Smithsonian America

Celebrating the reopening of the newly restored Smithsonian American Art Museum, a premier collection of American art features more than 250 reproductions of great works of American painting, sculpture, folk art, and photography, by such artists as Edward Hopper, Georgia O'Keeffe, Nam June Paik, and other luminaries.

The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.

"This book explores the varied ways that the National Museum of American History and its predecessors conveyed the story of America in its exhibitions to millions of annual visitors through five distinct eras of history. Because of the museum's size and scope and its prominent presence in the nation's capital, its leaders have always aspired to grand visions of it mission and program. Yet the realities of exhibition development tempered and shaped what was ultimately displayed on its floors in many surprising and provocative ways. These five eras were: The Nation's Attic (1876-1964), A Museum of History and Technology (1964-1969), Celebrating America' Bicentennial (1969-1979), A National Museum of American History (1979-2001), and What does it mean to be American? (2001-2018). The narrative describes what was on display through both narrative discussions and a wealth of illustrations. In addition, it explores the background stories of how and why the museum chose to mount the exhibitions it presented. A conclusion offers reflections on historical trends and continuing challenges for the museum"--

Explores how one group of Latin American artists express their relationship to American art, history and culture.

Accessible exploration of the noteworthy scientific career of James Smithson, who left his fortune to establish the Smithsonian Institution. James Smithson is best known as the founder of the Smithsonian Institution, but few people know his full and fascinating story. He was a widely respected chemist and mineralogist and a member of the Royal Society, but in 1865, his letters, collection of 10,000 minerals, and more than 200 unpublished papers were lost to a fire in the Smithsonian Castle. His scientific legacy was further written off as insignificant in an 1879 essay published through the Smithsonian fifty years after his death--a claim that author Steven Turner demonstrates is far from the truth. By providing scientific and intellectual context to his work, The Science of James Smithson is a comprehensive tribute to Smithson's contributions to his fields, including chemistry, mineralogy, and more. This detailed narrative illuminates Smithson and his quest for knowledge at a time when chemists still debated thing as basic as the nature of fire, and struggled to maintain their networks amid the ever-changing conditions of the French Revolution and the Napoleonic Wars.

Presents descriptions and illustrations of hundreds of North American mammals, along with their scientific and common names and information on behavior, diet, reproduction, growth, longevity, and habitat.

The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics Alexander von Humboldt (1769–1859) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape an emerging American identity grounded in the natural world. In this beautifully illustrated book, Eleanor Jones Harvey examines how Humboldt left a lasting impression on American visual arts, sciences, literature, and politics. She shows how he inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans, and extol America's wilderness as a signature component of the nation's sense of self. Harvey traces how Humboldt's ideas influenced the transcendentalists and the landscape painters of the Hudson River School, and laid the foundations for the Smithsonian Institution, the Sierra Club, and the National Park Service. Alexander von Humboldt and the United States looks at paintings, sculptures, maps, and artifacts, and features works by leading American artists such as Albert Bierstadt, George Catlin, Frederic Church, and Samuel F. B. Morse. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC September 18, 2020–January 3, 2021

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.