Slender Man Is Coming

The essays in this volume explore the menacing figure of Slender Man—the blank-faced, long-limbed bogeyman born of a 2009 Photoshop contest who has appeared in countless horror stories circulated on- and offline among children and young people. Slender Man is arguably the best-known example in circulation of “creepypasta,” a genre derived from “copypasta,” which in turn derived from the phrase “copy/paste.” As narrative texts are copied across online forums, they undergo modification, annotation, and reinterpretation by new posters in a folkloric process of repetition and variation. Though by definition legends deal largely with belief and possibility, the crowdsourced mythos behind creepypasta and Slender Man suggests a distinct awareness of fabrication. Slender Man is therefore a new kind of creation: one intentionally created as a fiction but with the look and feel of legend. Slender Man Is Coming offers an unprecedented folkloristic take on Slender Man, analyzing him within the framework of contemporary legend studies, “creepypastas,” folk belief, and children’s culture. This first folkloric examination of the phenomenon of Slender Man is a must-read for anyone interested in folklore, horror, urban legends, new media, or digital cultures. Contributors: Timothy H. Evans, Andrea Kitta, Mikel J. Koven, Paul Manning, Andrew Peck, Jeffrey A. Tolbert, Elizabeth Tucker

How far are you willing to go for Mister Tender? At fourteen, Alice Hill was viciously attacked by two of her classmates and left to die. The teens claim she was a sacrifice for a man called Mister Tender, but that could never be true: Mister Tender doesn't exist. His sinister character is pop-culture fiction, created by Alice's own father in a series of popular graphic novels. Over a decade later, Alice has changed her name and is trying to heal. But someone is watching her. They know more about Alice than any stranger could: her scars, her fears, and the secrets she keeps locked away. She can try to escape her past, but Mister Tender is never far behind. He will come with a smile that seduces, and a dark whisper in her ear... Inspired by the Slender Man crime, this gripping thriller plunges you into a world of haunting memories and unseen threats, leaving you guessing until the harrowing end.

It’s the dead of night; you are fast asleep. Suddenly, you are wide awake but unable to move. Hunched over you in the shadows is an eight- or nine-foot-tall gaunt entity with spider-thin limbs, dressed in an old-style black suit, its pale face missing eyes, nose, ears, and mouth. You finally manage to cry out. The monstrous thing disappears as suddenly as it appeared. You just had a terrifying encounter with the Slenderman. Who—or what—is the Slenderman? His existence began on the Internet, but he didn’t stay online. The Slenderman may be a tulpa, a thought-form that can stride out of our darkest imaginations and into reality if enough people believe in it. In May 2014, two young Milwaukee girls almost killed a friend in the name of the Slenderman. Perhaps, like the vast Skynet system in the Terminator movies, the Internet is turning against us—and attacking us with digital equivalents of our own online nightmares. The Slenderman has come to life. For the first time, this book reveals the full and fear-filled saga.

A horror story based on the creepypasta Slender Man, a tall, thin man dressed in black, who appears mysteriously in photos watching little children playing on the playground.

The first full account of the Slenderman stabbing, a true crime narrative of mental illness, the American judicial system, the trials of adolescence, and the power of the internet On May 31, 2014, in the Milwaukee suburb of Waukesha, Wisconsin, two twelve-year-old girls attempted to stab their classmate to death. Morgan Geyser and Anissa Weier’s violence was extreme, but what seemed even more frightening was that they committed their crime under the influence of a figure born by the internet: the so-called “Slenderman.” Yet the even more urgent aspect of the story, that the children involved suffered from undiagnosed mental illnesses, often went overlooked in coverage of the case. Slenderman: Online Obsession, Mental Illness, and the Violent Crime of Two Midwestern Girls tells that full story for the first time in deeply researched detail, using court transcripts, police reports, individual reporting, and exclusive interviews. Morgan and Anissa were bound together by their shared love of geeky television shows and animals, and their discovery of the user-uploaded scary stories on the Creepypasta website could have been nothing more than a brief phase. But Morgan was suffering from early-onset childhood schizophrenia. She believed that she had seen Slenderman long before discovering him online, and the only way to stop him from killing her family was to bring him a sacrifice: Morgan’s best friend Payton “Bella” Leutner, whom Morgan and Anissa planned to stab to death on the night of Morgan’s twelfth birthday party. Bella survived the attack, but was deeply traumatized, while Morgan and Anissa were immediately sent to jail, and the severity of their crime meant that they would be prosecuted as adults. There, as Morgan continued to suffer from worsening mental illness after being denied antipsychotics, her life became more and more surreal. Slenderman is both a page-turning true crime story and a search for justice.

Legend Tripping: A Contemporary Legend Casebook explores the practice of legend tripping, wherein individuals or groups travel to a site where a legend is thought to have taken place. Legend tripping is a common informal practice depicted in epics, stories, novels, and film throughout both contemporary and historical vernacular culture. In this collection, contributors show how legend trips can express humanity’s interest in the frontier between life and death and the fascination with the possibility of personal contact with the supernatural or spiritual. The volume presents both insightful research and useful pedagogy, making this an invaluable resource in the classroom. Selected major articles on legend tripping, with introductory sections written by the editors, are followed by discussion questions and projects designed to inspire readers to engage critically with legend traditions and customs of legend tripping and to explore possible meanings and symbolics at work. Suggested projects incorporate digital technology as it appears both in legends and in modes of legend tripping. Legend Tripping is appropriate for students, general readers, and folklorists alike. It is the first volume in the International Society for Contemporary Legend Research series, a set of casebooks providing thorough and up-to-date studies that showcase a variety of scholarly approaches to contemporary legends, along with variants of legend texts, discussion questions, and projects for students. Contributors: S. Elizabeth Bird, Bill Ellis, Carl Lindahl, Patricia M. Meley, Tim Prizer

Sanger Rainsford is a big-game hunter, who finds himself washed up on an island owned by the eccentric General Zaroff. Zaroff, a big-game hunter himself, has heard of Rainsford’s abilities with a gun and organises a hunt. However, they’re not after animals – they’re after people. When he protests, Rainsford the hunter becomes Rainsford the hunted. Sharing similarities with "The Hunger Games", starring Jennifer Lawrence, this is the story that created the template for pitting man against man. Born in New York, Richard Connell (1893 – 1949) went on to become an acclaimed author, screenwriter, and journalist. He is best remembered for the gripping novel "The Most Dangerous Game" and for receiving an Oscar nomination for the screenplay "Meet John Doe".

"This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the “folkloresque.” With “folkloresque,” Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline.Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes—integration, portrayal, and parody—the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts.The Folkloresque challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms."