Slum Beautiful

Slum beautiful is a remarkable, straight forward, poetic and eye stretching memoir of KyDeja Morgan’s (Slum Beautiful) struggling life. In her first 28 years of life she was molested, practiced blasphemous acts, robbed, sold drugs, used drugs, prostituted, and arrested and almost prosecuted for the murders of both her mother and brother. Like her other siblings, Slum was raised in a dysfunctional family that practiced open sex, used drugs, gambled and treated their home as a hangout for other addicts. Through her avowed journey in life, it would take Slum 28 years and 11 months, along with becoming homeless to find the beauty in her slum (mind, body, soul and surroundings.) she was able to connect, dig out and remove some of the most scattered and unraveling moments of her life thanks to the acts of soliloquy, prison and an unlikely fallen angel along the way. However, before Slum could share her newly found beauty she has to beat a slew of charges, including breaking and entering, robbery, murder-and come fourth with secrets that inadvertently prolonged her vicious life cycle. Slum Beautiful- in retrospect not only visits the most dangerous place on earth in our heart’s memory, but gives a mind-boggling, touch of retrograde amnesia exploring the inducement of dysfunction in Slum’s family that includes, molestation, sibling rivalry, systematic dependency, drug dependency, self hate, cultural hate, racism, and women and child abuse. Slum Beautiful explores how cycles of injustice begin, and how they can continue to plague without culminating. Penned with a poetic pen, conscience mind, and honest heart, Slum beautiful is the Pangaea of life before the evolution of such disheartening events, and then some. It is an internal reflection of yours and mine. Find your beauty, before the wrong hands do. Without further do, Kenny Attaway presents Slum Beautiful: the soliloquy of the kandy lady.

Bitches Brew: in the hands of Blackjack Nutmeg. the novel partly inspired by Miless Davis 1970s Jazz album, explores the bend riffs and hard-times many good men experience in turbulent relationships with their significant others (women) in their lives. Bitches Brew exposes and sheds light on many hidden agenda and wrongs the woman/women play in the role of the deconstruction of humanism along with exposing many of the things women might have always wanted to know in regards of a mans TRUE feelings. And although the project carries the authors of Kenny Attaway & Ghetto English Rock and primarily centers around the lives of Dallas (leading character) and his friends Sal, Aston and Justin, over 200 different men hardships and tribulations have been packed into the novel. Bitches Brew not only explores the troubled relations THE MEN share with their significant others/women in their lives, but the hardships with the other woman in their lives such as their mother (s), daughter (s), sisters and grandmothers. Written and encrusted in/with the life spices of compassionate, honest, wits, understanding and realism--Bitches Brew is one of the best-written, honest and most personal memoirs of our lifetime.

A picture-rich field guide to American photography, from daguerreotype to digital. We are all photographers now, with camera phones in hand and social media accounts at the ready. And we know which pictures we like. But what makes a "good picture"? And how could anyone think those old styles were actually good? Soft-focus yearbook photos from the '80s are now hopelessly—and happily—outdated, as are the low-angle portraits fashionable in the 1940s or the blank stares of the 1840s. From portraits to products, landscapes to food pics, Good Pictures proves that the history of photography is a history of changing styles. In a series of short, engaging essays, Kim Beil uncovers the origins of fifty photographic trends and investigates their original appeal, their decline, and sometimes their reuse by later generations of photographers. Drawing on a wealth of visual material, from vintage how-to manuals to magazine articles for working photographers, this full-color book illustrates the evolution of trends with hundreds of pictures made by amateurs, artists, and commercial photographers alike. Whether for selfies or sepia tones, the rules for good pictures are always shifting, reflecting new ways of thinking about ourselves and our place in the visual world.

Slum beautiful is a remarkable, straight forward, poetic and eye stretching memoir of KyDeja Morgan's (Slum Beautiful) struggling life. In her first 28 years of life she was molested, practiced blasphemous acts, robbed, sold drugs, used drugs, prostituted, and arrested and almost prosecuted for the murders of both her mother and brother. Like her other siblings, Slum was raised in a dysfunctional family that practiced open sex, used drugs, gambled and treated their home as a hangout for other addicts. Through her avowed journey in life, it would take Slum 28 years and 11 months, along with becoming homeless to find the beauty in her slum (mind, body, soul and surroundings.) she was able to connect, dig out and remove some of the most scattered and unraveling moments of her life thanks to the acts of soliloquy, prison and an unlikely fallen angel along the way. However, before Slum could share her newly found beauty she has to beat a slew of charges, including breaking and entering, robbery, murder-and come fourth with secrets that inadvertently prolonged her vicious life cycle. Slum Beautiful- in retrospect not only visits the most dangerous place on earth in our heart's memory, but gives a mind-boggling, touch of retrograde amnesia exploring the inducement of dysfunction in Slum's family that includes, molestation, sibling rivalry, systematic dependency, drug dependency, self hate, cultural hate, racism, and women and child abuse. Slum Beautiful explores how cycles of injustice begin, and how they can continue to plague without culminating. Penned with a poetic pen, conscience mind, and honest heart, Slum beautiful is the Pangaea of life before the evolution of such disheartening events, and then some. It is an internal reflection of yours and mine. Find your beauty, before the wrong hands do. Without further do, Kenny Attaway presents Slum Beautiful: the soliloquy of the kandy lady.

WINNER OF THE 2012 LA TIMES BOOK PRIZE WINNER OF THE 2012 US NATIONAL BOOK AWARD FOR NONFICTION SHORTLISTED FOR THE 2013 PULITZER PRIZE From Pulitzer Prize-winner Katherine Boo comes a landmark work of narrative nonfiction that tells the dramatic and sometimes heartbreaking story of families striving toward a better life in one of the world’s most lively but treacherous cities. Annawadi is a makeshift settlement in the shadow of luxury hotels near the Mumbai airport and, as India starts to prosper, Annawadians are electric with hope. Abdul, a reflective and enterprising Muslim teenager, sees ‘a fortune beyond counting’ in the recyclable garbage that richer people throw away. Asha, a woman of formidable wit and deep scars from a childhood in rural poverty, has identified an alternate route to the middle class: political corruption. With a little luck, her sensitive, beautiful daughter — Annawadi’s ‘most-everything girl’ — will soon become its first female college graduate. And even the poorest Annawadians, like Kalu, a 15-year-old scrap-metal thief, believe themselves inching closer to the good lives and good times they call ‘the full enjoy’. But then Abdul the garbage sorter is falsely accused in a shocking tragedy; terror and a global recession rock the city; and suppressed tensions over religion, caste, sex, power, and economic envy turn brutal. As the tenderest individual hopes intersect with the greatest global truths, the true contours of a competitive age are revealed. And so, too, are the imaginations and courage of the people of Annawadi. With intelligence, humour, and deep insight into what connects human beings in an era of tumultuous change, Behind the Beautiful Forevers carries the reader headlong into one of the 21st century’s hidden worlds, and into the lives of people impossible to forget. PRAISE FOR KATHERINE BOO ‘Boo's meticulous work is a must for India watchers, of course, but it is also a great example of the power of what used to be known as immersion journalism. And a cracking read.’ The Age ‘[An] exquisitely accomplished first book.’ The New York Times