX and MSNBC—speak frankly, confiding in Attkisson about the death of the news as they once knew it. Their concern transcends partisan divides. Most frightening of all, a broad campaign in the media has convinced many Americans not only to accept but to demand censorship over journalism. It is a stroke of genius on the part of those seeking to influence public opinion: undermine public confidence in the news, then insist upon “curating” information and divining the “truth.” The thinking is done for you. They’ll decide which pesky facts shouldn’t cross your desk by declaring them false, irrelevant, debunked, unsafe, or out-of-bounds. We have reached a state of utter absurdity, where journalism schools teach students that their own, personal truth or chosen narratives matter more than reality. In Slanted, Attkisson digs into the language of propagandists, the persistence of false media narratives, the driving forces behind today's dangerous blend of facts and opinion, the abandonment of journalism ethics, and the new, Orwellian definition of what it means to report the news.

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British journalist Robert Lovelace travels to California to report on the social media giant Global Village. He's horrified by what he finds: a company--guided by the ruthless vision of its founder, Evan Bone--that seems to be making journalism itself redundant. Appalled, he decides to abandon the project and return home. But as he leaves he has a disconcerting encounter that sends him off in a totally different direction. Soon he finds himself embarked on an increasingly fraught and dangerous mission. The aim: to uncover the murky truth about Evan Bone's past and his pathological disregard for the human cost of the behemoth he has created. Robert's quest takes him from San Francisco to a small college town in the Midwest, to the site of a former hippie commune in northern California, introducing us to a range of vivid characters, and confronting us with the price we pay--online trolling; the loss of privacy; professional ruin--for living in an "interconnected" world. Finally, he makes a startling discovery--and is thrown into a completely unforeseen existential dilemma. A timely, stylishly written, and brilliantly conceived metaphysical thriller, Coyote Fork carries us on an unforgettable journey, before bringing us face to face with the darkness at the heart of Silicon Valley itself.

Thirteen-year-old Lauren, a Korean American adoptee, is best friends with the prettiest — and tallest — girl in the school, Julie, who has an endless amount of confidence. Lauren, on the other hand, has been saving for years to pay for a special eye surgery that will deepen the crease of her eyelids. It's not that she wants to look like everyone else in her suburban Connecticut school; she'd just be happy if kids stopped calling her "slant" and "gook." Up until now she's been able to ignore the insults, but when the cutest boy in her class calls her "slant," she realizes she needs to do something about her "nickname." When she convinces her reluctant father to consent to the eye operation, Lauren suddenly finds herself faced with a challenge: should she get the operation that might make her more confident and popular, or can she find that confidence within herself? Laura Williams' sensitive, beautifully written story offers a powerful lesson to young readers whose self-esteem depends too much on how they look.

Eugene Peterson considers the words of the Word made flesh. His probing of the parables and prayers of Jesus will inform and inspire all who love the Gospels. He explores the common speech of the Bible, and carefully exercises God's gift of language so that Jesus' words of storytelling and prayer "dazzle us with truth."

Watch out! A little boy comes rushing down a hill, through busy streets, a pasture, a tennis yard and a meadow — before finally coming to rest, safely in a haystack. Peter Newell’s’s own hilarious, topsy-turvy illustrations fill the pages of the classic "The Slant Book", which was one of the earliest ‘picture books’. This first edition from 1910 is guaranteed to still entertain both young and old. Peter Newell (1862-1924) was an American artist, author and illustrator of children’s books. Creating his own picture books, such as "The Hole Book" and "The Slant Book", he also illustrated first editions of books by authors such as Mark Twain, Stephen Crane, John Kendrick Bangs, and Lewis Carroll.