So You Want To Be A Screenwriter

I wish I had this book when I first plunged into the screenwriting jungle... Michele Rifkin, writer, Bone Chillers, ABC...

There's nothing fabulous about 50 for L.A. film critic Jeremy Lerner, who loses his marriage, his job, and the use of his right arm just days after the birthday party he begged his now ex-wife not to throw him. But fate is a sly devil.Jeremy's string of calamities leads to a game-changing emotional and creative rebirth after he meets the intoxicating Annabelle, a beguiling widow who comes to his rescue-and Jeremy to hers. If only their baggage didn't match quite so well. With the added support of his wise and spirited mom, Joyce, his capricious and big-hearted son, Matty, and Matty's steadfast new boyfriend, Gabe, Jeremy begins to change in ways that surprise, inspire, and galvanize him. All of this while his career makes a head-spinning leap. The thing is, can it last?The Last Birthday Party combines wry observation with an everyday wistfulness for a warm, propulsive, humanly funny tale of second chances set against the alluring nuttiness of Hollywood.

Into The Woods is a revelation of the fundamental structure and meaning of all stories, from the man responsible for more hours of drama on British television than anyone else, John Yorke. We all love stories. Many of us love to tell them, and even dream of making a living from it too. But what is a story? Hundreds of books about screenwriting and storytelling have been written, but none of them ask 'Why?' Why do we tell stories? And why do all stories function in an eerily similar way? John Yorke has been telling stories almost his entire adult life, and the more he has done it, the more he has asked himself why? Every great thinker or writer has their theories: Aristotle, David Hare, Lajos Egri, Robert McKee, Gustav Freytag, David Mamet, Christopher Booker, Charlie Kaufman, William Goldman and Aaron Sorkin - all have offered insightful and illuminating answers. Here, John Yorke draws on these figures and more as he takes us on a historical, philosophical, scientific and psychological journey to the heart of all storytelling. What he reveals is that there truly is a unifying shape to narrative - one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within. Much more than a 'how to write' book, Into the Woods is an exploration of this fundamental structure underneath all narrative forms, from film and television to theatre and novel-writing. With astonishing detail and wisdom, John Yorke explains to us a phenomenon that, whether it is as a simple fable, or a big-budget 3D blockbuster, most of us experience almost every day of our lives.

Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie.

This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!

Unlike most how-to books on screenwriting, Writing in Pictures is highly practical, offering a realistic guide to the screenwriting profession, as well as concrete practical guidance in the steps professional writers take to write a screenplay that comes from the heart instead of the pocketbook. The readeris taken through the nitty-gritty process of conceiving, outlining, constructing, and writing a screenplay in the professional format, with clear and concise examples offered for every step in writing a short dramatic film. Writing in Pictures offers straight talk, no mumbo-jumbo or gimmicks, just a methodical, step-by-step process that walks the reader through the different stages of writing a screenplay -- from idea to outline to character biography to treatment to step outline to finished screenplay. Using well-known films and screenplays, both contemporary and classic, to illustrate its lessons, Writing in Pictures also offers comments from famous screenwriters past and present and insightful stories (often colorful and funny) that illuminate aspects of the craft.

Dan O'Bannon famously crafted his screenplays using a self-designed system which he called "dynamic structure." This book outlines how O'Bannon's method differs from those of other well-known screenwriting gurus, and illustrates with examples from classic (and not-so-classic) films how dynamic structure can be applied to craft narrative and character. O'Bannon also includes his insights on subjects such as the logic of the three-act structure, the role of the producer in screenplay development, and the psychological principle known as "hedonic adaptation," which has a unique effect on the structuring of screen stories.

Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.