Slaves Among Us

Now with a foreword by trafficking survivor Evelyn Chumbow, of The Human Trafficking Legal Center.The horrific world of modern slavery is exposed in this book based on the first-hand experiences of victims of human trafficking.Through the stories of three remarkable individuals who share how they fell victim to traffickers and how their bodies and souls resisted an enterprise of total destruction, Monique Villa takes us around the world--from Ohio to Tokyo, London to India, Qatar to Colombia--to uncover a parallel world where men, women, and children are dehumanized and reduced to obedient machines. Written by a global leader in the fight against human trafficking, this powerful book uncovers the hidden world of slaves--no longer physically in chains--who walk among us, trapped in a cycle of exploitation. Despite significant progress in the fight for human rights, slavery continues to flourish. In fact, there are more slaves today, in countries rich and poor, than at any point in the past. By giving voice to survivors of this horrific trade, Villa vividly illustrates dire situations we can do something about. Her call to action outlines concrete steps to safeguard the vulnerable among us and to eliminate slavery in our time.The author is donating all proceeds from sales of this book to help combat human trafficking.

Monique Villa shows us the world of slaves--no longer physically in chains--who walk among us, trapped in a cycle of exploitation. Her moving book, giving voice to survivors of this horrific trade, vividly illustrates dire situations we can do something about. Her call to action outlines concrete steps in order to outlaw and eliminate modern slavery

Monique Villa shows us the world of slaves--no longer physically in chains--who walk among us, trapped in a cycle of exploitation. Her moving book, giving voice to survivors of this horrific trade, vividly illustrates dire situations we can do something about. Her call to action outlines concrete steps in order to outlaw and eliminate modern slavery

This “important and timely” (Drew Faust, Harvard Magazine) #1 New York Times bestseller examines the legacy of slavery in America—and how both history and memory continue to shape our everyday lives. Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be. Winner of the National Book Critics Circle Award for Nonfiction Winner of the Stowe Prize Winner of 2022 Hillman Prize for Book Journalism A New York Times 10 Best Books of 2021

“A robustly researched and smoothly written overview of the many challenges confronting our devotion to fossil fuels” from the author of Tar Sands (Quill & Quire). Ancient civilizations relied on shackled human muscle. It took the energy of slaves to plant crops, clothe emperors, and build cities. Nineteenth-century slaveholders viewed critics as hostilely as oil companies and governments now regard environmentalists. Yet the abolition movement had an invisible ally: coal and oil. As the world’s most versatile workers, fossil fuels replenished slavery’s ranks with combustion engines and other labor-saving tools. Since then, cheap oil has transformed politics, economics, science, agriculture, and even our concept of happiness. Many North Americans today live as extravagantly as Caribbean plantation owners. We feel entitled to surplus energy and rationalize inequality, even barbarity, to get it. But endless growth is an illusion. In this provocative book, Andrew Nikiforuk, winner of the Rachel Carson Environment Book Award, argues that what we need is a radical emancipation movement that ends our master-and-slave approach to energy. We must learn to use energy on a moral, just, and truly human scale. Published in Partnership with the David Suzuki Institute “In his cautionary tale about the evils of oil . . . Nikiforuk makes his case for impending doom if we don’t mend our energy-spending ways.” —The Star “In this cogently argued book, Andrew Nikiforuk deploys a powerful metaphor. Oil dependency, he writes, is a modern form of slavery—and it’s time for a global abolition movement.” —Taras Grescoe, author of Shanghai Grand “A startling critique that should rouse us from our pipe dream of endless plenty.” —Ronald Wright, author of On Fiji Islands

An educated, aristocratic slave, Abd Rahman Ibrahima was overseer of the large cotton and tobacco plantation of his master. After more than twenty-five years, when he was finally freed, sixty-six-year-old Ibrahima sailed for Africa with his wife, two sons, and several grandchildren, and died there of fever just five months after his arrival. Prince Among Slaves is the first full account of Ibrahima's life, pieced together from first-person accounts and historical documents. It is not only a remarkable story, but the story of a remarkable man, who endured the humiliation of slavery without ever losing his dignity or his hope for freedom.

Fifteen years after its hardcover debut, the FSG Classics reissue of the celebrated work of narrative nonfiction that won the National Book Award and changed the American conversation about race, with a new preface by the author The Ball family hails from South Carolina—Charleston and thereabouts. Their plantations were among the oldest and longest-standing plantations in the South. Between 1698 and 1865, close to four thousand black people were born into slavery under the Balls or were bought by them. In Slaves in the Family, Edward Ball recounts his efforts to track down and meet the descendants of his family's slaves. Part historical narrative, part oral history, part personal story of investigation and catharsis, Slaves in the Family is, in the words of Pat Conroy, "a work of breathtaking generosity and courage, a magnificent study of the complexity and strangeness and beauty of the word ‘family.'"

"1821: After the landlord of Lugdale Estate in Kerry is assassinated, young Art O'Neill's innocent father is hanged and Art is deported to the cane fields of Jamaica as an indentured servant. On Mangrove Plantation he gradually acclimates to the exotic country and unfamiliar customs of the African slaves, and achieves a kind of contentment. Then the new plantation heirs arrive. His new owner is Colonel Stratford-Rice from Lugdale Estate, the man who hanged his father. Art must overcome his hatred to survive the harsh life of a slave and live to see the eventual emancipation which liberates his coloured children. Eventually he is promised seven gold coins when he finishes his service, but doubts his master will part with the coins."--back cover.