Snarl For The Camera

Snarl for the Camera is a book about animals, and the filming of animals. During his many years as a leading wildlife cameraman, James Gray has filmed everything from human lice (which he had to feed on his own blood) to elephants in Thailand, polar bears in the Arctic, anacondas in Venezuela, mountain gorillas in Uganda, and golden monkeys and pandas in China. In a series of entertaining and informative stories, the author describes his (sometimes very scary) experiences filming wild animals - like the time he found he'd parked himself right on top of a polar bear's den... James reveals the eye-opening truth behind the making of nature programmes: keeping television producers happy requires not only an inordinate amount of patience and perseverance - wading through swamps or squatting in trees for days on end - but may also require giving nature a helping hand.

This is a book about animals and the filming of animals. During his many years as a leading wildlife cameraman, James Gray has filmed everything from human lice (which he had to feed on his own blood) to elephants in Thailand, polar bears in the Arctic, anacondas in Venezuela, mountain gorillas in Uganda, and golden monkeys and pandas in China. James describes his (sometimes very scary) experiences filming wild animals - like the time he found he'd parked himself right on top of a polar bear's den - and he reveals the eye-opening truth behind the making of nature programs.

Recounts the author's experience as a cancer patient. He was diagnosed with stage 2A Hodgkin lymphoma at age 30, and was cancer free in 2010, and five years later considered in complete remission.

A bittersweet gothic fantasy of family, friendship, memory, and the uncanny told from the perspective of a blind teenager in Puglia, Southern Italy, set in the same world as The Book of Hidden Things, perfect for readers of Neil Gaiman, Donna Tartt and Haruki Murakami. Praise God, never the wind 1996 - Luca Saracino is thirteen and has been completely blind for eight months when his parents move to a Southern Italian farmhouse they dream of turning into a hotel. With his brother dropping out of university and the family reeling from Luca’s diagnosis, they are chasing dreams of rebirth and reinvention. As Luca tells his story without sight - experiencing the world solely through hearing, smell, taste and touch - he meets the dauntless Ada Guadalupi, who takes him out to explore the rocky fields and empty beaches. But Luca and Ada find they can’t escape the grudges that have lasted between their families for generations, or the gossiping of the town. And Luca is preyed upon by the feral Wanderer, who walks the vineyards of his home. As Luca's family starts to crack at the seams, Luca and Ada have to navigate new lands and old rivalries to uncover the truths spoken as whispers on the wind.

Explores intervisual case studies in relation to migration, xenophobia, and gender. Affective Images examines both canonical and lesser-known photographs and films that address the struggle against apartheid and the new struggles that came into being in post-apartheid times. Marietta Kesting argues for a way of embodied seeing and complements this with feminist and queer film studies, history of photography, media theory, and cultural studies. Featuring in-depth discussions of photographs, films, and other visual documents, Kesting then situates them in broader historical contexts, such as cultural history and the history of black subjectivity and revolves the images around the intersection of race and gender. In its interdisciplinary approach, this book explores the recurrence of affective images of the past in a different way, including flashbacks, trauma, “white noise,” and the return of the repressed. It draws its materials from photographers, filmmakers, and artists such as Ernest Cole, Simphiwe Nkwali, Terry Kurgan, Thenjiwe Niki Nkosi, Adze Ugah, and the Center for Historical Reenactments. Marietta Kesting is Junior Professor for Media Theory at the CX Centre for Interdisciplinary Studies at the Academy of Fine Arts, Munich, Germany.

How did beloved movie dogs become man-killers like Cujo and his cinematic pack-mates? For the first time, here is the fascinating history of canines in horror movies and why our best friends were (and are still) painted as malevolent. Stretching back into Classical mythology, treacherous hounds are found only sporadically in art and literature until the appearance of cinema's first horror dog, Sherlock Holmes' Hound of the Baskervilles. The story intensifies through World War II's K-9 Corps to the 1970s animal horror films, which broke social taboos about the "good dog" on screen and deliberately vilified certain breeds--sometimes even fluffy lapdogs. With behind-the-scenes insights from writers, directors, actors, and dog trainers, here are the flickering hounds of silent films through talkies and Technicolor, to the latest computer-generated brutes--the supernatural, rabid, laboratory-made, alien, feral, and trained killers. "Cave Canem (Beware the Dog)"--or as one seminal film warned, "They're not pets anymore."

Four heavy metal romances with rocking heroes and badass heroines. A holiday redemption with two metal musicians just out of rehab. They find a new addiction in each other. A Ph.D. student convinces a notorious bad boy to let her accompany their band on tour. He later finds out she's a rival band frontman's off-limits little sister. A nurse falls for the sexy drummer next door. She thinks it can't work out with a younger man. He's determined to prove her wrong. A grumpy bass player is furious when a stubborn, gorgeous filmmaker does a documentary on their band. Until she thaws his heart. Books included are Metal and Mistletoe, Forbidden Song, Tempting Beat, and Heart Throb Subgenres: rockstar romance, workplace romance, contemporary romance, new adult romance Tropes: damaged hero, grumpy hero, damaged heroine, grumpy-sunshine, forced proximity, enemies to lovers, secret affair, good grovel, angsty, older woman younger man, forbidden romance, workplace romance, friends to lovers

This second volume of the Trukese-English Dictionary supplements the first one, published in 1980. It provides an English-Trukese index or finderlist for the Trukese-English of the first volume & a concordance of roots, including what appear to be complex words that we cannot analyze into constituent elements. The Truk Dictionary Project was supported by the Nat. Science Found. (NSF), the Dept. of Ed. of the Trust Territory of the Pacific Islands, the Univ. of Penna., & the Univ. of Hawaii. Illustration.